Connect with us

Black History

John Legend, Yusuf/Cat Stevens, and More Come Together to Help Preserve Nina Simone’s Legacy

THE WESTSIDE GAZETTE — Recently, the National Trust for Historic Preservation through its African American Cultural Heritage Action Fund, is proud to announce a crowdfunding campaign to support the restoration and preservation of Nina Simone’s childhood home in Tryon, NC. This campaign, supported by artists, actors, and musicians including John Legend, will raise funds integral to the exterior restoration of the home where the celebrated singer, pianist and Civil Rights icon’s story began. The home, which has fallen into disrepair requiring urgent revitalization, was designated a National Treasure in June of 2018.

Published

on

National Trust for Historic Preservation Announces Crowdfunding Campaign to Support the Restoration of Nina Simone’s Childhood Home

By The Westside Gazette

WASHINGTON D.C. – Recently, the National Trust for Historic Preservation through its African American Cultural Heritage Action Fund, is proud to announce a crowdfunding campaign to support the restoration and preservation of Nina Simone’s childhood home in Tryon, NC. This campaign, supported by artists, actors, and musicians including John Legend, will raise funds integral to the exterior restoration of the home where the celebrated singer, pianist and Civil Rights icon’s story began. The home, which has fallen into disrepair requiring urgent revitalization, was designated a National Treasure in June of 2018.

“Spaces devoted to the history and legacy of people of color, especially women of color, are far too few in America today,” said John Legend. “Preserving places like the Simone childhood home will help keep her powerful story alive. This campaign pays tribute to Nina Simone’s unapologetic pursuit of musical, personal, and political freedom and I am proud to be a part of it.”

The National Trust’s crowdfunding campaign will run on IndieGoGo, beginning today, giving the public an opportunity to make donations to this effort, and to purchase newly designed Nina Simone-inspired merchandise including t-shirts, artist prints, pins, and postcards with artwork by Dare Coulter — a North Carolina-based artist working to create positive imagery of people of color. The campaign will also include the option to acquire additional merch donated by musicians including Talib Kweli, and Yusef/Cat Stevens, and actors Mahershala Ali and Issa Rae.

“Our culture is embodied in old places and the history and stories they keep,” said Brent Leggs, executive director of the African American Cultural Heritage Action Fund at the National Trust for Historic Preservation. “This modest home in Tryon, North Carolina embodies the story of a young black girl who transcended the constraints placed on her in the Jim Crow south, to become the voice of the Civil Rights Movement. Simone’s childhood home provides an important lens for examining the contours of her life, and through its preservation, we hope to celebrate and cement her legacy in our American narrative.”

In 1933, Eunice Waymon, now known as Nina Simone, was born in Tryon, North Carolina. It was in this home that Simone first taught herself the piano at the age of three, performed in public for the first time at the neighborhood church where her mother preached, and where she experienced the constraints placed on African Americans in the rural Jim Crow South. This home would become the inspiration of some of her most influential music and political activism, including songs such as “Mississippi Goddam” and “Four Women.”

In recent years, the three-room, 660-square foot clapboard pier and beam house had fallen in disrepair. The vacant property was put on the market in 2016. Alarmed by the condition of the home and the risk of losing this connection to Nina Simone entirely, four African American visual artists—conceptual artist and painter Adam Pendleton, the sculptor and painter Rashid Johnson, the collagist and filmmaker Ellen Gallagher, and the abstract painter Julie Mehretu—purchased the property in 2017.

“When three fellow artists and I purchased Nina Simone’s childhood home in 2017, we did so with the desire that the site be transformed into a piece of living history,  said artist Adam Pendleton. “This space, so integral to Nina Simone’s music and activism, can serve to carry forward her legacy and inspire future artists and musicians.”

Simone’s career spanned multiple genres, four decades, several continents, and earned 15 Grammy nominations. Her songs have been professionally sampled and covered more than 500 times.

“With more than 40 albums over five decades, Nina Simone is one of the most acclaimed singers of all time,” said Neil Portnow, Recording Academy President/CEO. “The Recording Academy has honored her legacy through the GRAMMY Hall of Fame and with a Lifetime Achievement Award, both accolades very much deserved. I’m thrilled to know that her talent will continue to live on through the preservation of her childhood home where her artistic journey began.”

This week, the National Trust will be bringing the Nina Simone Crowdfunding campaign to the 25th annual Essence Festival, where attendees can claim exclusive perks and learn more about this National Treasure.

This article originally appeared in The Westside Gazette
Continue Reading
4 Comments

4 Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Activism

U.S. House Minority Leader Hakeem Jeffries Speaks on Democracy at Commonwealth Club

Based on his first speech as House minority leader, “The ABCs of Democracy” by Grand Central Publishing is an illustrated children’s book for people of all ages. Each letter contrasts what democracy is and isn’t, as in: “American Values over Autocracy”, “Benevolence over Bigotry” and “The Constitution over the Cult.”

Published

on

: House Minority Leader Hakeem Jeffries at the Commonwealth Club World Affairs Council on Dec. 2. Photo by Johnnie Burrell. Book cover: "The ABCs of Democracy" by Hakeem Jeffries.
: House Minority Leader Hakeem Jeffries at the Commonwealth Club World Affairs Council on Dec. 2. Photo by Johnnie Burrell. Book cover: "The ABCs of Democracy" by Hakeem Jeffries.

By Linda Parker Pennington
Special to The Post

House Minority Leader Hakeem Jeffries addressed an enthusiastic overflow audience on Monday at San Francisco’s Commonwealth Club, launching his first book, “The ABCs of Democracy.”

