Arts and Culture

IN MEMORIAM: Jazz Saxophonist Pharoah Sanders, 81

“We are devastated to share that Pharoah Sanders has passed away,” family representatives tweeted Saturday morning. “He died peacefully surrounded by loving family and friends in Los Angeles earlier this morning. Always and forever the most beautiful human being, may he rest in peace.”

Published

3 years ago

October 7, 2022

Oakland Post

Pharoah Sanders. Facebook photo.

By Post Staff

Jazz saxophonist Farrell ‘Pharoah’ Sanders, a pioneer of ‘spiritual’ jazz who lived in Oakland for a time before gaining renown in New York with John Coltrane’s band in the 1960s, passed away in Los Angeles on Sept. 24, 2022. He was 81.

Tributes like this from on YouTube by nbaccess were seen on social media.

“Pharoah was like John Coltrane. So soft and tempered in the daily life and human interactions but incredibly powerful and soulful when he blown this horn…he was a truly Spiritual Man, just as John. Ornette Coleman famously said that Pharoah is probably ‘the best tenor saxophonist in the world.’ I don’t think we will hear such kind of artists for a long, long time…RIP Pharoah. Your music is your true essence and will never die!”

“My beautiful friend passed away this morning. I am so lucky to have known this man, and we are all blessed to have his art stay with us forever. Thank you, Pharoah,” said San Shepard, whose stage name is Floating Points.

“A visionary amongst visionaries. Pharaoh forever.” Thurston Moore Tweeted.

Born in Little Rock, Ark., on Oct. 13, 1940, Sanders showed early aptitude for music, playing several instruments including drums and clarinet before he settled on the tenor sax in high school.

“I was always trying to figure out what I wanted to do as a career. What I really wanted to do was play the saxophone — that was one of the instruments that I really loved,” Sanders told The New Yorker. “I would rent the school saxophone. You could rent it every day if you wanted to. It wasn’t a great horn. It was sort of beat-up and out of condition.”

Nevertheless, Sanders played in Little Rock’s Black clubs and sometimes from behind curtains at white venues in the segregated city. At 19, he moved to Oakland and attended Oakland City College while collaborating with local jazz greats including Dewey Redman and Sonny Simmons.

“I never owned a saxophone until I finished high school and went to Oakland, California. I had a clarinet, and so I traded that for a new silver tenor saxophone, and that got me started playing the tenor.”

John Handy encouraged his talent, advising him to move to New York, which he did in 1961.

There Sanders was often homeless, pawning his horn and sleeping on the subways before he recorded his first album in 1964. He eventually got the attention of John Coltrane and joined his band in 1965.

According to Sanders’ web site, “(Coltrane and Sanders) music represents a near total desertion of traditional jazz concepts, like swing and functional harmony, in favor of a teeming, irregularly structured, organic mixture of sound for sound’s sake.”

“Sanders has consistently had bands that could not only create a lyrical near-mystical Afro-Eastern world,” wrote one champion, the late poet-critic Amiri Baraka, “but [also] sweat hot fire music in continuing display of the so-called ‘energy music’ of the ‘60s.”

Exploring spiritual jazz — which Coltrane had begun to do before his death in 1967 — Sanders would go on to play with, Alice Coltrane, Ornette Coleman and Sun Ra. It was Sun Ra who supposedly suggested Sanders change his given name from ‘Farrell’ to ‘Pharoah.’

In 1969, Sanders recorded the album “Karma,” featuring “The Creator Has a Master Plan.”

It was his most renowned work, but Sanders was comfortable moving in and out of genres. He earned a Grammy for his 1987 album with the pianist McCoy Tyner called “Blues for Coltrane.”

A decade earlier, he recorded with singer Phyllis Hyman in what could be called the pop 1977 album “Love Will Find a Way.”

Sanders would go on to lead and collaborate with jazz musicians here and abroad, record and tour through the 1990s.

A composition by British electronic music producer Floating Points prompted Sanders to seek out a collaboration in the 2010s. The album, “Promises,” was recorded with the London Symphony orchestra in 2019 and released in 2021 to positive reviews.

