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Gunshot Medley Brings Black Theatre to the Electric Lodge

LOS ANGELES SENTINEL — “Gunshot Medley: Part I” is the latest play to hit the stage at the Electric Lodge on Abbot Kinney Boulevard near Venice Beach. Running until August 19, the play tells the story of American history through the eyes of three slaves.

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Donathan Walters (left) as George, Mildred Langford (middle) as Betty, and Sha’Leah Nikole Stubblefield (right) as High Priestess in Gunshot Medley: Part 1. (Photo Credit: Cristian Kreckler)

A play with a Black cast, director, and playwright tells a story of pain, racism, and hope at the Electric Lodge.

By Shaquille Woods

“Gunshot Medley: Part I” is the latest play to hit the stage at the Electric Lodge on Abbot Kinney Boulevard near Venice Beach. Running until August 19, the play tells the story of American history through the eyes of three slaves.

The playwright, Dionna Michelle Daniel, was inspired to write this play in 2015, after the Charleston Church shooting. While in North Carolina, she visited a graveyard where she found the graves of Betty, Alvis, and George who would eventually become the characters for “Gunshot Medley: Part I.” All that was left on the graves were their names and the dates that they died, each before the Emancipation Proclamation. Daniel also found something unsettling in the graveyard — newly placed Confederate flags.

“At the time that I wrote ‘Gunshot Medley,’ there was so much going on with killings and discourse over the Confederate flag,” said Daniel. “For me the play is an awakening. It is so vital for Black people to tell our stories because we have lived through these experiences and the pain is real.”

Set in a haunted graveyard in North Carolina, audiences see the connections of racism through past and present. Betty, Alvis, and George are not able to rest their souls. They want to believe that things are better, and cover up the pain, but what they see in the present takes them back to their own past hurt. They see happy moments in Black culture as well, referencing famous songs and dances, but they are reminded of pain with each gunshot that they hear.

Sha’Leah Nikole Stubblefield (left) as High Preistess looks on as Derek Jackson (middle) and Mildred Langford (right) dance as Alvis and Betty in Gunshot Medley: Part 1. (Photo Credit: Cristian Krekcler)

Sha’Leah Nikole Stubblefield (left) as High Preistess looks on as Derek Jackson (middle) and Mildred Langford (right) dance as Alvis and Betty in Gunshot Medley: Part 1. (Photo Credit: Cristian Krekcler)

Betty represents a mother figure, constantly cleaning to cover up her pain. Alvis takes on a more playful role, looking for the beauty in everything, and George represents revolutionaries fighting and dying for change. The fourth character is High Priestess Oya. When Daniel originally wrote the play, she made a lot of reference to the wind and the rustle of leaves and treetops. One of her friends told her about Orisha Oya, an African goddess who is the ruler of storms and winds, and the protector of cemeteries.  From that comes the majestic character garbed in elegant reds and an expression of pain upon her face.

“The play was very powerful and moving,” said Tenille Jones, one of the audience members. “I think that it will open people’s eyes and make change for the better. I like how the main character, Betty, thought that she had to clean something up to solve the problems, but in the end, it showed that racism is more of a comprehensive problem. It’s not just a one-person problem, it’s a worldwide problem. I was very entertained. It’s a great way to spend an hour and support Black theatre.”

“Gunshot Medley: Part I” started as a project for a program at California Institute of the Arts, or CalArts, where Daniel graduated. She presented it in their 2016 New Works Festival and won the chance to go to New York to have a reading of the play and get it published. One of the readers from New York put Daniel in contact with Desean Terry of Collaborative Artists Bloc, a production team that produces performances that explore of cultural identity and promote social change. Terry became the director of “Gunshot Medley: Part I,” giving the play a Black cast, Black director, and Black playwright.

