Entertainment
Isn’t He Lovely: Beyonce, Gaga, Pharrell Honor Stevie Wonder

Stevie Wonder, sitting at piano at bottom center, is joined by guest performers onstage during the finale of “Stevie Wonder: Songs in the Key of Life – An All-Star Grammy Salute,” at the Nokia Theatre L.A. Live on Tuesday, Feb. 10, 2015, in Los Angeles. (Photo by Chris Pizzello/Invision/AP)
MESFIN FEKADU, AP Music Writer
LOS ANGELES (AP) — The official after-party for the Grammy Awards was a tribute concert for Stevie Wonder.
Beyonce, Lady Gaga, Pharrell and Annie Lennox were part of the all-star acts who paid tribute to the piano-playing icon at a concert Tuesday night in Los Angeles, just days after the Grammys aired.
Beyonce kicked off the taped event presented by the Recording Academy by walking up an isle of the Nokia Theatre L.A. Live and singing “Fingertips.” Ed Sheeran joined the diva on “Master Blaster (Jammin’)” and Gary Clark Jr. jumped in on “Higher Ground.”
The night was full of collaborative highlights: A trio of India.Arie, Janelle Monae and Jill Scott shined like a seasoned girl group on “As”; Pharrell and OneRepublic’s Ryan Tedder stretched their voices as high as possible; Babyface and Ariana Grande were soft on “Signed, Sealed, Delivered I’m Yours”; and Wonder’s daughter, Aisha, sang the song written about her — “Isn’t She Lovely” — with R&B singer Ne-Yo.
“I love you, Daddy,” Aisha said, now standing next to her father who sat in the front row.
The rest of the night played like a love letter to Wonder.
Gaga said she remembered putting in her first CD into the CD player — a Wonder disc.
“You truly are the reason that I’m here today. Thank you so much,” said 28-year-old Gaga, who earned a standing ovation with her rendition of “I Wish.”
Andrea Bocelli, who was impressive when he sang “I Just Called to Say I Love You,” told Wonder and the crowd he assumed the song was “simple” to sing, but learned it wasn’t.
“I did my best just to say I love you,” the Italian tenor said, as the crowd was in awe.
Other performers included John Legend, Jennifer Hudson, the Band Perry and Tony Bennett, who delivered the goods on “For Once in My Life,” and Lennox, who was top notch during “My Cherie Amour.”
Even some of the presenters were musical: Tyler Perry sounded like a promising singer after delivering some of Wonder’s lyrics, and actor-comedian Craig Robinson, who is also musician, also sang before he introduced a video of Wonder’s silly side.
“Y’all clapped when Tyler sang,” Robinson said to laughs.
Jay Z, Jamie Foxx, Maya Rudolph, Gladys Knight, Big Sean and Berry Gordy attended the concert, dubbed “Stevie Wonder: Songs in the Key of Life — An All-Star Grammy Salute.” It will air Monday on CBS.
Wonder ended the night with a medley of his songs and was joined onstage with all of the performers and presenters for “Happy Birthday,” which happened after a video played showing Wonder campaigning to have the birthday of Martin Luther King Jr. become a national holiday.
Another video earlier in the night showed Paul McCartney calling Wonder “an incredible musician,” ”genius” and a “total inspiration.”
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
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Activism
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