Entertainment
Jazz Fest started stormy but then nothin’ but blue skies prevailed
LOUISIANA WEEKLY — With some calculated planning matched by flexibility, Fest fans really could do well musically despite sudden cloud bursts that warranted taking shelter by most, but not all, folks. Crazy young and old music maniacs just stood out there in their boots and rain ponchos seemingly rejoicing in the experience. Been there, done that.
By Geraldine Wyckoff
It’s impossible to ignore/forget how the first day, Thursday, April 25, of the New Orleans Jazz & Heritage’s 50th anniversary began. It rained torrentially, enough so that the opening of the festival’s gates was delayed for an hour and a half. That the festival organizers were able to get it all going again so fast was both remarkable and appreciated by attendees. Of course, Jazz Fest and many regular festival-goers have much experience with downpours and the resulting muddy conditions. Let the show go on!
With some calculated planning matched by flexibility, Fest fans really could do well musically despite sudden cloud bursts that warranted taking shelter by most, but not all, folks. Crazy young and old music maniacs just stood out there in their boots and rain ponchos seemingly rejoicing in the experience. Been there, done that.
The joyful voices of Arthur and the Friends Community Choir simply drowned out the sound of the rain pounding on the roof of the Gospel Tent. A powerful ensemble of some 40-plus members, it was driven by a great band of young musicians with the drummer really hitting on all cylinders. The ever in motion, Rosalie “The Tambourine Lady” Washington, added the ring of the tambourine to the percussive element of the set that included some screamin’ solo vocalists.
Even the Gospel Tent staff was dancing on Sunday when octogenarian Andrew Jackson Sr., the leader of the Legendary Rocks of Harmony, stood at the edge of the stage and with the strength of a much younger man belted out, “I’m Still Here.” His son, Andrew Jr., joined him and soon thereafter took off his deep green jacket and got down on the floor with his microphone. All the veterans in this group, which has been together for 60 years, got into the action and spirit. The fine guitarist offered a wonderful rendition of “Amazing Grace” and even the keyboardist jumped up to dance. “Do we look good?” Jackson asked the crowd. Wow, yes they looked as good as they sounded with their green suits and vests set off by their yellow shirts.
The Cultural Exchange Pavilion, the dancing-est spot at the Fest, was a great place to be, rain or shine. It must have been around 4 p.m. Thursday, just after drummer Gerald French & the Original Tuxedo Jazz Band’s exhilarating set in Economy Hall that blue skies appeared in the west. It was the perfect time to celebrate by jumping on Martinique’s Chouval Bwa’s fanciful carousel, located next to the Pavilion, while the band, complete with percussion instruments, an accordionist and vocalists, plays in its center. The music so beautifully accompanies the ride on the hand-carved and man-powered carousel that looks innocent enough until it really gets going. In this case, New Orleans’ term for a merry-go-round, flying-horses, suits the ride well. Whee…
New Orleans headliners took over the Jazz Tent on Friday including established groups such as trumpeter Terence Blanchard & the E-Collective and the all-star band, Astral Project. Lovers of those deep, low tones certainly dug on the group baritone saxophonist Roger Lewis (Dirty Dozen, Treme Brass Band) put together for his appropriately titled “Baritone Bliss,” that included Lewis, Tony Dagradi, Calvin Johnson, Khari Allen Lee and more on bari plus a bass saxophonist who really held down the bottom. Dedicated to the late saxophonist Tim Green, who once played with this unit, the Bliss’ selections offered an appealing variety of genre’s from Dagradi’s “Mandela” to old-school rhythm and blues.
Saxophonist Kidd Jordan, who performed with his four musical offspring on Saturday, sat in the front row of the Jazz Tent listening to pianist Ellis Marsalis and his hugely talented four sons close out the modern jazz fest mecca on Sunday. The set was dedicated to wife and mother Delores Marsalis, who passed away in 2017. Like the Rocks of Harmony’s lead vocalist, Andrew Jackson Sr. mentioned above, the Marsalis patriarch doesn’t lay back but continues to push the music forward with his improvisations. The show was one of great jazz ability and of the musicians’ visible admiration of each other’s intuitive and educated prowess.

The Marsalis Brothers: Brandford, Wynton and Delfeayo (Photo by:
Sunday began with a one-two punch of the blues starting with the Mississippi hill country dynamo singer, drummer and guitarist Cedric Burnside, the grandson of the late, legendary R.L. Burnside. Playing in a duo and switching from guitar to drums, Burnside happily attacked the snare and tom, putting his whole body into the song “Don’t Leave Me Girl.” Burnside’s stripped-down blues style stood in contrast to that of his fellow Mississippi native, guitarist/vocalist Mr. Sipp “The Mississippi Blues Child,” who played fronting a full band with horns in the Blues Tent the previous day. Nonetheless, that the two acts shared a common ancestry was evident. By the way, Mr. Sipp demanded that everyone in the crowd get on their feet, which is just what they always want to do in the often overly restricted Blues Tent.
