Commentary
FILM REVIEW: Vice
NNPA NEWSWIRE — If the long list of characters seems vaguely familiar… Vice will set you straight. Not only does it give a closeup view of Dick Cheney and his agenda, it threads together all the people and machinations that led the country into a misguided war in the aftermath of 9/11 and a severe financial crisis.
By Dwight Brown, NNPA News Wire Film Critic
It was an historic power grab. Not the Republicans taking back the White House after a controversial, razor-thin win by George W. Bush over Al Gore. It was the vice president-elect, Dick Cheney, out-maneuvering George Jr. and becoming the puppet master. Cheney: “No one has shown the world the true power of the presidency.” If one quarter of this searing and satirical film is true, the filmmakers may have made a mistake titling the film Vice. Some viewers may think this bio/drama should have been called Dick.
Writer/director Adam McKay is no stranger to politics and news-related projects. He won a Best Adapted Screenplay Oscar for The Big Short, a comic exposé on the mortgage scandal that brought on the 2007 recession. As a former writer on Saturday Night Live, he turned current events into biting satire. That skill comes in handy with his innate handling of a bleak period in time that most people would like to forget but are still curious about the behind-the-scenes scoop. With a well-researched script, Adams tackles the sordid details of a cunning, ambitious man who ran the country into the ground.
Hats off to McKay and the casting director (Francine Maisler, The Revenant) for assembling a stellar ensemble: Chameleon actor Christian Bale (The Machinist, Rescue Dawn, The Dark Knight) embodies Richard Bruce “Dick” Cheney in every frame. Yes, he gained the weight, grayed his hair and donned the glasses. But the full effect of his uncanny portrayal is in his low, gravelly voice, the bent over head, slouching posture and very deliberate walk that evoke the film’s central figure in the eeriest way. It’s an impressive transformation, not to be confused with being an impersonation. For many audience members, Bale’s uncanny Cheney aura is the image of the VP that will linger.
Though Sam Rockwell (Three Billboards Outside Ebbing, Missouri and Moon) doesn’t look like George W. Bush, his interpretation of the party boy turned governor and gullible president is dead-on. The friendly Texas accent and accommodating demeanor sets him up to be the naïve rooster who invites a fox into his henhouse. Amy Adams gives certain power to the very demanding, king-maker wife Lynne Cheney. Steve Carell’s depiction of Donald Rumsfeld—businessman, congressman, White House Chief of Staff, Secretary of Defense and co-architect of wars in Afghanistan and Iraq—rings true.
The rest of the key players in the Nixon/Ford/Bush administrations are recreated with distinct performances aided by McKay’s instinctual direction: Condoleezza Rice (LisaGay Hamilton); Scooter Libby (Justin Kirk); Gerald Ford (Bill Camp); Rush Limbaugh (Bob Stephenson); Roger Ailes (Kyle S. More); Liz Cheney (Lily Rabe), Mary Cheney (Alison Pill) and Colin Powell (Tyler Perry).
If that long list of characters seems vaguely familiar but you don’t quite remember who was zooming who, then Vice will set you straight. Not only does it give a closeup view of Dick Cheney and his agenda, it threads together all the people and machinations that led the country into a misguided war in the aftermath of 9/11 and a severe financial crisis.
McKay’s script is clear. It’s easy enough to follow the trail of lies, deceit and power plays. Easy to track Cheney’s backstory and the high and low points in his life: flunked out of Yale, a blue-collar job, an internship in Nixon administration, heart attacks, adjusting to having a lesbian daughter and a stint as the CEO of Halliburton, the company that received a billions-of-dollars no-bid contract for reconstruction work in Iraq.
McKay’s wink and nod direction makes a trainload of facts, figures and individuals easy to digest. Even if what he is presenting is obviously one-sided and almost as pitiless as the main character. The writer/director’s very smirky comic touch adds a teaspoon of sugar to some very bitter medicine.
Looking over McKay’s shoulder is the very skilled editor Hank Corwin (The Big Short) who masterfully pieces together humorous, dramatic and informative scenes with cutaways to provocative images (e.g. a heart beating on its own) into a visually engaging montage.
The artful photography is courtesy of cinematographer Greig Fraser’s (Lion) discerning eye. Susan Matheson’s (The Big Short) costume design screams Republican: She must have depleted Brooks Brothers entire stash of dowdy gray suits. In the few moments when the proceedings lose verve, Nicholas Britell’s (Moonlight) over-the-top musical score pipes in and raises the energy level back to mild hysteria.
Red state audiences will yawn. Blue state audiences will be outraged and see parallels with the current administration. What both sides of the aisle will witness is a barrage of revealing information about politicians and events that significantly changed history—not necessarily for the better.
Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.
