Entertainment

Girlfriends Actress Talks Code Switching and Her New Role in “I Am The Night”

THE AFRO — Golden Brooks spent much of her California childhood acting out plays with her neighborhood friends.

Published

6 years ago

January 26, 2019

By Nadine Matthews

Golden Brooks spent much of her California childhood acting out plays with her neighborhood friends. However, acting wasn’t something she aspired to. “I wanted to be Barbara Walters,” she says. “I wanted to interview people.” Perhaps most known for the timeless comedy series Girlfriends in which she co-starred with Tracee Ellis Ross, Jill Marie Jones and Persia White, Brooks is one of the stars of the upcoming TNT series, I Am The Night.

Raised by a divorced mother, Brooks says she is mostly grateful for the way she was brought up. “My Mom worked two jobs to support my brother and I. We struggled but my brother and I were always in private school. My mother always made sure we had the best. She did all she could to keep us busy and exposed to different things.” Not having much left over for toys, Brooks was forced to use her imagination, which helped in her career as an actress.

“Code switching,” she says, was also a big part of her childhood. “I would go to these private schools and assimilate and then when I got back to my block I would be more the neighborhood girl. I learned quickly to navigate both worlds. It was what gave me the knowledge to build my character on Girlfriends.”

I Am The Night is based on Fauna Hodel’s memoir One Day She’ll Darken. In it, Brooks portrays the mixed-race Fauna’s mother Jimmy Lee. When Fauna learns some shocking secrets about her parentage, she sets off on a dark, sometimes terrifying search for her roots. Set in 1960’s Nevada and Los Angeles, it is part mystery, part family drama, part tantalizing film noir.

The relationship between Jimmy Lee and Fauna is complicated and Brooks drew from her experiences with her own mother to create the character. She says, “My mother has much lighter skin than me so there were a lot of things I would do she couldn’t understand. I used some of that for this character’s relationship with her daughter.”

Fauna, though white-passing, has always lived as Black. When she learns more about her family, resentment toward her mother grows and the tension between them escalates to dizzying proportions. Brooks can relate. “I didn’t look like my mom and at 15 you don’t understand why. You think, ‘If I just looked like this, I would have that.’ I went through a lot of that. A lot of that sadness and pain and anger I put into Jimmy Lee.”

Two things happened that began to solidify Brooks’ identity as a teen. “They began bussing kids from South Central Los Angeles and they would tease me that I talked like a white girl. Eventually though, those kids helped me feel more comfortable with myself.” Theater also entered Brooks’ life around that time. She recalls, “I found I felt safe in theater. So I engrossed myself in theater in junior high and high school. I could disappear into the characters and that’s where I felt most comfortable.”

As someone who majored in media representation at UC Berkeley, Brooks has an interesting vantage point from which to judge how Hollywood has evolved. She explains, “I started out on Showtime on a show called Links with Pam Grier and Tim Reid. He actually was doing what Tyler Perry is doing now. Tim had his own soundstage, everything. I’ve seen the exploitation, I’ve played the stereotypes. I remember when the CW was around and it was like what BET is now.”

She shares that she doesn’t encounter the blatant racism that she did even at the beginning of this century. “I used to get, ‘Can you just sass it up a bit? Yes, there was that code and I don’t hear that anymore. In the early 2000s you’d hear comments like that.”

Brooks credits Girlfriends with helping to create the more welcoming environment for Black actresses that exists today. “I can never talk about where we are today,” she states emphatically, “without talking about Girlfriends. It was the springboard for a lot of things. It portrayed four successful African-American women and I think it led to characters like Olivia Pope and the Cookie. We’re now blockbuster sensations. There’s no conversation about ‘Will they be successful?’ or ‘Are they gonna sell overseas?’ Yeah, we do! We stood our ground and things changed. It’s living proof persistence pays off!”

This article originally appeared in The Afro.

Oakland Post

Posts by Oakland Post

Up Next

2019 Volkswagen Beetle Final Edition Quick Look

Don't Miss

COMMENTARY: The Debt We Owe Haitians

Oakland Post

1 Comment

Arts and Culture

BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy

When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

Published

4 hours ago

April 28, 2025

Oakland Post

Love Rita Book Cover. Courtesy of Harper.

By Terri Schlichenmeyer

Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages

Take care.

Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.

It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’

Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.

Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.

She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”

When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”

After their mother died of colon cancer, Rita’s lupus took a turn for the worse.

“Did she even stand a chance?” Davis wrote in her journal.

“It just didn’t seem possible that she, someone so full of life, could die.”

Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.

Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.

But don’t. Not quite yet.

In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.

This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.

Oakland Post

Posts by Oakland Post

Activism

Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’

“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.

Published

4 hours ago

April 28, 2025

Oakland Post

Karen Lewis. Courtesy photo.

By Barbara Fluhrer

I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.

I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.

Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing, just blessings. Pray for the best and deal with the rest.

Nobody is perfect, so forgive quickly and love easily!”

Lewis’ book “Detour to Straight Street” is available on Amazon.

Oakland Post

Posts by Oakland Post

Activism

S.F. Businesswomen Honor Trailblazers at 44th Annual Sojourner Truth Awards and Scholarship Luncheon

This year’s well-deserved award recipients were women who graciously and continuously have served and empowered the Bayview community and beyond.

Published

12 hours ago

April 27, 2025

Oakland Post

Carletta Jackson-Lane, 21st Western District governor of the National Association of the Business and Professional Women’s Club, Inc. sits with honoree Carol E. Tatum the 2025 Sojourner Truth Award recipient of the NAB&PW, Inc. Photo courtesy of Sheryl Smith.

By Rev. Dr. Rochelle Frazier
Special to The Post

On Saturday, April 19, the San Francisco Business and Professional Women’s Club (SFBPWC) held its sold-out 44th Annual Sojourner Truth Awards and Scholarship Luncheon at the Southeast Community Center at 1550 Evans Ave. in San Francisco.

The luncheon’s theme was “Moving Forward with a Purpose: From Trailblazers to Game Changers.”

This year’s well-deserved award recipients were women who graciously and continuously have served and empowered the Bayview community and beyond.

Carol Evora Tatum received the National Sojourner Truth Meritorious Service Award for her decades of leadership and dedicated community service.

Brittany Doyle, founder and CEO of WISE Health SF, was honored as the Businesswoman of the Year because of her insightful and innovative business acumen regarding community-centered health programs.

La Shon A. Walker was recognized as the Professional Woman of the Year for her community empowerment and leadership work as the vice president of Community Affairs at FivePoint.

The luncheon also provides an opportunity to present scholarships to well-deserving students. The scholarship awardees were Jayana Harbor and Zari Moore, both graduating from Immaculate Conception Academy, and London Robinson, who is graduating from Raoul Wallenberg Traditional High School.

Harbor plans to attend Morgan State University in Baltimore, Maryland; Moore will attend Loyola University in New Orleans, and Robinson will attend Southern University and A&M College in Baton Rouge, Louisiana.

“The 44th Annual Sojourner Truth Awards and Scholarship Luncheon is more than a celebration,” said Cheryl Smith, president of SFBPWC. “It’s a tribute to the legacy of Black women who have paved the way and made a commitment to uplifting future generations. We are proud to honor extraordinary leaders in our community and invest in the bright minds who will carry us into the future.”