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Graphic Artist Georg Olden, the Black Man Who Designed a Postal Stamp
OAKLAND POST — We’ve been breaking down barriers in just about industry you can think of. However, the graphic arts industry isn’t an industry that comes to mind right away. However, while Chubby Checker was twisting thing up and Wilma Rudolph was slamming them over the net and Cassius Clay was knocking em’ out, Georg Olden was putting the pen to the paper in art form.
By Tamara Shiloh
We’ve been breaking down barriers in just about industry you can think of. However, the graphic arts industry isn’t an industry that comes to mind right away. However, while Chubby Checker was twisting thing up and Wilma Rudolph was slamming them over the net and Cassius Clay was knocking em’ out, Georg Olden was putting the pen to the paper in art form.
Georg Eliot Olden (yes without the e) was born in Birmingham, Ala., on November 13, 1920. Georg was introduced to cartooning and art while attending the all Black Dunbar High School.
He attended Virginia State College but did not finish. Instead, he took a job at the Office of Strategic Services (now the CIA) as a graphic designer. During this time, he also published cartoons in the National CIO News, The New Yorker and Esquire.
Georg said he removed the “e” from his name so that he would be noticed by magazine editors.
After World War II ended in 1945, Georg’s supervisor recommended him to the vice president of the CBS TV division and at the age of 24 he became the head art director for and one of the first African Americans to work in the newly evolving television industry.
Soon after joining CBS, he was also invited to attend the San Francisco conference that eventually led to the formation of the United Nations.
He was named the official graphic designer for what would be the U.N. International Secretariat.
In 1960, he joined BBDO, one of the largest advertising agencies in the nation. In 1963 he left BBDO to join McCann-Erickson, another major advertising agency.
It was here where he became the first African American to design a commemorative postage stamp for the U.S. Post Office. His stamp was a tribute to the Emancipation Proclamation at its 100th anniversary.
In 1970, Olden was laid off by McCann-Erickson. Georg claimed that his firing was racially motivated to prevent him from acquiring a senior executive status. The discrimination case failed. As it turns out, of the 21 people who were let go, 20 of them were white.
Georg then decided to reach out to the Center for Constitutional Rights, which filed a class-action lawsuit against McCann Erickson in U.S. District Court in New York.
These events caused many personal issues for Georg. By 1972, he had separated from his second wife and moved to Southern California to start his own company.
He lived with his 28-year-old German girlfriend, Irene “Maya” Mikolajczyk. Around this time, Georg made his directorial debut directing an episode of ‘The Mod Squad.’
On January 25, 1975, just days before the class-action suit was set to go to trial, Mikolajczyk shot and killed Georg in possible self-defense.
Having a strong case, she pleaded not guilty, was released on $1,000 bail and acquitted of the charge on May 14, 1975.
This article originally appeared in the Oakland Post.
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Remembering George Floyd
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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism
BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association
For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.
As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.
Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.
We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.
Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.
The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.
We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.
Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.
Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association
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Hate and Chaos Rise in Trump’s America
BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

By Stacy M. Brown
Black Press USA Senior National Correspondent
The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”
Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.
The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”
Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.
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