In 2018, Rogue Machine Theatre joined in and brought the production to the stage at the MET Theatre in Santa Monica for a two-week run. “Gun Shot Medley: Part I” also did a two-week run at the Watts Village Theater Company, where tickets were based on a donation of any amount and audience members could register to vote. Rogue Machine Theatre has brought the play back this year to the Electric Lodge. “Gunshot Medley: Part I” runs through August 19. Student tickets are $25.99 and general admission is $39.99. For more information and reservations, call (855) 585-5185 or visit www.collaborativeartistsbloc.org.

This article originally appeared in The Los Angeles Sentinel.

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#NNPA BlackPress

Recently Approved Budget Plan Favors Wealthy, Slashes Aid to Low-Income Americans

BLACKPRESSUSA NEWSWIRE — The most significant benefits would flow to the highest earners while millions of low-income families face cuts

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By Stacy M. Brown

BlackPressUSA.com Senior National Correspondent

The new budget framework approved by Congress may result in sweeping changes to the federal safety net and tax code. The most significant benefits would flow to the highest earners while millions of low-income families face cuts. A new analysis from Yale University’s Budget Lab shows the proposals in the House’s Fiscal Year 2025 Budget Resolution would lead to a drop in after-tax-and-transfer income for the poorest households while significantly boosting revenue for the wealthiest Americans. Last month, Congress passed its Concurrent Budget Resolution for Fiscal Year 2025 (H. Con. Res. 14), setting revenue and spending targets for the next decade. The resolution outlines $1.5 trillion in gross spending cuts and $4.5 trillion in tax reductions between FY2025 and FY2034, along with $500 billion in unspecified deficit reduction.

Congressional Committees have now been instructed to identify policy changes that align with these goals. Three of the most impactful committees—Agriculture, Energy and Commerce, and Ways and Means—have been tasked with proposing major changes. The Agriculture Committee is charged with finding $230 billion in savings, likely through changes to the Supplemental Nutrition Assistance Program (SNAP), also known as food stamps. Energy and Commerce must deliver $880 billion in savings, likely through Medicaid reductions. Meanwhile, the Ways and Means Committee must craft tax changes totaling no more than $4.5 trillion in new deficits, most likely through extending provisions of the 2017 Tax Cuts and Jobs Act. Although the resolution does not specify precise changes, reports suggest lawmakers are eyeing steep cuts to SNAP and Medicaid benefits while seeking to make permanent tax provisions that primarily benefit high-income individuals and corporations.

To examine the potential real-world impact, Yale’s Budget Lab modeled four policy changes that align with the resolution’s goals:

  1. A 30 percent across-the-board cut in SNAP funding.
  2. A 15 percent cut in Medicaid funding.
  3. Permanent extension of the individual and estate tax cuts from the 2017 Tax Cuts and Jobs Act.
  4. Permanent extension of business tax provisions including 100% bonus depreciation, expense of R&D, and relaxed limits on interest deductions.

Yale researchers determined that the combined effect of these policies would reduce the after-tax-and-transfer income of the bottom 20 percent of earners by 5 percent in the calendar year 2026. Households in the middle would see a modest 0.6 percent gain. However, the top five percent of earners would experience a 3 percent increase in their after-tax-and-transfer income.

Moreover, the analysis concluded that more than 100 percent of the net fiscal benefit from these changes would go to households in the top 20 percent of the income distribution. This happens because lower-income groups would lose more in government benefits than they would gain from any tax cuts. At the same time, high-income households would enjoy significant tax reductions with little or no loss in benefits.

“These results indicate a shift in resources away from low-income tax units toward those with higher incomes,” the Budget Lab report states. “In particular, making the TCJA provisions permanent for high earners while reducing spending on SNAP and Medicaid leads to a regressive overall effect.” The report notes that policymakers have floated a range of options to reduce SNAP and Medicaid outlays, such as lowering per-beneficiary benefits or tightening eligibility rules. While the Budget Lab did not assess each proposal individually, the modeling assumes legislation consistent with the resolution’s instructions. “The burden of deficit reduction would fall largely on those least able to bear it,” the report concluded.

