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Black History

Joseph Bologne de Saint-Georges, The Black Mozart

Although the music played by trumpeter John Blanke and other Blacks of his time were fanfares, ballads, and song accompaniments, they still opened doors for those who would later perform concerto and symphonic forms. One would be Joseph Bologne de Saint-Georges (1745–1799).

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Joseph Bologne de Saint-Georges.  Photo courtesy of Wikimedia Commons as part of a project by the Metropolitan Museum of Art.
Joseph Bologne de Saint-Georges.  Photo courtesy of Wikimedia Commons as part of a project by the Metropolitan Museum of Art.

By Tamara Shiloh

Black classical music artists have been performing publicly for more than 500 years. England’s King Henry VII and King Henry VIII were entertained by trumpeter John Blanke, a Black court musician. According to researcher Earl Ofari Hutchinson, “the list of Africans, African Americans, and Afro European composers, conductors, instrumental performers, and singers is and has always been, rich, varied, and deep.”

But “sadly,” Hutchinson adds, “the recognition of this history has almost always come in relation to the work of a major European or white American composer.”

Although the music played by Blanke and other Blacks of his time were fanfares, ballads, and song accompaniments, they still opened doors for those who would later perform concerto and symphonic forms. One would be Joseph Bologne de Saint-Georges (1745–1799).

Saint-Georges, a classical music conductor, composer, musician, and military officer was born in Guadeloupe, an island in the West Indies. His mother, la belle Nanon, was a slave of African descent and his father, George de Bologne Saint-Georges, a wealthy colony planter from France who owned the plantation that was their home.

The family relocated to France when Joseph was about 10. There he was able to deepen his studies in classical music under tutors Jean-Marie Leclair (violin) and Francois-Joseph Gossecin (composition).

Joseph eventually worked with French fencing master Nicolas Texier de La Boessiere, who trained him to use the sword. A natural athlete, fencing was a skill that would later make Joseph internationally famous. He was also skilled as a swimmer, runner, ice skater, pistol shooter, dancer, and horseman. With one arm tied behind his back, he swam the Seine River during winter.

Paris’ Pre-Revolutionary period, he stood amongst the most important musicians being a composer, violinist, and conductor. He became music director of the private theater of the Marquise de Montesson. The conductor of the Le Concert des Amateurs orchestra chose Saint-Georges as first violin. He made his public debut as a soloist during the 1772–73 concert season, performing his own violin concertos.

It has been argued that Saint-Georges’ work demonstrated the influence of Wolfgang Amadeus Mozart. He was thereby dubbed “The Black Mozart.” However, history shows that Mozart did not come to Paris until 1778 to study at the Paris School of Composition while Saint-Georges was a member.

Saint-Georges produced 14 violin concertos and nine symphonies between 1773 and 1785. He wrote two solo violin compositions, two symphonies, three sonatas for violin and harpsichord, and 18 string quartets divided into three collections of six quartets in each. In 1777, he began to compose several operas for the Comedie-Italienne.

“It is no exaggeration or overstatement to say that classical music does owe a debt to the Black experience in classical music,” says Hutchinson, “And the goal is to show music lovers and readers how that debt continues to be paid in concert halls everywhere.”

Learn more about Saint-Georges and other Black composers of classical music, read “It’s Our Music Too: The Black Experience in Classical Music” by Earl Ofari Hutchinson.

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Activism

OPINION: Your Voice and Vote Impact the Quality of Your Health Care

One of the most dangerous developments we’re seeing now? Deep federal cuts are being proposed to Medicaid, the life-saving health insurance program that covers nearly 80 million lower-income individuals nationwide. That is approximately 15 million Californians and about 1 million of the state’s nearly 3 million Black Californians who are at risk of losing their healthcare. 

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Rhonda M. Smith.
Rhonda M. Smith.

By Rhonda M. Smith, Special to California Black Media Partners

Shortly after last year’s election, I hopped into a Lyft and struck up a conversation with the driver. As we talked, the topic inevitably turned to politics. He confidently told me that he didn’t vote — not because he supported Donald Trump, but because he didn’t like Kamala Harris’ résumé. When I asked what exactly he didn’t like, he couldn’t specifically articulate his dislike or point to anything specific. In his words, he “just didn’t like her résumé.”

That moment really hit hard for me. As a Black woman, I’ve lived through enough election cycles to recognize how often uncertainty, misinformation, or political apathy keep people from voting, especially Black voters whose voices are historically left out of the conversation and whose health, economic security, and opportunities are directly impacted by the individual elected to office, and the legislative branches and political parties that push forth their agenda.

That conversation with the Lyft driver reflects a troubling surge in fear-driven politics across our country. We’ve seen White House executive orders gut federal programs meant to help our most vulnerable populations and policies that systematically exclude or harm Black and underserved communities.

One of the most dangerous developments we’re seeing now? Deep federal cuts are being proposed to Medicaid, the life-saving health insurance program that covers nearly 80 million lower-income individuals nationwide. That is approximately 15 million Californians and about 1 million of the state’s nearly 3 million Black Californians who are at risk of losing their healthcare.