Based on his first speech as House minority leader, “The ABCs of Democracy” by Grand Central Publishing is an illustrated children’s book for people of all ages.

Each letter contrasts what democracy is and isn’t, as in: “American Values over Autocracy”, “Benevolence over Bigotry” and “The Constitution over the Cult.”

Less than a month after the election that will return Donald Trump to the White House, Rep. Jeffries also gave a sobering assessment of what the Democrats learned.

“Our message just wasn’t connecting with the real struggles of the American people,” Jeffries said. “The party in power is the one that will always pay the price.”

On dealing with Trump, Jeffries warned, “We can’t fall into the trap of being outraged every day at what Trump does. That’s just part of his strategy. Remaining calm in the face of turmoil is a choice.”

He pointed out that the razor-thin margin that Republicans now hold in the House is the lowest since the Civil War.

Asked what the public can do, Jeffries spoke about the importance of being “appropriately engaged. Democracy is not on autopilot. It takes a citizenry to hold politicians accountable and a new generation of young people to come forward and serve in public office.”

With a Republican-led White House, Senate, House and Supreme Court, Democrats must “work to find bi-partisan common ground and push back against far-right extremism.”

He also described how he is shaping his own leadership style while his mentor, Speaker-Emeritus Nancy Pelosi, continues to represent San Francisco in Congress. “She says she is not hanging around to be like the mother-in-law in the kitchen, saying ‘my son likes his spaghetti sauce this way, not that way.’”

Continue Reading

Activism

MacArthur Fellow Dorothy Roberts’ Advocates Restructure of Child Welfare System

Roberts’s early work focused on Black women’s reproductive rights and their fight for reproductive justice. In “Killing the Black Body: Race, Reproduction, and the Meaning of Liberty 1997)”, she analyzes historical and contemporary policies and practices that denied agency to Black women and sought to control their childbearing—from forced procreation during slavery, to coercive sterilization and welfare reform—and advocates for an expanded understanding of reproductive freedom.

Published

on

Dorothy Roberts. Photo courtesy of the John D. and Catherine T. MacArthur Foundation.
Dorothy Roberts. Photo courtesy of the John D. and Catherine T. MacArthur Foundation.

Special to The Post

When grants were announced Oct. 1, it was noted that eight of the 22 MacArthur Fellows were African American. Among the recipients of the so-called ‘genius grants’ are scholars, visual and media artists a poet/writer, historian, and dancer/choreographer who each receive $800,000 over a five-year period to spend as they see fit.

 Their names are Ruha Benjamin, Jericho Brown, Tony Cokes, Jennifer L. Morgan, Ebony G. Patterson, Shamel Pitts, Jason Reynolds, and Dorothy Roberts. This is the eighth and last in the series highlighting the Black awardees. The report below on Dorothy Roberts is excerpted from the MacArthur Fellows web site.

A graduate of Yale University with a law degree from Harvard, Dorothy Roberts is a legal scholar and public policy researcher exposing racial inequities embedded within health and social service systems.

Sine 2012, she has been a professor of Law and Sociology, and on the faculty in the department of Africana Studies at the University of Pennsylvania.

Roberts’s work encompasses reproductive health, bioethics, and child welfare. She sheds light on systemic inequities, amplifies the voices of those directly affected, and boldly calls for wholesale transformation of existing systems.

Roberts’s early work focused on Black women’s reproductive rights and their fight for reproductive justice. In “Killing the Black Body: Race, Reproduction, and the Meaning of Liberty 1997)”, she analyzes historical and contemporary policies and practices that denied agency to Black women and sought to control their childbearing—from forced procreation during slavery, to coercive sterilization and welfare reform—and advocates for an expanded understanding of reproductive freedom.

This work prompted Roberts to examine the treatment of children of color in the U.S. child welfare system.

After nearly two decades of research and advocacy work alongside parents, social workers, family defense lawyers, and organizations, Roberts has concluded that the current child welfare system is in fact a system of family policing with alarmingly unequal practices and outcomes. Her 2001 book, “Shattered Bonds: The Color of Child Welfare,” details the outsized role that race and class play in determining who is subject to state intervention and the results of those interventions.

Through interviews with Chicago mothers who had interacted with Child Protective Services (CPS), Roberts shows that institutions regularly punish the effects of poverty as neglect.

CPS disproportionately investigates Black and Indigenous families, especially if they are low-income, and children from these families are much more likely than white children to be removed from their families after CPS referral.

In “Torn Apart: How the Child Welfare System Destroys Black Families—and How Abolition Can Build a Safer World (2022),” Roberts traces the historical, cultural, and political forces driving the racial and class imbalance in child welfare interventions.

These include stereotypes about Black parents as negligent, devaluation of Black family bonds, and stigmatization of parenting practices that fall outside a narrow set of norms.

She also shows that blaming marginalized individuals for structural problems, while ignoring the historical roots of economic and social inequality, fails families and communities.

Roberts argues that the engrained oppressive features of the current system render it beyond repair. She calls for creating an entirely new approach focused on supporting families rather than punishing them.

Her support for dismantling the current child welfare system is unsettling to some. Still, her provocation inspires many to think more critically about its poor track record and harmful design.

By uncovering the complex forces underlying social systems and institutions, and uplifting the experiences of people caught up in them, Roberts creates opportunities to imagine and build more equitable and responsive ways to ensure child and family safety.

Continue Reading

Activism

Oakland Post: Week of December 18 – 24, 2024

The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.