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Inclusive San Jose Jazz Summer Also Features Blues, R&B and Latin Salsa

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The heat of summer was cooled down by the smooth jazz and music at the 30th San Jose Jazz Summer Fest.

Featuring dozens of local and international entertainers, the three-day festival gave at­tendees a chance to dance, sing along and groove to sounds new and old of jazz, blues, R&B and Latin Salsa.

Headliners including vocal­ist Diane Reeves, the Marcus Shelby Jazz Orchestra and En Vogue wowed the crowd.

Other performers includ­ed; Gregory Porter, Charlie Hunter, The Family Stone, Top Shelf Big Band and Zydeco Flames and the Marquis Hill Blacktet.

Dressed in matching red suits, the O’Jays appropriate­ly sang “Love Train.” Diane Reeves and Kool and the Gang also sang classic favorites.

Performances honored jazz greats and events, going back to slavery. The SJZ Collec­tive creatively reimagined the music of bass legend Charles Mingus featuring a multigen­erational cast spearheaded by drummer Wally Schnalle with veteran trumpeter John Wor­ley Jr., bassist Saúl Sierra, or­ganist Brian Ho, saxophonist Oscar Pangilinan and guitarist Hristo Vitchev.

Guests grooved with the Marquis Hill Blacktet that combined hard bop and hip hop, featuring drummer Jona­than Pinson and vibraphonist Joel Ross.

Sammy Miller and the Con­gregation featured their seven-piece ensemble’s syncopated sounds of a Pentecostal church service with tenor saxophon­ist Ben Flocks, trumpeter Al­phonso Horne and trombonist Sam Crittenden.

With Richard Howell “A Love Supreme” on saxophone, the improviser took the John Coltrane classic to another lev­el including his son Ele Howell on drums, bassist Nick Panout­sos and Ian McArdle on piano.

Arsenio Rodriguez Project celebrated the memory and tradition of Arsenio Rodriguez while vocalist Jackie Gage’s tribute to Nancy Wilson ac­companied by pianist “Orange Julius” Rodriguez, paid hom­age to the rich storytelling songstress.

Inspired by the feats of Jo­seph Cinque, who led the 1839 revolt by enslaved Mende people on the Spanish slave ship La Amistad, Cuban pia­nist/composer Elio Villaf­ranca presented music from his double album “Cinque,” a five-part suite exploring the cultural and rhythmic currents connecting Cuba, Puerto Rico, Haiti, the Dominican Repub­lic and Jamaica.

His all-star band featured saxophonists Vincent Herring and Greg Tardy, trumpeter Freddie Hendrix, trombonist Steve Turre, drummer Lewis Nash and percussionist Arturo Stable.

Festival attendee Denise Hamm said this is her favorite festival.

“The San Jose Jazz Festi­val has something to offer ev­eryone,” she said. “From old school jazz to new school jazz with a twist, this art form is timeless and keeps on chang­ing.”

In the wake of the recent mass shootings in Gilroy, se­curity was upgraded with more officers and metal detectors. Hamm appreciated the addi­tional security.

“The extra security is great,” she said. “It really gives us a sense of extra protection in these strange times. I encour­age people to live their lives in spite of the craziness. We all have to live together and have great times together.”

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Activism

New Oakland Moving Forward

This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

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iStock.
iStock.

By Post Staff

Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.

Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.

This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.

So, upward and onward with the movement of New Oakland.

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Arts and Culture

BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy

When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

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Love Rita Book Cover. Courtesy of Harper.
Love Rita Book Cover. Courtesy of Harper.

By Terri Schlichenmeyer

Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages

Take care.

Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.

It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’

Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.

Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.

She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”

When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”

After their mother died of colon cancer, Rita’s lupus took a turn for the worse.

“Did she even stand a chance?” Davis wrote in her journal.

“It just didn’t seem possible that she, someone so full of life, could die.”

Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.

Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.

But don’t. Not quite yet.

In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.

This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.

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Activism

Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’

“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear  the natural styles like her and Angela Davis.

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Karen Lewis. Courtesy photo.
Karen Lewis. Courtesy photo.

By Barbara Fluhrer

I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.

“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear  the natural styles like her and Angela Davis.

I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.

Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing,  just blessings. Pray for the best and deal with the rest.

Nobody is perfect, so forgive quickly and love easily!”

Lewis’ book “Detour to Straight Street” is available on Amazon.

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