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Black History

Hip-Hop Museum Preserves Rap Music History in D.C.

THE AFRO — Forty years ago the music world was caught off guard by a genre’ that would change the industry forever.

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By Mark F. Gray

Forty years ago, near the end of the Jimmy Carter administration, when the Baltimore Orioles were making a run to the World Series, the music world was caught off guard by a genre’ that would change the industry forever.  When the Sugar Hill Gang sampled a hook from Chic’s disco hit Good Times and created lyrics that flowed over the beats to create the iconic hit single Rappers Delight, Hip-Hop music was born.

Jeremy Beaver, owner of Listen Vision Studios in Northwest D.C., has been captivated his entire life by the evolution of what was initially known as rap music. His passion for the music and its cultural impact led to opening a studio across the street from Howard University’s business school on Georgia Ave. Northwest, in a three story brownstone providing artists with a place to record and produce music giving them a chance to break into the business.

Beaver has moved his “Vision” to the next level by creating the Hip-Hop Museum Pop Up Experience which debuts Jan. 18 and runs through Feb. 18 at the Culture House in Southwest, D.C.  The interactive experience is expected to give fans an opportunity to understand how the music of urban culture has impacted the world.

“Hip-Hop has moved from the streets of the Bronx in the 1970s to every household in the world 40 years later, and that’s a fascinating phenomenon,” said Beaver. “By creating the Hip-Hop Museum D.C. collection, we hope to contribute to the preservation of Hip-Hop history and culture.”

The month long celebration of Hip-Hop begins with live performances by the Sugarhill Gang, Melle Mel, and Grandmaster Caz, accompanied by D.C.’s legendary go-go band Trouble Funk, who were all signed to Sugarhill Records in the early 1980s.  Beaver says this performance will correct a 40-year oversight in Hip-Hop history.

Sugarhill Gang member Big Bank Hank (who died in 2014) used Caz’s lyrics on “Rapper’s Delight,” but Caz was never acknowledged nor paid. When the song was released Caz was the lead member of the Cold Crush Brothers and considered one of the then-underground genre’s most talented lyricists. The debate over rapper’s using “ghostwriters” continues in recent battles between Drake and Meek Mill and Nicki Minaj and Cardi B.

“Caz was one of the original combination of rappers and DJs who was an inspiration to the artists who followed him,” Beaver said. “He’s never gotten credit for the most significant breakthrough commercially successful record to hit billboard’s top 100.”

Opening night also features a live streaming talk show hosted by D.C. native and founder of Source Magazine and the Source Music Awards Dave Mays.  Source magazine has long been considered the industry standard publication for Hip-Hop culture.  Mays is scheduled to interview the performers and selected guests about the significance of Rapper’s Delight and how it changed the landscape of the music industry 40 years ago.

“It’s important that we recognize and learn more about Hip-Hop’s rich history at a time when the genre has become not only the most popular music on the planet, but a multi-billion dollar global cultural and entertainment force,” said Mays.

Beaver has more than 500 vintage items that comprise the exhibit.  The artifacts include boxing gloves from the music video “Mama Said Knock You Out” signed by LL Cool J, a brick from Eminem’s childhood home on 8 Mile Road in Michigan, the leather vest worn by Grandmaster Caz in the classic 1982 Hip-Hop film Wild Style, and what Beaver claims is the world’s largest collection of Hip-Hop sneakers and autographed vinyl record albums and singles.

This article originally appeared in The Afro

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Activism

OPINION: Your Voice and Vote Impact the Quality of Your Health Care

One of the most dangerous developments we’re seeing now? Deep federal cuts are being proposed to Medicaid, the life-saving health insurance program that covers nearly 80 million lower-income individuals nationwide. That is approximately 15 million Californians and about 1 million of the state’s nearly 3 million Black Californians who are at risk of losing their healthcare. 

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Rhonda M. Smith.
Rhonda M. Smith.

By Rhonda M. Smith, Special to California Black Media Partners

Shortly after last year’s election, I hopped into a Lyft and struck up a conversation with the driver. As we talked, the topic inevitably turned to politics. He confidently told me that he didn’t vote — not because he supported Donald Trump, but because he didn’t like Kamala Harris’ résumé. When I asked what exactly he didn’t like, he couldn’t specifically articulate his dislike or point to anything specific. In his words, he “just didn’t like her résumé.”

That moment really hit hard for me. As a Black woman, I’ve lived through enough election cycles to recognize how often uncertainty, misinformation, or political apathy keep people from voting, especially Black voters whose voices are historically left out of the conversation and whose health, economic security, and opportunities are directly impacted by the individual elected to office, and the legislative branches and political parties that push forth their agenda.

That conversation with the Lyft driver reflects a troubling surge in fear-driven politics across our country. We’ve seen White House executive orders gut federal programs meant to help our most vulnerable populations and policies that systematically exclude or harm Black and underserved communities.

One of the most dangerous developments we’re seeing now? Deep federal cuts are being proposed to Medicaid, the life-saving health insurance program that covers nearly 80 million lower-income individuals nationwide. That is approximately 15 million Californians and about 1 million of the state’s nearly 3 million Black Californians who are at risk of losing their healthcare.