Activism
Oakland Post: Week of December 25 – 31, 2024
The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024
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Activism
Living His Legacy: The Late Oscar Wright’s “Village” Vows to Inherit Activist’s Commitment to Education
Kingmakers of Oakland (KOO), a nonprofit organization that works to improve educational and life outcomes for Black boys and men, stated that “Oscar Wright is one of the most prolific, consistent, and committed advocates of equity for Black students and Black Families here in Oakland for the past six decades.”
By Antonio Ray Harvey, California Black Media
Activists mourning Oscar Carl Wright’s death, have pledged to continue his lifelong mission of advocating for Black students and families in Northern California.
Wright, 101, who passed away on Nov. 18, was involved in Oakland’s educational affairs until his death.
Now, friends and admirers acknowledge that carrying on his legacy means doubling down on the unfinished work that Wright dedicated his life, time, and resources to, according to Y’Anad Burrell, a family friend and founder of San Francisco-based Glass House Communications (GHC).
“Mr. Wright did a lot of work around equity, specifically, for Black students based on their needs — whether it was tutoring, passing classes, or graduating,” Burrell said.
Wright became a champion for his children’s education, recognizing the disparities between their school experiences and his own upbringing in the Mississippi Delta.
Burrell told California Black Media (CBM) that the crisis of unequal access to resources and a quality education continues to affect the Oakland Unified School District (OUSD).
According to Oakland Reach, in the city of Oakland, only 3 in 10 Black and Brown students are reading at or above grade level. In addition, only 1 in 10 are doing math at or above grade level.
Oakland REACH is a parent-run, parent-led organization. It aims to empowers families from the most underserved communities to demand high-quality schools for their children.
Wright’s work as an activist had impact across the state but he was primarily known in the Bay Area. Alongside the Black United Front for Educational Reform (BUFER), he filed a complaint against OUSD for violating the Civil Rights Act of 1964.
In 2000, the OUSD school board proposed an action plan to address educational inequity, but it was never implemented.
Wright later founded the African American Honor Roll Celebration at Acts Full Gospel Church, an award that recognizes Black students with a grade point average of 3.0 or better. Each year, more than 1,000 students are honored at this ceremony.
Kingmakers of Oakland (KOO), a nonprofit organization that works to improve educational and life outcomes for Black boys and men, stated that “Oscar Wright is one of the most prolific, consistent, and committed advocates of equity for Black students and Black Families here in Oakland for the past six decades.”
Burrell said that one of the main reasons Wright’s work was so essential for families and children in Oakland that is the direct relationship between acquiring a quality education and affording quality housing, maintaining food security, achieving mental wellness, and securing stable employment.
Wright was the child of sharecroppers from Coahoma County, Mississippi. He attended Alcorn State University, a Historically Black College and University (HBCU).
In the late 1950s, Wright and his family relocated to the Bay Area where he worked as a contractor and civil engineer. He later became an active member of the National Association for the Advancement of Colored People (NAACP).
Burrell said the people who will carry on Wright’s work are part of a “village” that includes KOO’s CEO Chris Chatmon. Wright was a mentor to Chatmon.
“It will not be one entity, one person, or one organization that picks up the baton because it was a village effort that worked alongside Mr. Wright for all these years,” Burrell said.
Burell says that legacy will live on.
Activism
Protesters Gather in Oakland, Other City Halls, to Halt Encampment Sweeps
The coordinated protests on Tuesday in San Francisco, Oakland, Vallejo, Fresno, Los Angeles and Seattle, were hosted by Poor Magazine and Wood Street Commons, calling on cities to halt the sweeps and focus instead on building more housing.
By Post Staff
Houseless rights advocates gathered in Oakland, San Francisco, Los Angeles, and other city halls across California and Washington state this week protesting increased sweeps that followed a U.S. Supreme Court decision over the summer.
The coordinated protests on Tuesday in San Francisco, Oakland, Vallejo, Fresno, Los Angeles and Seattle, were hosted by Poor Magazine and Wood Street Commons, calling on cities to halt the sweeps and focus instead on building more housing.
“What we’re dealing with right now is a way to criminalize people who are dealing with poverty, who are not able to afford rent,” said rights advocate Junebug Kealoh, outside San Francisco City Hall.
“When someone is constantly swept, they are just shuffled and things get taken — it’s hard to stay on top of anything,” said Kealoh.
Local houseless advocates include Victoria King, who is a member of the coordinating committee of the California Poor People’s Campaign. She and Dr. Monica Cross co-chair the Laney Poor People’s Campaign.
The demonstrations came after a June Supreme Court ruling expanded local governments’ authority to fine and jail people for sleeping outside, even if no shelter is available. Gov. Gavin Newsom in California followed up with an order directing state agencies to crack down on encampments and urging local governments to do the same.
Fresno, Berkeley and a host of other cities implemented new rules, making it easier for local governments to clear sidewalk camps. In other cities, such as San Francisco, officials more aggressively enforced anti-camping laws already on the books.
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