It was his first album in ten years and his last.

Services for Sanders have not yet been announced.

Sources for this story include The Guardian, YouTube, The Washington Post, The New York Times, The Los Angeles Times, People magazine, National Public Radio, Facebook and Pharoah Sanders’ website.

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Essay: Intentional Self Care and Community Connections Can Improve Our Wellbeing

At the deepest and also most expansive level of reality, we are all part of the same being, our bodies made from the minerals of the earth, our spirits infused by the spiritual breath that animates the universe. Willingness to move more deeply into fear and pain is the first step toward moving into a larger consciousness. Willingness to move beyond the delusion of our separateness can show us new ways of working and living together.

Published

1 month ago

October 27, 2025

Oakland Post

Lorraine Bonner is a retired physician. She is also a sculptor who works in clay, exploring issues of trust, trustworthiness and exploitation, as well as visions of a better world.

By Dr. Lorraine Bonner, Special to California Black Media Partners

I went to a medical school that was steeped in the principles of classical Western medicine. However, I also learned mindfulness meditation during that time, which opened me to the multifaceted relationship between illnesses and the interconnecting environmental, mental and emotional realities that can impact an individual’s health.

Therefore, when I began to practice medicine, I also pursued training in hypnosis, relaxation techniques, meditation, and guided imagery, to bring a mind-body focus to my work in medical care and prevention.

The people I saw in my practice had a mix of problems, including high blood pressure, diabetes, and a variety of pain issues. I taught almost everyone relaxation breathing and made some general relaxation tapes. To anyone willing, I offered guided imagery.

“My work embraced an approach to wellness I call “Liberatory Health” — one that not only addresses the treatment and management of disease symptoms but also seeks to dismantle the conditions that make people sick in the first place.”

From my perspective, illness is only the outermost manifestation of our efforts to cope, often fueled by addictions such as sugar, tobacco, or alcohol, shackled by an individualistic cult belief that we have only ourselves to blame for our suffering.

To put these ideas into practical form, I would quote the immortal Mr. Rogers: “Find the helpers.” There are already people in every community working for liberation. Some of them are running for office, others are giving food to those who need it. Some are volunteering in schools, libraries or hospitals. Some are studying liberation movements, or are working in urban or community gardens, or learning to practice restorative and transformative justice, or creating liberation art, music, dance, theater or writing. Some are mentoring high schoolers or apprenticing young people in a trade. There are many places where compassionate humans are finding other humans and working together for a better world.

A more compassionate world is possible, one in which we will all enjoy better health. Creating it will make us healthier, too.

In community, we are strong. Recognizing denial and overcoming the fragmenting effects of spiritual disorder offer us a path to liberation and true health.

Good health and well-being are the collective rights of all people!

About the Author

Dr. Lorraine Bonner is a retired physician. She is also a sculptor who works in clay, exploring issues of trust, trustworthiness and exploitation, as well as visions of a better world.

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Activism

A Call to Save Liberty Hall: Oakland’s Beacon of Black Heritage Faces an Uncertain Future

For generations, Liberty Hall has been more than bricks and wood — it has been a spiritual and cultural sanctuary for Black Oakland. The building once served as a hub for Marcus Garvey’s Universal Negro Improvement Association (UNIA), where Garvey’s call for economic independence and Pan-African unity resonated through the hearts of a people newly migrating to the West in search of freedom and dignity.

Published

1 month ago

October 27, 2025

Oakland Post

Liberty Hall at 1483-1485 8th St., in Oakland was built in 1877 as a store and residence. Wikimedia photo.

Special to The Post

On a quiet corner near the West Oakland BART Station stands a weathered but proud monument to African American history — the Universal Negro Improvement Association’s Liberty Hall, also known as the Marcus Garvey Building. Built in 1877, this two-story Italianate landmark has witnessed more than a century of struggle, self-determination, and community empowerment. Now, its survival hangs in the balance.