Medicaid, called Medi-Cal in California, doesn’t just cover care. It protects individuals and families from medical debt, keeps rural hospitals open, creates jobs, and helps our communities thrive. Simply put; Medicaid is a lifeline for 1 in 5 Black Americans. For many, it’s the only thing standing between them and a medical emergency they can’t afford, especially with the skyrocketing costs of health care. The proposed cuts mean up to 7.2 million Black Americans could lose their healthcare coverage, making it harder for them to receive timely, life-saving care. Cuts to Medicaid would also result in fewer prenatal visits, delayed cancer screenings, unfilled prescriptions, and closures of community clinics. When healthcare is inaccessible or unaffordable, it doesn’t just harm individuals, it weakens entire communities and widens inequities.

The reality is Black Americans already face disproportionately higher rates of poorer health outcomes. Our life expectancy is nearly five years shorter in comparison to White Americans. Black pregnant people are 3.6 times more likely to die during pregnancy or postpartum than their white counterparts.

These policies don’t happen in a vacuum. They are determined by who holds power and who shows up to vote. Showing up amplifies our voices. Taking action and exercising our right to vote is how we express our power.

I urge you to start today. Call your representatives, on both sides of the aisle, and demand they protect Medicaid (Medi-Cal), the Affordable Care Act (Covered CA), and access to food assistance programs, maternal health resources, mental health services, and protect our basic freedoms and human rights. Stay informed, talk to your neighbors and register to vote.

About the Author

Rhonda M. Smith is the Executive Director of the California Black Health Network, a statewide nonprofit dedicated to advancing health equity for all Black Californians.

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Activism

IN MEMORIAM: Nate Holden, State Senator and Longtime Los Angeles Councilmember, Dies at 95

Los Angeles County Supervisor Janice Hahn described Holden as “a lion” in the State Senate and a force to be reckoned with on the Los Angeles City Council.” Hahn added that she learned a lot working with Holden when she was a new councilmember.

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Former Los Angeles Councilmember and California State Sen. Nate Holden. File photo.
Former Los Angeles Councilmember and California State Sen. Nate Holden. File photo.

By Bo Tefu, California Black Media

Former Los Angeles City Councilmember Nathaniel “Nate” Holden, a prominent figure in the city’s politics, passed away at the age of 95, his family confirmed on May 7.

Holden, who represented South Los Angeles for 16 years on the City Council and served one term in the California State Senate, was widely regarded as a forceful advocate for his community.

Los Angeles County Supervisor Janice Hahn described Holden as “a lion” in the State Senate and a force to be reckoned with on the Los Angeles City Council.”

Hahn added that she learned a lot working with Holden when she was a new councilmember.

Holden’s journey to political prominence began in the segregated South, where he was born in Macon, Georgia, in 1929. He often recalled the childhood moment when he first heard the governor of Georgia vowing to continue suppressing Black people.

“Doing the best you can for the people. Law and order. Make sure that people’s communities are safe. I did it all,” said Holden, reflecting on his legacy.

Holden is survived by his sons, including former California Assemblymember Chris Holden, who represented a district in Southern California that includes Pasadena and Altadena in Los Angeles County and cities in San Bernardino County.

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Black History

Henry Blair, the Second African American to Obtain a Patent

Being a successful farmer required consistent production. Blair figured out a way to increase his harvest. He did this with two inventions. His first invention was a corn planter. The planter had the same structure as a wheelbarrow, with a box to hold the seed and rakes dragging behind to cover them. This machine allowed farmers to plant their crops more economically.

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A sketch of one of Henry Blair’s inventions, the seed planter. Image courtesy United States Patent and Trademark Office.
A sketch of one of Henry Blair’s inventions, the seed planter. Image courtesy United States Patent and Trademark Office.

By Tamara Shiloh

The debate over whether enslaved African Americans could receive U.S. Government-issued patents was still unfolding when the second African American to hold a patent, Henry Blair, received his first patent in 1834.

The first African American to receive a patent was Thomas Jennings in 1821 for his discovery of a process called dry scouring, also known as dry cleaning.

Blair was born in Glen Ross, Maryland, in 1807. He was an African American farmer who received two patents. Each patent was designed to help increase agricultural productivity.

There is very little information about his life prior to the inventions. It is known that he was a farmer who invented machines to help with planting and harvesting crops. There is no written evidence that he was a slave.

However, it is apparent that he was a businessman.

Being a successful farmer required consistent production. Blair figured out a way to increase his harvest. He did this with two inventions. His first invention was a corn planter. The planter had the same structure as a wheelbarrow, with a box to hold the seed and rakes dragging behind to cover them. This machine allowed farmers to plant their crops more economically.

Blair could not write. As a result of his illiteracy, he signed the patent with an “X”. He received his first patent for the corn planter on Oct. 14, 1834.

Two years later, taking advantage of the boost in the cotton industry, he received his second patent. This time for a cotton planter. This machine worked by splitting the ground with two shovel-like blades that were pulled along by a horse. A wheel-driven cylinder behind the blades placed seeds into the freshly plowed ground. Not only was this another economical and efficient machine. It also helped with controlling weeds and put the seeds in the ground quickly Henry Blair received his second patent on Aug. 31, 1836

During this time, the United States government passed a law that allowed patents to be granted to both free and enslaved men. However, in 1857, this law was contested by a slaveowner. He argued that slaveowners had a right to claim credit for a slave’s inventions. His argument was that since an owner’s slaves were his property, anything that a slave owned was the property of the owner also.

In 1858 the law changed, and patents were no longer given to slaves. However, the law changed again in 1871 after the Civil War. The patent law was revised to permit all American men, regardless of race, the right to patent their inventions.

Blair died in 1860.

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