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Hip Hop Artist 24 Hrs & Friends Unite at the Roxy

LOS ANGELES SENTINEL — Hip Hop artist, 24 Hrs stopped by The Roxy Theatre on Friday, August 23, and Twenty surely did not disappoint his audience. The Atlanta based rap artist put on an intimate performance while being accompanied with special guests; such as, Niko G4, IAMSU!, Casey Veggies, Kyle, MadeinTYO, PNB Rock, Hit-Boy, Dom Kennedy and many more. Nonetheless, don’t confuse Twenty with all the hype. The 28-year-old rapper has showcased his versatility creating hit songs like “What You Like” featuring Ty Dolla Sign and Wiz Khalifa, or being featured on acclaimed electronica producer RL Grime’s song “UCLA.”

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Hip Hop Artist 24 Hrs (Photo by: lasentinel.net)

By Bertram Keller

Hip Hop artist, 24 Hrs stopped by The Roxy Theatre on Friday, August 23, and Twenty surely did not disappoint his audience. The Atlanta based rap artist put on an intimate performance while being accompanied with special guests; such as, Niko G4, IAMSU!, Casey Veggies, Kyle, MadeinTYO, PNB Rock, Hit-Boy, Dom Kennedy and many more. Nonetheless, don’t confuse Twenty with all the hype. The 28-year-old rapper has showcased his versatility creating hit songs like “What You Like” featuring Ty Dolla Sign and Wiz Khalifa, or being featured on acclaimed electronica producer RL Grime’s song “UCLA.”

24 Hrs and Dom Kennedy perform “Black Out!” (Photo by: lasentinel.net)

24 Hrs and Dom Kennedy perform “Black Out!” (Photo by: lasentinel.net)

At the start of the show, Twenty makes his way through clashes of people backstage; finally, composing himself front stage. The crowd almost immediately draws in closer with anticipation. Spectators reach out to touch him; in a way, thanking Twenty for the energy that is infused through unique sound. Dedicated fans stand and watch for his next move; ready to rage and reciprocate all the energy that fills the room. Still, how will Twenty start the show?

Twenty spent much of his career creating his sound in Atlanta; though, he is originally from the bay area (Oakland, Ca). Formerly known as Royce Rizzy, Twenty jumped from American rapper, Lil Scrappy’s record label G’s Up to record executive, Jermaine Dupri’s record label So So Def Recordings. With his rich history of working with the top minds in Hip Hop, it is no coincidence that Twenty has developed the lyrical prose to work with a variety of artists. From his early years, Twenty has evolved from raspy street raps to melodic high octave singing, which became an accepted surprise for those who follow the young artist’s career.

Twenty starts his set telling production to “Cut off the lights,” initiating fans to further surrender to the intimacy of the moment. The overflow of energy spills over, in which commands the audience to forget personal troubles and become aware of the present moment in time. This exchange of unity from Hip Hop fans and fellow artists is a beautiful thing to witness. Today’s Hip Hop artists are frequently uniting through music, in which it ratifies creators to learn and evolve much faster. Whether they’re evolving through their music or their individuality of appearance, this particular climate of Hip Hop further generates its popularity from accepting supporters as individuals.

24 Hrs and (brother) Madeintyo share the stage. (Photo by: lasentinel.net)

24 Hrs and (brother) Madeintyo share the stage. (Photo by: lasentinel.net)

Twenty recently signed a partnership deal with Rostrum Records in late April, concurrently releasing his club record, “Back Out” featuring Ty Dolla Sign and Dom Kennedy. Twenty’s melodic vocals, with Ty Dolla Sign’s flawless harmonies, followed by Dom Kennedy’s fueled lyrical arrangement make for a great summertime song for listeners to enjoy. The “Back Out” music video also shows a cameo from comedian, Anthony Anderson as a homeowner in apprehension of Twenty throwing an outrageous party.

The Roxy acted as a harbor so to speak, collecting and cascading wavy sounds from the mind of Twenty and friends; thus, making it a most memorable night for fans! In support, fans gathered with the foresight of surprise performances and witness the creative energy felt through sound waves.

This article originally appeared in The Los Angeles Sentinel.

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Black Feminist Movement Mobilizes in Response to National Threats

BLACKPRESSUSA NEWSWIRE — More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States. The event, led by the organization Black Feminist Future, is headlined by activist and scholar Angela Y. Davis. Paris Hatcher, executive director of Black Feminist Future, joined Black Press USA’s Let It Be Known to outline the mission and urgency behind the gathering, titled “Get Free.” “This is not just a conference to dress up and have a good time,” Hatcher said. “We’re building power to address the conditions that are putting our lives at risk—whether that’s policing, reproductive injustice, or economic inequality.” Hatcher pointed to issues such as rising evictions among Black families, the rollback of bodily autonomy laws, and the high cost of living as key drivers of the event’s agenda. “Our communities are facing premature death,” she said.