Local 188 of UNIA was the largest chapter in Northern California when the organization bought the building in 1925, but a fire burned the roof in 1931, and the chapter sold the building in 1933. The International Peace Movement, founded by Father Divine, used the building through the 1950s.

Since then, the building has been a meeting ground for civil rights organizers, artists, and educators like Overcomers With Hope who have carried that same flame of liberation through Oakland’s turbulent decades.

Today, local cultural organizer and artist Douglas “Pharoah” Stewart has stepped forward to lead the charge to save Liberty Hall. Stewart is already facing “Cultural Eviction” at the Oakland Cannery, and through his organization, Indigenous House, Stewart has rallied a coalition of artists, educators, historians, and community leaders to preserve and restore the site as a community-owned cooperative center — a place where arts, wellness, and economic empowerment can thrive for future generations.

“Liberty Hall is not just a building — it’s a living ancestor,” Stewart says. “This space gave birth to movements that shaped who we are as a people. If we lose this, we lose a piece of our soul.”

Stewart envisions transforming the historic landmark into a multi-purpose cooperative hub — complete with a cultural museum, community performance space, youth tech labs, and creative studios for local entrepreneurs. His vision echoes Garvey’s own: “A place where we can rise together, economically, spiritually, and culturally.”

But the fight is urgent. The aging building faces structural challenges, and time is running short to secure preservation funding. Stewart and his team are now calling on city officials, foundations, athletes, and celebrities to join forces with the community to raise the necessary capital for acquisition and restoration.

“We’re inviting everyone — from the Oakland A’s to local artists, from Golden State Warriors players to Black-owned businesses — to stand with us,” Stewart urges. “Let’s make Liberty Hall a model for what preservation can look like when the people lead.”

The Liberty Hall Project aligns with Oakland’s growing movement to protect historic Black cultural sites — places like Esther’s Orbit Room, Marcus Bookstore, and the California Hotel. For Stewart, Liberty Hall represents a chance to bridge the city’s past with its future, transforming preservation into a living, breathing act of justice.

“This is not nostalgia,” Stewart says. “This is nation-building. It’s about creating sustainable, community-owned spaces that honor our ancestors and empower our youth.”

As development pressures mount across West Oakland, Liberty Hall stands as a powerful reminder of resilience, resistance, and rebirth. The question now is whether the community — and those with the power to help — will answer the call.

For donations, partnerships, or information about the Liberty Hall Cooperative Development Project, contact Indigenous House at www.indigenoushouse.org Douglas Stewart dstewart.wealth@gmail.com

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Activism

MLK Way at 57th Street in Oakland Renamed Bobby Seale Way for Black Panther Co-Founder

In 1962, Bobby Seale and Virtual Murrell cofounded the first known Black student organization called the Soul Students Advisory Council at Oakland City College located at 57th and Grove streets, now MLK. Jr. Way.

Published

1 month ago

October 27, 2025

Oakland Post

Promotional flyer for the renaming event. Courtesy photo.

By Zac Unger

We are so proud to honor the legacy of the great Bobby Seale by commemoratively renaming 57^th Street and Martin Luther King Jr. Way to Bobby Seale Way in North Oakland. Seale, 88, has dedicated his life to advancing social justice, racial equality, and community self-determination. He played an essential part in the history of our country by co-founding the Black Panther Party for Self Defense in Oakland in 1966 with the late Huey Newton.

Our City has a tremendous history of activism, and it is a legacy we are proud of and strive to continue as our community and country face so many incredible challenges right now.

In 1962, Bobby Seale and Virtual Murrell cofounded the first known Black student organization called the Soul Students Advisory Council at Oakland City College, located at 57th and Grove streets, now MLK. Jr. Way.

Later, they cofounded the first Negro history class, which led to the establishment of the first Black Studies program in college curricula in the country. Murrell is scheduled to introduce Seale at the street dedication.

The author of “Seize the Time,” Seale ran for mayor of Oakland in 1973, coming in second in a field of nine. We are proud to memorialize his legacy by renaming this street so that we do not forget the legacy and change he has made.