The commonality shared by Burnside and Mr. Sipp also, unexpectedly, prevailed when Mdou Moctar, a resident of Niger, Africa, who as a guitarist, songwriter and vocalist specializes in electrifying and modernizing the music of the Saharan Tuareg people, performed directly after Burnside. Highly influenced by guitarist Jimi Hendrix with deep roots in the tradition of his people, Moctar demonstrated the full circle of the African diaspora. The music and rhythms were, through those enslaved, brought from the continent to points west including the Southern United States and remain a strong element in the blues. Moctar embraced the influences of Black American artists thus he returned their music to its homeland. Burnside’s drumming and the forceful style of Moctar’s drummer spoke of their rhythmic roots. Music is one world.
This article originally appeared in the Louisiana Weekly.
Activism
Oakland Post: Week of December 24 – 30, 2025
The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Alameda County
Bling It On: Holiday Lights Brighten Dark Nights All Around the Bay
On the block where I grew up in the 1960s, it was an unwritten agreement among the owners of those row homes to put up holiday lights: around the front window and door, along the porch banister, etc. Some put the Christmas tree in the window, and you could see it through the open slats of the blinds.
By Wanda Ravernell
I have always liked Christmas lights.
From my desk at my front window, I feel a quiet joy when the lights on the house across the street come on just as night falls.
On the block where I grew up in the 1960s, it was an unwritten agreement among the owners of those row homes to put up holiday lights: around the front window and door, along the porch banister, etc. Some put the Christmas tree in the window, and you could see it through the open slats of the blinds.
My father, the renegade of the block, made no effort with lights, so my mother hung a wreath with two bells in the window. Just enough to let you know someone was at home.
Two doors down was a different story. Mr. King, the overachiever of the block, went all out for Christmas: The tree in the window, the lights along the roof and a Santa on his sleigh on the porch roof.
There are a few ‘Mr. Kings’ in my neighborhood.
In particular is the gentleman down the street. For Halloween, they erected a 10-foot skeleton in the yard, placed ‘shrunken heads’ on fence poles, pumpkins on steps and swooping bat wings from the porch roof. They have not held back for Christmas.
The skeleton stayed up this year, this time swathed in lights, as is every other inch of the house front. It is a light show that rivals the one in the old Wanamaker’s department store in Philadelphia.
I would hate to see their light bill…
As the shortest day of the year approaches, make Mr. King’s spirit happy and get out and see the lights in your own neighborhood, shopping plazas and merchant areas.
Here are some places recommended by 510 Families and Johnny FunCheap.
Oakland
Oakland’s Temple Hill Holiday Lights and Gardens is the place to go for a drive-by or a leisurely stroll for a religious holiday experience. Wear a jacket, because it’s chilly outside the Church of Jesus Christ of Latter-day Saints, at 4220 Lincoln Ave., particularly after dark. The gardens are open all day from 9 a.m. to 9 p.m. with the lights on from dusk until closing.
Alameda
Just across the High Street Bridge from Oakland, you’ll find Christmas Tree Lane in Alameda.
On Thompson Avenue between High Street and Fernside drive, displays range from classic trees and blow-ups to a comedic response to the film “The Nightmare Before Christmas.” Lights turn on at dusk and can be seen through the first week in January.
Berkeley
The Fourth Street business district from University Avenue to Virginia Street in Berkeley comes alive with lights beginning at 5 p.m. through Jan. 1, 2026.
There’s also a display at one house at 928 Arlington St., and, for children, the Tilden Park Carousel Winter Wonderland runs through Jan. 4, 2026. Closed Christmas Day. For more information and tickets, call (510) 559-1004.
Richmond
The Sundar Shadi Holiday Display, featuring a recreation of the town of Bethlehem with life-size figures, is open through Dec. 26 at 7501 Moeser Lane in El Cerrito.
Marin County
In Marin, the go-to spot for ‘oohs and ahhs’ is the Holiday Light Spectacular from 4-9 p.m. through Jan. 4, 2026, at Marin Center Fairgrounds at 10 Ave of the Flags in San Rafael through Jan. 4. Displays dazzle, with lighted walkways and activities almost daily. For more info, go to: www.marincounty.gov/departments/cultural-services/department-sponsored-events/holiday-light-spectacular
The arches at Marin County Civic Center at 3501 Civic Center Dr. will also be illuminated nightly.
San Francisco
Look for light installations in Golden Gate Park, chocolate and cheer at Ghirardelli Square, and downtown, the ice rink in Union Square and the holiday tree in Civic Center Plaza are enchanting spots day and night. For neighborhoods, you can’t beat the streets in Noe Valley, Pacific Heights, and Bernal Heights. For glee and over-the-top glitz there’s the Castro, particularly at 68 Castro Street.