Workshops and plenaries will focus on direct action, policy advocacy, and practical organizing skills. Attendees will participate in training sessions that include how to resist evictions, organize around immigration enforcement, and disrupt systemic policies contributing to poverty and incarceration. “This is about fighting back,” Hatcher said. “We’re not conceding anything.” Hatcher addressed the persistent misconceptions about Black feminism, including the idea that it is a movement against men or families. “Black feminism is not a rejection of men,” she said. “It’s a rejection of patriarchy. Black men must be part of this struggle because patriarchy harms them too.” She also responded to claims that organizing around Black women’s issues weakens broader coalitions. “We don’t live single-issue lives,” Hatcher said. “Our blueprint is one that lifts all Black people.”

The conference will not be streamed virtually, but recaps and updates will be posted daily on Black Feminist Future’s YouTube channel and Instagram account. The event includes performances by Tank and the Bangas and honors longtime activists including Billy Avery, Erica Huggins, and Alexis Pauline Gumbs. When asked how Black feminism helps families, Hatcher said the real threat to family stability is systemic oppression. “If we want to talk about strong Black families, we have to talk about mass incarceration, the income gap, and the systems that tear our families apart,” Hatcher said. “Black feminism gives us the tools to build and sustain healthy families—not just survive but thrive.”

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Hoover’s Commutation Divides Chicago as State Sentence Remains

BLACKPRESSUSA NEWSWIRE — Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The federal sentence for Gangster Disciples founder Larry Hoover has been commuted, but he remains incarcerated under a 200-year state sentence in Illinois. The decision by Donald Trump to reduce Hoover’s federal time has reignited longstanding debates over his legacy and whether rehabilitation or continued punishment is warranted. The commutation drew immediate public attention after music executive Jay Prince and artist Chance the Rapper publicly praised Trump’s decision. “I’m glad that Larry Hoover is home,” said Chance the Rapper. “He was a political prisoner set up by the federal government. He created Chicago Votes, mobilized our people, and was targeted for that.”

But Hoover, the founder of the Gangster Disciples, is not home—not yet. Now in federal custody at the Florence Supermax in Colorado, Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial. “There is a divide in the Black community here,” said Chicago journalist Jason Palmer during an appearance on the Let It Be Known morning program. “Some view Hoover as someone who brought structure and leadership. Others remember the violence that came with his organization.” Palmer explained that while Hoover’s gang originally formed for protection, it grew into a criminal network responsible for extensive harm in Chicago. He also noted that Hoover continued to run his organization from state prison using coded messages passed through visitors, prompting his transfer to federal custody.

Illinois Gov. J.B. Pritzker, who is widely considered a potential 2028 presidential contender, has not issued a statement. Palmer suggested that silence is strategic. “Releasing Hoover would create enormous political consequences,” Palmer said. “The governor’s in a difficult spot—he either resists pressure from supporters or risks national backlash if he acts.” According to Palmer, Hoover’s federal commutation does not make him a free man. “The federal sentence may be commuted, but he still has a 200-year state sentence,” he said. “And Illinois officials have already made it clear they don’t want to house him in state facilities again. They prefer he remains in federal custody, just somewhere outside of Colorado.”

Palmer also raised concerns about what Hoover’s case could signal for others. “When R. Kelly was convicted federally, state prosecutors in Illinois and Minnesota dropped their charges. If a president can commute federal sentences based on public pressure or celebrity support, others like R. Kelly or Sean Combs could be next,” Palmer said. “Meanwhile, there are thousands of incarcerated people without fame or access to public platforms who will never get that consideration.” “There are people who are not here today because of the violence connected to these organizations,” Palmer said. “That has to be part of this conversation.”

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WATCH: Five Years After George Floyd: Full Panel Discussion | Tracey’s Keepin’ It Real | Live Podcast Event

Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

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https://youtube.com/watch?v=OsNLWTz6jU0&feature=oembed

May 25, 2020. The world stopped and watched as a life was taken.

But what has happened since?

Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

She shares reflections, insights, and the story of a community forever changed. What has a year truly meant, and where do we go from here?

This is more than just a date; it’s a moment in history. See what one leader in the Black press has to say about it.

Recorded live at UROC in Minneapolis, this powerful discussion features:

Panelists:

  • Medaria Arradondo – Former Minneapolis Police Chief
  • Nekima Levy Armstrong – Civil Rights Activist & Attorney
  • Dr. Yohuru Williams – Racial Justice Initiative,
  • UST Mary Moriarty – Hennepin County Attorney
  • Fireside Chat with Andre Locke – Father of Amir Locke

Special Guests:

  • Kennedy Pounds – Spoken Word Artist
  • Known MPLS – Youth Choir bringing purpose through song

This podcast episode looks at the past five years through the lens of grief, truth, and hope—and challenges us all to do more.

🔔 Subscribe to Tracey’s Keepin’ It Real wherever you get your podcasts or follow ‪@mnspokesmanrecorder‬ for more.

🔗 Visit https://spokesman-recorder.com for more coverage and stories from Minnesota’s trusted Black news source.

#GeorgeFloyd #BlackPress #SpokesmanRecorder #Minneapolis #BlackHistory

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