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IN MEMORIAM: Little Richard, One of the Most Influential Founding Fathers of Rock n’ Roll, Dies at 87

NNPA NEWSWIRE — Little Richard was a founding father of the genre of Rock n’ Roll from its inception. His influence included The Beatles, who opened for Little Richard as he toured Europe in 1962. He also advised Paul McCartney on his distinctive vocalizations. Little Richard influenced Otis Redding, James Brown, Mick Jagger, Keith Richards, John Lennon and Cliff Richard and those influences frequently showed up in their music.

Published

5 years ago

May 9, 2020

Oakland Post

By Lauren Victoria Burke, NNPA Newswire Contributor

Richard Wayne Penniman, better known as Little Richard, was one of the most influential singer songwriters in popular music. He was one of the founders of Rock n’ Roll in the 1950s and one of the most memorable performers in rock history. Little Richard was born in 1932 in Macon, Georgia.

“Tutti Frutti” (1955), one of Richard’s signature songs, became a hit reaching the No. 2 on the Billboard chart. Another hit, “Long Tall Sally” (1956), hit No. 1 on Billboard. “Tutti Frutti” was added to the National Recording Registry of the Library of Congress in 2010 and cited for its “unique vocalizing over the irresistible beat announced a new era in music”. Two of his songs,”Tutti Frutti” and “Good Golly, Miss Molly” were listed on the Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll.

Little Richard’s music was covered by several artists thereafter and his influence included The Beatles, who opened for Little Richard as he toured Europe in 1962. He also advised Paul McCartney on his distinctive vocalizations. Little Richard influenced Otis Redding, James Brown, Mick Jagger, Keith Richards, John Lennon and Cliff Richard and those influences frequently showed up in their music.

Legend has it that James Brown came up with the Famous Flames debut hit, “Please, Please, Please”, after Richard had written the words down on a napkin. Redding started his professional career with Little Richard’s band, The Upsetters. Bob Dylan performed covers of Little Richard’s songs on piano during a high school talent show with his rock and roll group, the Golden Chords. In 1959, Dylan wrote in his yearbook under “Ambition”: “to join Little Richard.”

Many Rock critics noted the similarities between Prince’s androgynous look and vocal style to Little Richard.

In 1963, Richard agreed to assist a failing tour effort by The Everly Brothers, Bo Diddley and The Rolling Stones and was given his own TV special after the tour ended.

Little Richard received all the honors possible in music. He was inducted into the Rock and Roll Hall of Fame as part of its first group of legendary inductees in 1986. He was also inducted into the Songwriters Hall of Fame.

Little Richard is the recipient of a Lifetime Achievement Award from the Recording Academy and a Lifetime Achievement Award from the Rhythm and Blues Foundation. In 2015, Richard received a Rhapsody & Rhythm Award from the National Museum of African American Music for his key role in the formation of popular music genres and helping to bring an end to the racial divide on the music charts and in concert in the mid-1950s changing American culture significantly.

At the suggestion of Lloyd Price, Little Richard sent a demo to Price’s label, Specialty Records, in 1955. Producer Robert “Bumps” Blackwell, who worked at Specialty Records, thought Little Richard was Specialty’s answer to Ray Charles, but was told by Little Richard he was a fan of the sound of Fats Domino. In 1955, he recorded “Tutti Frutti” in three takes and it was released as a single in November 1955.

Penniman’s performances, like most early rock and roll shows, resulted in integrated audience reaction during an era of strict segregation in the South. On tours that included groups of music stars, Little Richard and other artists such as Fats Domino and Chuck Berry would allow audiences Black and white to enter buildings via the same door but sit in separate places — but everyone would dance.

Vocal supremacist groups such as the North Alabama White Citizens Council warned that rock and roll “brings the races together.” The universal popularity of Little Richard killed the myth that black performers could not successfully perform at white-only venues.

Little Richard’s high-energy performances while playing the piano included dancing on top of the piano, running on and off the stage and throwing souvenirs to the audience. He also dressed flamboyantly onstage. Some of what is taken for granted now in popular music was invented by Little Richard.

Little Richard was ranked eighth on its list of the 100 Greatest Artists of All Time and Rolling Stone listed three of Little Richard’s recordings, “The Girl Can’t Help It”, “Long Tall Sally” and “Tutti Frutti”, on their 500 Greatest Songs of All Time.

Little Richard was the third of 12 children of Leva Mae and Charles Penniman. His father was a church deacon and his mother was a member of Macon’s New Hope Baptist Church.

Lauren Victoria Burke is an independent journalist for NNPA and the host of the podcast BURKEFILE. She is also a political strategist as Principal of Win Digital Media LLC. She may be contacted at LBurke007@gmail.com and on twitter at @LVBurke

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Remembering George Floyd

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5 days ago

May 25, 2025

Oakland Post

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

Published

7 days ago

May 23, 2025

Oakland Post

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

Oakland Post

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

Published

7 days ago

May 23, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.