Livermore
The winner of the 2024 Great Light Flight award, Deacon Dave has set up his display with a group of creative volunteers at 352 Hillcrest Avenue since 1982. See it through Jan. 1, 2026. For more info, go to https://www.casadelpomba.com
Fremont
Crippsmas Place is a community of over 90 decorated homes with candy canes passed out nightly through Dec. 31. A tradition since 1967, the event features visits by Mr. and Mrs. Claus on Dec. 18 and Dec. 23 and entertainment by the Tri-M Honor Society at 6 p.m. on Dec. 22. Chrippsmas Place is located on: Cripps Place, Asquith Place, Nicolet Court, Wellington Place, Perkins Street, and the stretch of Nicolet Avenue between Gibraltar Drive and Perkins Street.
Activism
Desmond Gumbs — Visionary Founder, Mentor, and Builder of Opportunity
Gumbs’ coaching and leadership journey spans from Bishop O’Dowd High School, Oakland High School, Stellar Prep High School. Over the decades, hundreds of his students have gone on to college, earning academic and athletic scholarships and developing life skills that extend well beyond sports.
Special to the Post
For more than 25 years, Desmond Gumbs has been a cornerstone of Bay Area education and athletics — not simply as a coach, but as a mentor, founder, and architect of opportunity. While recent media narratives have focused narrowly on challenges, they fail to capture the far more important truth: Gumbs’ life’s work has been dedicated to building pathways to college, character, and long-term success for hundreds of young people.
A Career Defined by Impact
Gumbs’ coaching and leadership journey spans from Bishop O’Dowd High School, Oakland High School, Stellar Prep High School. Over the decades, hundreds of his students have gone on to college, earning academic and athletic scholarships and developing life skills that extend well beyond sports.
One of his most enduring contributions is his role as founder of Stellar Prep High School, a non-traditional, mission-driven institution created to serve students who needed additional structure, belief, and opportunity. Through Stellar Prep numerous students have advanced to college — many with scholarships — demonstrating Gumbs’ deep commitment to education as the foundation for athletic and personal success.

NCAA football history was made this year when Head Coach from
Mississippi Valley State, Terrell Buckley and Head Coach Desmond
Gumbs both had starting kickers that were women. This picture was
taken after the game.
A Personal Testament to the Mission: Addison Gumbs
Perhaps no example better reflects Desmond Gumbs’ philosophy than the journey of his son, Addison Gumbs. Addison became an Army All-American, one of the highest honors in high school football — and notably, the last Army All-Americans produced by the Bay Area, alongside Najee Harris.
Both young men went on to compete at the highest levels of college football — Addison Gumbs at the University of Oklahoma, and Najee Harris at the University of Alabama — representing the Bay Area on a national level.
Building Lincoln University Athletics From the Ground Up
In 2021, Gumbs accepted one of the most difficult challenges in college athletics: launching an entire athletics department at Lincoln University in Oakland from scratch. With no established infrastructure, limited facilities, and eventually the loss of key financial aid resources, he nonetheless built opportunities where none existed.
Under his leadership, Lincoln University introduced:
- Football
- Men’s and Women’s Basketball
- Men’s and Women’s Soccer
Operating as an independent program with no capital and no conference safety net, Gumbs was forced to innovate — finding ways to sustain teams, schedule competition, and keep student-athletes enrolled and progressing toward degrees. The work was never about comfort; it was about access.
Voices That Reflect His Impact
Desmond Gumbs’ philosophy has been consistently reflected in his own published words:
- “if you have an idea, you’re 75% there the remaining 25% is actually doing it.”
- “This generation doesn’t respect the title — they respect the person.”
- “Greatness is a habit, not a moment.”
Former players and community members have echoed similar sentiments in public commentary, crediting Gumbs with teaching them leadership, accountability, confidence, and belief in themselves — lessons that outlast any single season.
Context Matters More Than Headlines
Recent articles critical of Lincoln University athletics focus on logistical and financial hardships while ignoring the reality of building a new program with limited resources in one of the most expensive regions in the country. Such narratives are ultimately harmful and incomplete, failing to recognize the courage it takes to create opportunity instead of walking away when conditions are difficult.
The real story is not about early struggles — it is about vision, resilience, and service.
A Legacy That Endures
From founding Stellar PREP High School, to sending hundreds of students to college, to producing elite athletes like Addison Gumbs, to launching Lincoln University athletics, Desmond Gumbs’ legacy is one of belief in young people and relentless commitment to opportunity.
His work cannot be reduced to headlines or records. It lives on in degrees earned, scholarships secured, leaders developed, and futures changed — across the Bay Area and beyond.
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