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Grammy and Emmy award-winning CEO Rikki Hughes takes producing to new heights

ROLLINGOUT — Rikki Hughes is a veteran Emmy- and Grammy Award-winning film producer and entrepreneur. As the founder of Magic Lemonade, a production company specializing in television, film and new media, Hughes has managed to successfully grow her company to sustain offices in Hollywood and Atlanta. Her company has been responsible for producing several memorable television specials and series including Kat Williams: It’s Pimpin’ Pimpin’, BET’s ABFF Honors, HBO’s All Def Comedy series and most recently, Dave Chappelle’s Netflix special Sticks & Stones and Epilogue: The Punchline. In addition, Hughes has also been tapped to serve as executive producer of the 2019 Trumpet Awards hosted by Wanda Sykes, alongside David Hudson.

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Rikki Hughes (Courtesy Photo)

By Porsha Monique

Rikki Hughes is a veteran Emmy- and Grammy Award-winning film producer and entrepreneur. As the founder of Magic Lemonade, a production company specializing in television, film and new media, Hughes has managed to successfully grow her company to sustain offices in Hollywood and Atlanta. Her company has been responsible for producing several memorable television specials and series including Kat Williams: It’s Pimpin’ Pimpin’, BET’s ABFF Honors, HBO’s All Def Comedy series and most recently, Dave Chappelle’s Netflix special Sticks & Stones and Epilogue: The Punchline. In addition, Hughes has also been tapped to serve as executive producer of the 2019 Trumpet Awards hosted by Wanda Sykes, alongside David Hudson.

Known as “the woman behind the laughs,” Hughes’ biggest accomplishment included making history last year as the first African American female recipient of an Emmy for “Outstanding Variety Special” for her role as producer of Chappelle’s Equanimity & The Bird Revelation specials, which she also won a Grammy for “Best Comedy Album.”

Rolling out recently spoke with the award-winning producer to find out more about her work with Dave Chappelle, her latest projects and what it takes to be a producer in today’s day and age.

You recently produced Dave Chappelle’s newest Netflix special Sticks and Stones, which was a resounding hit among fans. Do you have a magic formula for how you select new projects?

It’s really what resonates with me. I learned early what my calling was and it’s to get my arms around a voice and protect it. So, whether it’s comedy or music, I know that I’m here to create a safe space for the magic to happen.

In selecting projects, I have to believe in them and it’s not always popular. I mean, when we first started doing Dave’s show, he had been gone for 12 years, so when we got the call saying he was ready to come back, Stan Lathan and myself took the leap of faith because we believed in Dave. There was no deal on the table. We believed in him. We believed in his genius.

How did you decide to work in the comedy arena?

One, it was my entry place. Two, it’s such a relief from the world. I mean, it’s a drug that we can use and abuse as much as possible and it won’t hurt us. I think it’s an important and necessary retreat. I love to be a part of making that happen.

If a person wants to be a producer, what would you recommend?

I think you should always be of service first. If you are truly dedicated to it, do your research. Know the room that you walk into, no matter what it is. Be prepared when you walk into that room.

The second thing is to be ready to learn all you can. Find out what’s needed and identify how can you fill those needs. There’s almost no one who will say that you can’t come work for [them] for free. Decide who you want to emulate your career after or what type of projects you want to be involved in and get next to those people. Be humble. Once you get in, do your best, smile, have a good time, and always feel like everything’s possible.

Let’s talk about your latest projects. How did the vision for The Next Big Thing on BET come about and how were the judges selected?

Tina Davis had an idea for a show and she said “I’m seeing all these kids that come in and one thing that’s missing in the music industry is the development process.” We realized that 24% of the market share was in hip hop, urban music, and R&B. Yet, there was no show that really catered to that. This was how we decided to come up with the show.

We spoke to a lot of people to get the temperament right for our judges. We needed someone who was going to be brutally honest and had the pedigree. That was Dame Dash. No one else is more outspoken and brutally honest.

Zaytoven is definitely the ear to the street and can speak to a lot from R&B. Most people don’t know he’s really a church guy, so he has a strong musical background and not to mention, we know him as being the godfather of trap.

And of course, Tina, she created the show. With her background from Chris Brown to Neo to her current position it at Empire. It just made sense.

Why was it important for you to do this show in particular?

