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IN MEMORIAM: Richard Roundtree, Trailblazing “Shaft” Actor, Dies at 81

NNPA NEWSWIRE — Roundtree’s legacy extended beyond the 1970s classics. He reprised his iconic role in the 2000 “Shaft” film, sharing the screen with Samuel L. Jackson, who portrayed his nephew. The film was a revival that aimed to captivate a wider audience, and Roundtree and Jackson returned in the same roles for the 2019 rendition starring Jessie T. Usher. In a heartfelt social media post, Jackson hailed Roundtree as the “prototype” and praised him as “the best ever to do it.” Jackson added, “SHAFT, as we know it, is & will always be his Creation. His passing leaves a deep hole not only in my heart but I’m sure a lotta y’all’s, too.”
The post IN MEMORIAM: Richard Roundtree, Trailblazing “Shaft” Actor, Dies at 81 first appeared on BlackPressUSA.

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Richard Roundtree, the iconic actor renowned for portraying the suave private detective in the groundbreaking “Shaft” film series, has died at 81. His longtime manager, Patrick McMinn, confirmed that Roundtree succumbed to pancreatic cancer at his residence in Los Angeles on Tuesday. The legendary actor battled and triumphed over breast cancer in 1993 and underwent a double mastectomy. “Richard’s work and career served as a turning point for African American leading men,” McMinn said. “The impact he had on the industry cannot be overstated.”

Roundtree’s legacy extended beyond the 1970s classics. He reprised his iconic role in the 2000 “Shaft” film, sharing the screen with Samuel L. Jackson, who portrayed his nephew. The film was a revival that aimed to captivate a wider audience, and Roundtree and Jackson returned in the same roles for the 2019 rendition starring Jessie T. Usher. In a heartfelt social media post, Jackson hailed Roundtree as the “prototype” and praised him as “the best ever to do it.” Jackson added, “SHAFT, as we know it, is & will always be his Creation. His passing leaves a deep hole not only in my heart but I’m sure a lotta y’all’s, too.”

Born on July 9, 1942, in New Rochelle, New York, to John and Kathryn Roundtree, the young Roundtree showed promise in athletics and academics. He attended New Rochelle High School, earning recognition for his contributions to the school’s nationally-ranked football team. In 1961, Roundtree’s athletic prowess earned him a scholarship to Southern Illinois University in Carbondale, Illinois. However, his passion for acting and modeling prompted him to leave school in 1963. Roundtree’s career took off when Eunice Johnson of Ebony magazine recruited him to model at the Ebony Fashion Fair in 1963. He joined the Negro Ensemble Company in 1967, where he delivered a memorable performance as boxing legend Jack Johnson in “The Great White Hope.”

The pivotal moment in Roundtree’s career came in 1971, he landed the role of Shaft in the Gordon Parks-directed film. The film’s success catapulted Roundtree to stardom, culminating in two sequels: “Shaft’s Big Score” (1972) and “Shaft in Africa” (1973). In recognition of his exceptional talent, Roundtree received the Golden Globe Most Promising Newcomer Award in 1972. According to the HistoryMakers, throughout the 1970s and 1980s, Roundtree graced the silver screen in an array of films, including “Earthquake” (1974), “Escape to Athena” (1979), “A Game for Vultures” (1979), and “Day of The Assassin” (1979). He also made a memorable appearance in the 1977 ABC television miniseries “Roots.”

In the ensuing decades, Roundtree continued to leave an indelible mark in the entertainment industry, appearing in various television series such as “Soul Food,” “Desperate Housewives,” “Heroes,” and “Grey’s Anatomy.” He secured a recurring role in the 2013 television show “Being Mary Jane” alongside Gabrielle Union and Margaret Avery. Roundtree further graced FOX’s television series “Star” with his presence in 2017 and 2018. In 1993, Roundtree faced a rare form of male breast cancer with unwavering determination. His resilience led him to become a prominent advocate for breast cancer awareness, lending his voice to the Susan G. Komen Foundation and the Know Your Score Men’s Health Initiative. Roundtree earned numerous awards, including the MTV Lifetime Achievement Award for his iconic portrayal of Shaft, an Image Award nomination in 1998, a Peabody Award in 2002, and a Black Theater Alliance Lifetime Achievement Award in 2010.

The post IN MEMORIAM: Richard Roundtree, Trailblazing “Shaft” Actor, Dies at 81 first appeared on BlackPressUSA.

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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