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A Threat to Pre-emptive Pardons

BLACKPRESSUSA NEWSWIRE — it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process.

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By April Ryan

President Trump is working to undo the traditional presidential pardon powers by questioning the Biden administration’s pre-emptive pardons issued just days before January 20, 2025. President Trump is seeking retribution against the January 6th House Select Committee. The Trump Justice Department has been tasked to find loopholes to overturn the pardons that could lead to legal battles for the Republican and Democratic nine-member committee. Legal scholars and those closely familiar with the pardon process worked with the Biden administration to ensure the preemptive pardons would stand against any retaliatory knocks from the incoming Trump administration. A source close to the Biden administration’s pardons said, in January 2025, “I think pardons are all valid.  The power is unreviewable by the courts.”

However, today that same source had a different statement on the nuances of the new Trump pardon attack. That attack places questions about Biden’s use of an autopen for the pardons. The Trump argument is that Biden did not know who was pardoned as he did not sign the documents. Instead, the pardons were allegedly signed by an autopen.  The same source close to the pardon issue said this week, “unless he [Trump] can prove Biden didn’t know what was being done in his name. All of this is in uncharted territory. “ Meanwhile, an autopen is used to make automatic or remote signatures. It has been used for decades by public figures and celebrities.

Months before the Biden pardon announcement, those in the Biden White House Counsel’s Office, staff, and the Justice Department were conferring tirelessly around the clock on who to pardon and how. The concern for the preemptive pardons was how to make them irrevocable in an unprecedented process. At one point in the lead-up to the preemptive pardon releases, it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process. President Trump began the threat of an investigation for the January 6th Select  Committee during the Hill proceedings. Trump has threatened members with investigation or jail.

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Reaction to The Education EO

BLACKPRESSUSA NEWSWIRE — Meanwhile, the new Education EO jeopardizes funding for students seeking a higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college.

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By April Ryan

There are plenty of negative reactions to President Donald Trump’s latest Executive Order abolishing the Department of Education. As Democrats call yesterday’s action performative, it would take an act of Congress for the Education Department to close permanently. “This blatantly unconstitutional executive order is just another piece of evidence that Trump has absolutely no respect for the Constitution,” said Rep. Maxine Waters (D-CA) who is the ranking member on the House Financial Services Committee. “By dismantling ED, President Trump is implementing his own philosophy on education, which can be summed up in his own words, ‘I love the poorly educated.’ I am adamantly opposed to this reckless action, said Rep. Bobby Scott who is the most senior Democrat on the House Education and Workforce Committee.

Morgan State University President Dr. David Wilson chimed in saying “I’m deeply concerned about efforts to shift federal oversight in education back to the states, particularly regarding equity, justice, and fairness. History has shown us what happens when states are left unchecked—Black and poor children are too often denied access to the high-quality education they deserve. In 1979 then President Jimmy Carter signed a law creating the Department of Education. Arne Duncan, former Obama Education Secretary, reminds us that both Democratic and Republican presidents have kept education a non-political issue until now. However, Duncan stressed Republican presidents have contributed greatly to moving education forward in this country.

During a CNN interview this week Duncan said during the Civil War President Abraham “Lincoln created the land grant system” for colleges like Tennessee State University. “President Ford brought in IDEA.” And “Nixon signed Pell Grants into law.” In 2001, the No Child Left Behind Act was signed into law by President George W. Bush which increased federal oversight of schools through standardized testing. Meanwhile, the new Education EO jeopardizes funding for students seeking higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college. Wilson details, “that 40 percent of all college students rely on Pell Grants and student loans.”

Rep. Alma Adams (D-NC) says this Trump action “impacts students pursuing higher education and threatens 26 million students across the country, taking billions away from their educational futures. Meanwhile, During the president’s speech in the East Room of the White House Thursday, Trump criticized Baltimore City, and its math test scores with critical words. Governor West Moore, who is opposed to the EO action, said about dismantling the Department of Education, “Leadership means lifting people up, not punching them down.”

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