We wanted to make sure that we had something that kids in middle America could watch and understand that it’s more to just having one song that goes viral. There’s a building of a career that comes with it. We treated the show as a bit of a boot camp, so everyone could see it and say, oh, I can’t just put a record out. I need to figure out what’s my team, how am I going to have sound, or how can I perform, and all of those things that come with it.

You also have a new show coming out with viral comedic sensation Emmanuel J. Hudson: “The Mind of an EP”. Tell us more about that.

Emmanuel and Phillip Hudson are brothers that started out years ago. They’ve been on Nick Cannon’s Wild N Out and more. I’ve been managing Emmanuel for about two and a half years. No one can really understand these young Black guys from the inner city of Atlanta, having off-the-style humor that’s smart and quirky. Once again, I wrapped my arms around the creative to say guys, I’m going to create a safe environment for you to create this. I’ll give you the supporting and producing points, but I want your creative to lead. So that’s what it is. They’re poking fun at so much of what happens in our world through their lens. We’re really excited about it.

Where can people keep up with you on social media?

My website is www.magiclemonade.com and they can follow me on FaceBook at Magic Lemonade, and on Instagram at Magic_Lemonade.

This article originally appeared in RollingOut.com.

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Fighting to Keep Blackness

BlackPressUSA NEWSWIRE — Trump supporters have introduced another bill to take down the bright yellow letters of Black Lives Matter Plaza in Washington, D.C., in exchange for the name Liberty Plaza. D.C.

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By April Ryan

As this nation observes the 60th anniversary of Bloody Sunday in Selma, Alabama, the words of President Trump reverberate. “This country will be WOKE no longer”, an emboldened Trump offered during his speech to a joint session of Congress Tuesday night. Since then, Alabama Congresswoman Terri Sewell posted on the social media platform formerly known as Twitter this morning that “Elon Musk and his DOGE bros have ordered GSA to sell off the site of the historic Freedom Riders Museum in Montgomery.” Her post of little words went on to say, “This is outrageous and we will not let it stand! I am demanding an immediate reversal. Our civil rights history is not for sale!” DOGE trying to sell Freedom Rider Museum

Also, in the news today, the Associated Press is reporting they have a file of names and descriptions of more than 26,000 military images flagged for removal because of connections to women, minorities, culture, or DEI. In more attempts to downplay Blackness, a word that is interchanged with woke, Trump supporters have introduced another bill to take down the bright yellow letters of Black Lives Matter Plaza in Washington, D.C., in exchange for the name Liberty Plaza. D.C. Mayor Morial Bowser is allowing the name change to keep millions of federal dollars flowing there. Black Lives Matter Plaza was named in 2020 after a tense exchange between President Trump and George Floyd protesters in front of the White House. There are more reports about cuts to equity initiatives that impact HBCU students. Programs that recruited top HBCU students into the military and the pipeline for Department of Defense contracts have been canceled.

Meanwhile, Democrats are pushing back against this second-term Trump administration’s anti-DEI and Anti-woke message. In the wake of the 60th anniversary of Bloody Sunday in Selma, several Congressional Black Caucus leaders are reintroducing the Voting Rights Act. South Carolina Democratic Congressman James Clyburn and Alabama Congresswoman Terry Sewell are sponsoring H.R. 14, the John Lewis Voting Rights Advancement Act. Six decades ago, Lewis was hit with a billy club by police as he marched for the right to vote for African Americans. The right for Black people to vote became law with the 1965 Voting Rights Act that has since been gutted, leaving the nation to vote without the full protections of the Voting Rights Act. Reflecting on the late Congressman Lewis, March 1, 2020, a few months before his death, Lewis said, “We need more than ever in these times many more someones to make good trouble- to make their own dent in the wall of injustice.”

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Rep. Al Green is Censured by The U.S. House After Protesting Trump on Medicaid

BLACKPRESSUSA NEWSWIRE — His censure featured no hearing at the House Ethics Committee and his punishment was put on the floor for a vote by the Republican controlled House less than 72 hours after the infraction in question.

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By Lauren Burke

In one of the quickest punishments of a member of the U.S. House of Representatives in the modern era, Congressman Al Green (D-TX) was censured by a 224-198 vote today in the House. His censure featured no hearing at the House Ethics Committee and his punishment was put on the floor for a vote by the Republican controlled House less than 72 hours after the infraction in question. Of the last three censures of members of the U.S. House, two have been members of the Congressional Black Caucus under GOP control. In 2023, Rep. Jamal Bowman was censured.

