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Interactive Comprehensive Map Shows Thousands of Lynchings Thoughout American History

NNPA NEWSWIRE — “Before this website, it was impossible to search the web and find an accurate scope of the history of American lynching. The names have always been kept safe but distant, in old archives and scholarly books and dissertations. This site leaves the record open for all Americans, especially high school students who want to learn more than what their textbook has to say,” the site’s authors wrote.

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The map, which users can view based on region, also reveals the lynchings of Latinx people, Asians, Italians and Native Americans.

By Stacy M. Brown, NNPA Newswire Senior Correspondent
@StacyBrownMedia

In the century following the Civil War, as many as 5,000 people of color were murdered by mobs who believed in the cause of white supremacy.

On average, mobs killed nine people per month during the 1890s. Over the next 20 years, seven people each month were victims of lynch mobs.

The figures are all according to an interactive map project that tracks the history of lynching in America – state-by-state.

The map is called “Monroe Work Today.”

It is named after a black sociologist, who put together much of the information that details lynchings from 1835 to 1964, the period covered in the map’s data set.

Information found on the map reveals that black men were the most lynched group of people among the documented victims, usually due to mob violence after criminal accusations.

The map, which users can view based on region, also reveals the lynchings of Latinx people, Asians, Italians and Native Americans.

Monroe Nathan Work lived from 1866 to 1945, and the interactive map is called a rebirth of one aspect of his work.

Work was compelled to document every known lynching that was happening in the United States.

“You might already be familiar with what lynching is, and this website will examine it more,” the website’s authors write. “Of course, it starts with an act of injustice: by sentencing someone outside the law with no process or trial. Even worse, at the turn of the century, the methods of lynching had become commonplace, fueled by hatred — and unspeakably cruel. It was Mr. Work’s meticulous recordkeeping that preserves the names that are now an important part of our history.”

Work was known to love sociology for its search for the facts.

According to his biography on the website, sociology enabled Work to demonstrate how African Americans actually lived, in comparison to racist stereotypes.

For example, his work, “A Half Century of Progress,” compares the years 1866 to 1922. Despite enduring slavery and violence prior to 1866, by 1922 black people had increased literacy rates by 70 percent and vastly improved economically. The number of homes owned by black people grew from 12,000 in 1866 to 650,000 in 1922, just 62 years later. In aggregate, black people’s wealth grew by 750 percent, increasing from $20 million to $1.5 billion.

“Before this website, it was impossible to search the web and find an accurate scope of the history of American lynching. The names have always been kept safe but distant, in old archives and scholarly books and dissertations. This site leaves the record open for all Americans, especially high school students who want to learn more than what their textbook has to say,” the site’s authors wrote.

The website provides an education on the definition of lynching.

It doesn’t always mean hanged from a tree.

“There were many ways that a mob could take the life of a victim they were after. Yes, many people died by hanging, but others were killed from a hail of gunshots, dragged to death behind a vehicle, and some were burned alive. Sometimes, the mob would do all of these things to a single person,” the authors wrote.

A victim usually was accused of something. Thus, lynching wasn’t a random attack. Many times, it was utterly trivial and not a crime at all, like talking back to a white person or daring to file a lawsuit.

Some lynchings that were rationalized as defending a women’s honor — a white woman — were actually covering up what were at the time, forbidden relationships. Newspaper articles from the period reveal the flimsy reason was a black man found “hiding under the bed.”

Whatever the charge, it was never allowed to take its course in court. An angry group broke into the jail, pulled the person out, and executed him or her outside the law. Sometimes victims were tortured for a crowd’s amusement.

Some lynchings went far beyond mere murder. They included dark and brutal tortures to a person’s eyes, fingernails, genitals, orifices. People were set afire, or bones were crushed, bodies mutilated, and sometimes cut into pieces. The person died in agony. This kind of cruelty served as a lesson of terror to everyone else who might challenge the status quo.

Further, onlookers showed no signs of guilt for participating.

Many lynchings gathered a large crowd of spectators, like a carnival, and the lynching might be prolonged until more spectators could arrive. For example, the lynching of Sam Hose in 1899 in Georgia caused the railroad to run extra trains to let more people come right after Sunday church. Many photographs exist today because they were taken as proud souvenirs and postcards.

Lynching began as a form of self-appointed justice in local communities in the 1800s, when townspeople made grave accusations first but never bothered to gather the proof. Then as the 1870s turned into the ’80s and onward, lynching became adopted as a terrorist tactic by white supremacists. When slavery was abolished, and as settlers continued to arrive on the West coast, there were very real crusades to change the United States to a place only for whites.

