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FunkJazz Kafé Arts & Music Festival celebrates 25 years at Atlanta’s historic Tabernacle
ATLANTA VOICE —
By Martel Sharpe
With its 25th anniversary on the horizon, Atlanta’s FunkJazz Kafé Arts & Music Festival is celebrating a quarter-of-a-century of artistic Black culture on Saturday, August 10 at The Tabernacle.
Just as vibrate as its creator and curator, Jason Orr, FunkJazz Kafé has survived throughout the years with 49 events under its belt, making its 25th anniversary the 50th.
“Essentially, FunkJazz Kafé Arts & Music Festival is about cultural prevention, cultural sustainability, cultural education, and cultural innovation,” Orr said. “We focus on various artistic disciplines as opposed to music performances. We are not a concert.”
“We just happen to have a cache of exceptional talent.”
Though FunkJazz Kafé is more than just a typical music festival, the event procured a host of iconic artists over the years including Goodie Mob, Outkast, Janelle Monae, Arrested Development, Soul II Soul, Jill Scott, Cee Lo Green, Erykah Badu, India Arie, Public Enemy, and more.
“We want to preserve the legacy of Black excellence in every artform whether its culinary arts or fashion pattern designing. We want to sustain those cultures and not let people take it from us as they have in the past, and we want to innovate upon it. Innovate upon these cultural legacies and educate the generations behind us about it,” Orr said.
The 48-year-old Atlanta native started FunkJazz Kafé Arts & Music Festival back in 1994 with its inaugural event taking place at Atlanta’s historic Royal Peacock on Auburn Avenue.
“It was awesome,” Orr said. “We had multiple vendors. We had great performances from Arrested Development, who in 94’ was like Anderson Paak. Then there was also Bone Cusher and leaders of the New School.”
According to Orr, what he has turned into a 25-year legacy started with a typical day for him, while working for the City of Atlanta at the time and managing a band.
“I got into the Royal Peacock because the guy gave it to me for free,” Orr said. “I was a tax collector for the City of Atlanta and the guy came in to pay his taxes, and he said, ‘I own this club you should come check it out.’”
“I wanted to create something that highlights other artists and musician. I knew a lot of fashion designers, I knew a lot of visual artists. People who did sculptures, people who did water-based paintings, people who did acrylic paintings, people who did pottery and handcrafted jewelry.”
As FunkJazz Kafé continued to grow, the mission stayed the same even though the venues changed.
Orr says that, in the past, the festival set up shop in some of Atlanta’s most notable locations including The Science & Technology Museum of Atlanta (SciTrek) which closed in 2004, Atlanta Stage Works which is now Krog Street Market, Nexus Contemporary Art Gallery which is now Atlanta Contemporary Art Gallery, the Nike Pavilion and World Club which was on Marietta Street.
“I would make venues,” Orr said, “It didn’t even have to be a venue, long as they had bathrooms and were approved for food and beverage, and fire permits, we were good.”
However, returning to The Tabernacle for its 25th anniversary is special for FunkJazz Kafé since it was the first event that ever took place within that space.
“We opened The Tabernacle in 1996 as it was the House of Blues,” Orr said. “FunkJazz Kafé did a partnership with Dallas Austin’s Rowdy Records. And we did the first event in what is now called The Tabernacle.”
Since then, FunkJazz Kafe has expanded, further tackle its mission to preserve Black culture and innovation through its award-winning film, “FunkJazz Kafe’s” Diary of A Decade” and producing the FJK Documentary Film Festival & Music Conference.
Beyond celebrating the arts, Orr also mandated that the festival would have a civic service initiative, creating a positive impact in the community.
“At the first one, we started our civic service initiative,” Orr said. “We were taking food donations for the homeless for a reduced price. It was $12 to get and we would take $5 off if you brought a canned good.”
“We kept that tradition and all the way up to today we’ve donated almost a million plates of food, (approximately) 900,030.”
However, Orr says that he plans to top himself this year with the 25th anniversary featuring various suites to festival-goers to enjoy.
These suites will feature various art forms including poetry, health and wellness, fashion, and different genres of music.
He’s very excited about the “House Party” suite which will simulate a 1980s house party and will change its music every 15 minutes to all people to enjoy hip-hop, reggae, afrobeat, house music, and more.
Additionally, the festival will have a vegan food court and up to 40 vendors participating in its marketplace.
And though it’s FunkJazz Kafé’s tradition to keep its roster of musical guests a secret until the day of, Orr says that he has a lot of great performers lined up and ready to go.
“We’re going to introduce new people that some people don’t know and we’re going to celebrate with some of our musical icons,” Orr said.
This article originally appeared in The Atlanta Voice.
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Remembering George Floyd
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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism
BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association
For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.
As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.
Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.
We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.
Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.
The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.
We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.
Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.
Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association
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Hate and Chaos Rise in Trump’s America
BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

By Stacy M. Brown
Black Press USA Senior National Correspondent
The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”
Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.
The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”
Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.
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