Medicaid, called Medi-Cal in California, doesn’t just cover care. It protects individuals and families from medical debt, keeps rural hospitals open, creates jobs, and helps our communities thrive. Simply put; Medicaid is a lifeline for 1 in 5 Black Americans. For many, it’s the only thing standing between them and a medical emergency they can’t afford, especially with the skyrocketing costs of health care. The proposed cuts mean up to 7.2 million Black Americans could lose their healthcare coverage, making it harder for them to receive timely, life-saving care. Cuts to Medicaid would also result in fewer prenatal visits, delayed cancer screenings, unfilled prescriptions, and closures of community clinics. When healthcare is inaccessible or unaffordable, it doesn’t just harm individuals, it weakens entire communities and widens inequities.

The reality is Black Americans already face disproportionately higher rates of poorer health outcomes. Our life expectancy is nearly five years shorter in comparison to White Americans. Black pregnant people are 3.6 times more likely to die during pregnancy or postpartum than their white counterparts.

These policies don’t happen in a vacuum. They are determined by who holds power and who shows up to vote. Showing up amplifies our voices. Taking action and exercising our right to vote is how we express our power.

I urge you to start today. Call your representatives, on both sides of the aisle, and demand they protect Medicaid (Medi-Cal), the Affordable Care Act (Covered CA), and access to food assistance programs, maternal health resources, mental health services, and protect our basic freedoms and human rights. Stay informed, talk to your neighbors and register to vote.

About the Author

Rhonda M. Smith is the Executive Director of the California Black Health Network, a statewide nonprofit dedicated to advancing health equity for all Black Californians.

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Activism

IN MEMORIAM: Nate Holden, State Senator and Longtime Los Angeles Councilmember, Dies at 95

Los Angeles County Supervisor Janice Hahn described Holden as “a lion” in the State Senate and a force to be reckoned with on the Los Angeles City Council.” Hahn added that she learned a lot working with Holden when she was a new councilmember.

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Former Los Angeles Councilmember and California State Sen. Nate Holden. File photo.
Former Los Angeles Councilmember and California State Sen. Nate Holden. File photo.

By Bo Tefu, California Black Media

Former Los Angeles City Councilmember Nathaniel “Nate” Holden, a prominent figure in the city’s politics, passed away at the age of 95, his family confirmed on May 7.

Holden, who represented South Los Angeles for 16 years on the City Council and served one term in the California State Senate, was widely regarded as a forceful advocate for his community.

Los Angeles County Supervisor Janice Hahn described Holden as “a lion” in the State Senate and a force to be reckoned with on the Los Angeles City Council.”

Hahn added that she learned a lot working with Holden when she was a new councilmember.

Holden’s journey to political prominence began in the segregated South, where he was born in Macon, Georgia, in 1929. He often recalled the childhood moment when he first heard the governor of Georgia vowing to continue suppressing Black people.

“Doing the best you can for the people. Law and order. Make sure that people’s communities are safe. I did it all,” said Holden, reflecting on his legacy.

Holden is survived by his sons, including former California Assemblymember Chris Holden, who represented a district in Southern California that includes Pasadena and Altadena in Los Angeles County and cities in San Bernardino County.

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Black History

Henry Blair, the Second African American to Obtain a Patent

Being a successful farmer required consistent production. Blair figured out a way to increase his harvest. He did this with two inventions. His first invention was a corn planter. The planter had the same structure as a wheelbarrow, with a box to hold the seed and rakes dragging behind to cover them. This machine allowed farmers to plant their crops more economically.

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A sketch of one of Henry Blair’s inventions, the seed planter. Image courtesy United States Patent and Trademark Office.
A sketch of one of Henry Blair’s inventions, the seed planter. Image courtesy United States Patent and Trademark Office.

By Tamara Shiloh

The debate over whether enslaved African Americans could receive U.S. Government-issued patents was still unfolding when the second African American to hold a patent, Henry Blair, received his first patent in 1834.

The first African American to receive a patent was Thomas Jennings in 1821 for his discovery of a process called dry scouring, also known as dry cleaning.

Blair was born in Glen Ross, Maryland, in 1807. He was an African American farmer who received two patents. Each patent was designed to help increase agricultural productivity.

There is very little information about his life prior to the inventions. It is known that he was a farmer who invented machines to help with planting and harvesting crops. There is no written evidence that he was a slave.

However, it is apparent that he was a businessman.

Being a successful farmer required consistent production. Blair figured out a way to increase his harvest. He did this with two inventions. His first invention was a corn planter. The planter had the same structure as a wheelbarrow, with a box to hold the seed and rakes dragging behind to cover them. This machine allowed farmers to plant their crops more economically.

Blair could not write. As a result of his illiteracy, he signed the patent with an “X”. He received his first patent for the corn planter on Oct. 14, 1834.

Two years later, taking advantage of the boost in the cotton industry, he received his second patent. This time for a cotton planter. This machine worked by splitting the ground with two shovel-like blades that were pulled along by a horse. A wheel-driven cylinder behind the blades placed seeds into the freshly plowed ground. Not only was this another economical and efficient machine. It also helped with controlling weeds and put the seeds in the ground quickly Henry Blair received his second patent on Aug. 31, 1836

During this time, the United States government passed a law that allowed patents to be granted to both free and enslaved men. However, in 1857, this law was contested by a slaveowner. He argued that slaveowners had a right to claim credit for a slave’s inventions. His argument was that since an owner’s slaves were his property, anything that a slave owned was the property of the owner also.

In 1858 the law changed, and patents were no longer given to slaves. However, the law changed again in 1871 after the Civil War. The patent law was revised to permit all American men, regardless of race, the right to patent their inventions.

Blair died in 1860.

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