In the South, a mythology arose that lynching was the only way to protect their “gentle women” against a crime wave of rapes. Similarly, in 1933, the Governor of California publicly praised the lynching of one kidnapper by people on the street. He promised to pardon anyone who might be prosecuted for participating in the mob, according to the website authors.

“God made the white into a man and implanted within his breast that determination to always be supreme among races of men,” read an October 29, 1920 article in the Okaloosa News-Journal in Florida. “This is why the white man of the South, standing out boldly tells civilization: ‘I am a white man! I will rule!’ Were he to do otherwise, he would be a renegade to his race.”

To view the map, click here.

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Michael: The King of Pop’s Story Returns to the Big Screen

BLACKPRESSUSA NEWSWIRE — The curtain has finally lifted on one of Hollywood’s most anticipated films. Lionsgate has unveiled the official trailer and release date for “Michael,” the sweeping biopic about Michael Jackson that has been years in the making.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The curtain has finally lifted on one of Hollywood’s most anticipated films. Lionsgate has unveiled the official trailer and release date for “Michael,” the sweeping biopic about Michael Jackson that has been years in the making. Directed by Antoine Fuqua, the film will arrive in theaters on April 24, 2026, with the singer’s nephew, Jaafar Jackson, stepping into the spotlight to portray his legendary uncle.

The trailer wastes no time rekindling the aura of Jackson’s genius. Opening with a studio scene between Jackson and his longtime producer Quincy Jones, played by Kendrick Sampson, the clip builds from a quiet, familiar rhythm to the electrifying pulse of “Wanna Be Startin’ Somethin’.” Viewers catch glimpses of the singer’s childhood, flashes of “Thriller,” and the silhouette that redefined pop culture. Each frame reminds fans of why Jackson remains unmatched in artistry and influence. The cast surrounding the late pop king’s nephew, Jaafar Jackson, reads like a who’s who of Black entertainment and music history. Colman Domingo plays Joe Jackson, Nia Long portrays Katherine Jackson, and Larenz Tate takes on the role of Motown founder Berry Gordy. Laura Harrier portrays music executive Suzanne de Passe, while Kat Graham embodies Diana Ross. Miles Teller plays attorney John Branca, a towering entertainment lawyer and longtime Jackson confidant who later became co-executor of his estate. The film’s journey to release has been as complicated as the icon it portrays. Production wrapped in 2024, but legal hurdles over depictions of past controversies forced extensive reshoots and editing delays. Even so, Fuqua’s film now appears ready to reclaim the narrative, focusing on Jackson’s creative ambition and humanity beyond tabloid noise. IndieWire reported that the film had faced “a massive legal snafu” over a disputed storyline but was retooled to center the music and legacy that defined generations.

Maven. Photo Credit: Glen Wilson

“Michael” promises more than a chronological retelling. It aims to explore how a child star from Gary, Indiana, became the world’s most influential entertainer. The script, written by Oscar-nominated John Logan, traces Jackson’s early years with the Jackson 5 through the triumphs and isolation of global superstardom. With Fuqua’s cinematic eye and producer Graham King—who brought “Bohemian Rhapsody” to life—joining forces with estate executors Branca and John McClain, the film is positioned as both a tribute and a restoration of Jackson’s cultural truth. Branca’s work behind the scenes has long shaped Jackson’s posthumous success. After the singer died in 2009, Branca and McClain took control of the estate burdened by debt and turned it into a global powerhouse worth billions. Under their stewardship, Jackson’s projects have generated more than $3 billion in worldwide ticket sales and landmark deals, including a $600 million joint venture with Sony earlier this year. At its heart, though, “Michael” is a story about artistry that transcends scandal. It offers a reminder that, despite the noise surrounding his life, Jackson’s music still bridges continents and generations. The trailer’s closing moments capture that spirit. As the beat of “Billie Jean” swells and Jaafar Jackson moonwalks into a spotlight, audiences are left with a familiar feeling—the awe of witnessing something timeless return home.

“Michael” opens worldwide in theaters April 24, 2026. See the official trailer here.

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Donald Trump Is the Biggest Loser

BLACKPRESSUSA NEWSWIRE — The Trump Brand took a significant hit as it was swept up in the Democratic blue wave of the election last night.

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By April Ryan

The Trump Brand took a significant hit as it was swept up in the Democratic blue wave of the election last night.

