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Kendrick Lamar’s The DAMN. Tour A Huge Success At Oracle

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Oakland, CA – The Kendrick Lamar Tour stopped through Oakland last night but before he took the stage, his merchandise was a huge success in San Francisco. Hundreds of fans stood in line for the one day pop-up shop that carried hats, t-shirts and jackets that donned PRAY FOR ME in red and white.

Located in the heart of Chinatown, exclusive merchandise was sold until supplies lasted. While Lamar’s merchandise is also sold at concerts, the pop-up shop had more exclusive items that were sold at a lesser price if you were lucky enough to know the location.

Nonetheless Lamar’s The DAMN. Tour kicked off in front of a sellout crowd at Oracle Arena and didn’t disappoint.  His highly acclaimed album, DAMN has been the number one album for three months since its debut.  Lamar began the set with “DNA” a favorite of many including me.

 

The crowd chanted almost every lyric and along with Lamar “I got power, poison, pain and joy inside my DNA, I got hustle though, ambition, flow, inside my DNA.

Lamar’s fourth album, DAMN is a masterpiece. The poetry in which he speaks is inspiring to many.  Through his music he advocates becoming closer with God and encourages you to dig deeper through his music coming face-to-face with unjust policies, unjust media portrayal and a government falling apart.

Element was the song followed by a few hits from his last album “Untitled Unmastered” and “To Pimp a Butterfly”.  The cover for “Mask Off” (a track he did with Future), and “Collard Greens” (a track he did with Schoolboy Q) followed before the crowd rose to their feet to sing the hit song, “Swimming Pools (Drank)”.

The remaining songs performed were from his double-platinum album DAMN. “LUST,” “LOYALTY,” “PRIDE,” and “m.A.A.d. City”.  The crowd went into a frenzy when Lamar began to rap an all-time favorite, “B***, Don’t Kill My Vibe”.  By this point the sellout crowd was on their feet lightening up Oracle for one of the best shows of the year.

After a 2 hour performance, Lamar took it all in and appeared on stage in a brief moment of silence before the bass dropped for his current hit song, “HUMBLE”. His fans wasted no time belting out the chorus a capella while Lamar listened intently moving head in a up and down motion like a proud parent.

After that, Lamar captivated the crowd with a high-energy rendition of “HUMBLE”.  Afterwards, he thanked the crowd and exited the stage but Oracle wasn’t ready to go home.  The fans still standing on their feet wanted more so Lamar returned for his final song which was “God” off the DAMN album. Kendrick Lamar’ The DAMN. Tour was one of the best performances I’ve seen this year and is a must see for all.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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