On the night of March 4, as President Trump delivered a Joint Address to Congress, Rep. Green interrupted him twice. Rep. Green shouted, “You don’t have a mandate to cut Medicare, and you need to raise the cap on social security,” to President Trump. In another rare event, Rep. Green was escorted off the House floor by security shortly after yelling at the President by order of GOP House Speaker Mike Johnson. Over the last four years, members of Congress have yelled at President Biden during the State of the Union. Georgia Republican Marjorie Taylor-Greene was joined by Republican Rep. Lauren Bobert (R-CO) in 2022 in yelling at President Biden. In 2023, Rep. Greene, Rep. Bob Good (R-VA), and Rep. Lisa McClain (R-MI) yelled at Biden, interrupting his speech. In 2024, wearing a red MAGA hat, a violation of the rules of the U.S. House, Greene interrupted Biden again. She was never censured for her behavior. Rep. Green voted “present” on his censure and was joined by freshman Democrat Congressman Shomari Figures of Alabama who also voted “present”.

All other members of the Congressional Black Caucus voted against censuring Green. Republicans hold a four-seat advantage in the U.S. House after the death of Texas Democrat and former Houston Mayor Sylvester Turner yesterday. Ten Democrats voted along with Republicans to censure Rep. Green, including Rep. Jim Himes of Connecticut, who is in the leadership as the senior Democrat on the House Intelligence Committee. “I respect them but, I would do it again,” and “it is a matter of conscience,” Rep. Green told Black Press USA’s April Ryan in an exclusive interview on March 5. After the vote, a group of Democrats sang “We Shall Overcome” in the well at the front of the House chamber. Several Republican members attempted to shout down the singing. House Speaker Mike Johnson gaveled the House out of session and into a recess. During the brief recess members moved back to their seats and out of the well of the House. Shortly after the vote to censor Rep. Green, Republican Congressman Andy Ogles of Tennessee quickly filed legislation to punish members who participated in the singing of “We Shall Overcome.” Earlier this year, Rep. Ogles filed legislation to allow President Donald Trump to serve a third term, which is currently unconstitutional. As the debate started, the stock market dove down over one-point hours from close. The jobs report will be made public tomorrow.

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Trump Moves to Dismantle Education Department

BLACKPRESSUSA NEWSWIRE — The department oversees programs under the Individuals with Disabilities Education Act (IDEA), serving 7.5 million students. Transferring IDEA oversight to another agency, as Trump’s plan suggests, could jeopardize services and protections for disabled students.

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By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent
@StacyBrownMedia

The Trump administration is preparing to issue an executive order directing newly confirmed Education Secretary Linda McMahon to begin dismantling the Department of Education. While the president lacks the authority to unilaterally shut down the agency—requiring congressional approval—McMahon has been tasked with taking “all necessary steps” to reduce its role “to the maximum extent permitted by law.” The administration justifies the move by claiming the department has spent over $1 trillion since its 1979 founding without improving student achievement. However, data from The Nation’s Report Card shows math scores have improved significantly since the 1990s, though reading levels have remained stagnant. The pandemic further widened achievement gaps, leaving many students behind.

The Education Department provides about 10% of public-school funding, primarily targeting low-income students, rural districts, and children with disabilities. A recent Data for Progress poll found that 61% of voters oppose Trump’s efforts to abolish the agency, while just 34% support it. In Washington, D.C., where student proficiency rates remain low—22% in math and 34% in English—federal funding is crucial. Serenity Brooker, an elementary education major, warned that cutting the department would worsen conditions in underfunded schools.

“D.C. testing scores aren’t very high right now, so cutting the Department of Education isn’t going to help that at all,” she told Hilltop News. A report from the Education Trust found that low-income schools in D.C. receive $2,200 less per student than wealthier districts, leading to shortages in essential classroom materials. The department oversees programs under the Individuals with Disabilities Education Act (IDEA), serving 7.5 million students. Transferring IDEA oversight to another agency, as Trump’s plan suggests, could jeopardize services and protections for disabled students.

The Office for Civil Rights also plays a key role in enforcing laws that protect students from discrimination. Moving it to the Department of Justice, as proposed in Project 2025, would make it harder for families to file complaints, leaving vulnerable students with fewer protections. Federal student aid programs, including Pell Grants and loan repayment plans, could face disruption if the department is dismantled. Experts warn this could worsen the student debt crisis, pushing more borrowers into default. “With funding cuts, they don’t have the materials they need, like books or things to help with math,” Brooker said. “It makes learning less fun for them.”

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