Chris Jones, Democratic candidate for U.S. House of Representatives (AR-02), says, “Last night was electric, and it was unquestionably a wave.” Democrats won big in what is widely considered a repudiation of Trump’s 9 months at the White House in his second term.

In the state of Virginia, which produced the first big election night win and saw the election of the first woman governor, Democrat Abigail Spanberger, 56% of Virginia’s residents disapprove of President Trump. In New Jersey, 55% of state residents disapprove of the president; in New York, 69% disapprove; and in California, 63% disapprove of the president. The Trump brand or his support for any candidates did nothing to benefit those he endorsed in this election. They actually lost in each race he publicly put his name behind.  Trump endorsed former New York Democratic Governor Andrew Cuomo, who lost the New York mayor’s race in his run as an independent. And New Jersey Republican Jack Ciattarelli, who ran for governor with the presidential endorsement, also lost his prospective race.

The next question is, will the democratic momentum be sustainable? Jones further explained, “This can become a 2026 tsunami, but turning a wave into a tsunami takes energy. A lot of energy. It doesn’t just happen. The conditions are there. Now we have to work!”

Some Democrats would argue that the work is already underway. The pushback against Trump’s national redistricting efforts received a thumb in the eye from California voters. Prop 50, California Governor Gavin Newsom’s counterbalance to President Trump’s redistricting efforts, passed in California last night. Although Trump’s name was not on the ballot last night, his Republican policies were. The United States has now entered the longest government shutdown in its history. Forty-two million Americans are not getting SNAP benefits. Economists are acknowledging that the government shutdown is contributing to the rise in delinquent debt in the student loan, automotive, and credit card industries. These items are among the negatives Americans are protesting against.

Compounding Trump’s political problems is a tariff battle that’s directly impacting pocketbooks. The day after the elections, the Trump administration was arguing before the US Supreme Court in favor of the president’s tariff powers. Meanwhile, President Trump‘s poll numbers are underwater, standing at a 37% national disapproval rate

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Historic Beatdown: Democrats Sweep Virginia as Speaker Don Scott and Jay Jones Make History

BLACKPRESSUSA NEWSWIRE — In a clear rejection of the policies of President Donald Trump, history repeated itself in Virginia.

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By Lauren Burke

In a clear rejection of the policies of President Donald Trump, history repeated itself in Virginia. Democrats once again swept all three statewide offices as they did in 2017 during Trump’s first term. Abigail Spanberger easily won the office of Governor, and State Senator Ghazala Hashmi won her race over John Reid to be the next Lieutenant Governor. The victories occurred against the backdrop of a historic win in Virginia by Spanberger that will give Virginia its first woman Governor.

Spanberger’s widely predicted win over Republican gubernatorial nominee Winsome Earle-Sears was called 17 minutes after the polls closed in Virginia at 7 pm. Former Delegate Jay Jones won his race against incumbent Attorney General Jason Miyares. His victory means Jones will be the first Black Attorney General in Virginia’s history. Jones’ win was particularly noteworthy since the last month of his campaign was consumed by the issue of private text messages from 2022 to Republican Delegate Carrie Coyner. Republicans ran a non-stop barrage of negative ads against Jones for a month.

Del. Coyner lost her bid for re-election to Delegate-elect Lindsey Dougherty. The Dougherty race was the number one target for House Speaker Don Scott and his campaign lieutenant, Delegate Dan Helmer. Coyner’s defeat was one of at least 13 victories for Democrats who have now added to their ranks in the Virginia House to historic margins. When the Virginia General Assembly returns to session in January, there will be at least 64 Democrats in the chamber. The widespread Republican defeat is a testament to a combination of historic fundraising, Democrats running in all 100 seats, dislike of President Trump’s policies, and an ineffective top of the ticket featuring Lt. Gov. Earle Sears.

+13: Speaker Scott and Del. Helmer Hit Historic Numbers in Fundraising and Power

As the evening ended, a glaring historic fact became clearer: The Virginia House of Delegates will expand to a historic number. The change means the largest Democratic House chamber in the modern era. There were several notable wins by Democrats running for the Virginia House. They include Virgil Thornton, Lilly Franklin, and Kim Pope Adams. Speaker Don Scott and his campaign chair, Dan Helmer, undertook a record fundraising effort never before seen in Virginia’s history. The moment of success for Virginia Democrats will be viewed as a positive signal for Democrats moving into the 2026 elections.

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