National

Legacy of ‘First Lady of the Black Press’ Still Relevant Today

Published

9 years ago

July 29, 2015

Oakland Post

Ethel Payne

By Jazelle Hunt
NNPA Washington Correspondent

WASHINGTON (NNPA) – When James McGrath Morris set out to write his latest book, he didn’t know how timely it would be. When Eye on the Struggle: Ethel Payne, The First Lady of the Black Press hit shelves, Essence magazine had just released its Black Lives Matter issue. The Justice Department had closed its investigation into Trayvon Martin’s murder, with no charges. Mainstream media was scrambling to report on police violence and systemic racial ills, and Black Americans took much of this coverage to task for its racist, shallow, or negligent portrayals.

“We get these events filtered through the mainstream media. The mainstream media is still very White. I don’t mean they don’t hire people of color…it’s a perspective issue. The fact the media had a debate over the use of the word ‘terrorist’ [for Dylann Roof] in South Carolina is an indication,” said Morris.

“So what I found is that Ethel Payne’s story, her perspective, her form of journalism 50 years ago, still has relevance today. Because while we may have made leaps in terms of segregation…the dominant filter today remains a White-controlled media.”

Ethel Payne was poking holes in that filter at a time when the White majority fought against the tide of sustained agitation to secure civil and human rights for all. At the Chicago Defender, Payne was the eyes and ears of the Civil Rights Movement, reporting from its front lines in the Deep South, press conferences at the White House, and iconic rulings at the Supreme Court. In 1953, she became the third Black person to join the White House Press Corps, and was known for persistently prodding President Dwight D. Eisenhower on Jim Crow laws and desegregation efforts.

In the ’50s and ’60s, she jetted around the globe for international stories such as Black soldiers in Vietnam and the Nigerian Civil War, becoming the first Black woman to be a fulltime foreign correspondent. Yet, she always returned for on-the-ground coverage of moments that would become history, like the start of the Montgomery bus boycott and the desegregation of Little Rock, Ark.’s Central High School.

In 1972, Payne joined CBS and became the first Black woman commentator at a major network. In 2002, she was memorialized on a postage stamp.

With 40 years of tireless journalism and a legacy honed at a Black-owned newspaper, Payne earned her reputation as the “First Lady of the Black Press.”

“When The New York Times or The Washington Post would report on the passage of the Civil Rights Act of ‘64 or the Voting Rights Act of ‘65, the tone of the articles was that these were munificent gifts being given to a disenfranchised people,” Morris said.

“Whereas, if you opened up the Afro American or the Pittsburgh Courier or Chicago Defender, what you were seeing was coverage of the fact that these were victories, hard-won victories by people who laid their lives on the line. Nothing was being given. In fact, [Payne’s] coverage often highlighted the inadequacies of these pieces of legislation.”

In the early ‘70s, Ernest Green, a member of the Little Rock Nine, made a quip to Payne about what desegregation would do to such coverage.

“He said to her that the successes she and others made with the Civil Rights Movement were going to put the Black Press out of business. Obviously, that was too strong of a determination, because there’s still a viable Black press, but his bigger point was right in that the White media was going to raid the Black press for the best reporters, offer them jobs at much higher pay. And if you’re raising a family, what are you going to do?” Morris recounted.

“Many of the best reporters were lured away. But also, importantly, the economic basis of the Black press was undercut. Because when the White press refused to cover Black communities – high school tournaments, weddings, graduations, obituaries – there was an economic reason for [Black papers].”

Further, another side effect of integration and the Civil Rights Movement is that subsequent generations do not get a thorough and true education on Black history, or how the Movement happened. Payne said as much at a speaking engagement at her childhood church, [Greater] St. John A.ME. Church.

“She told her audience that, ours was a generation who laid their lives on the line to send our kids to college, but in doing so forgot to tell them our story. I like to expand that…we tend to teach the Civil Rights Movement focused on its leadership,” he said.

“Ethel Payne was part of the lesser-known group, she’s in the second, third tier of the Civil Rights Movement. I see younger people…waiting for somebody else to come and lead them. But these movements come from everyday people.”

Morris, a former journalist who also taught high school history for a decade, has been writing biographies and narrative nonfiction for many years. In searching for a new subject, he stumbled upon Payne’s name, which was unknown to him at the time. With a little more research, he was startled to find that few historians had taken a deep look at her contributions to journalism and the Civil Rights Movement.

“For me, [this book] has been the greatest experience of my life. It’s been really an honor, for me as an author, to do a book that matters,” Morris said. “I’ve had the privilege of learning that race really matters, but I didn’t know it because I was able to stay removed from it. That, to my mind, is Ethel Payne’s gift to me.”

Payne’s personal papers and journals are housed in Washington, D.C. with the Library of Congress’ Manuscript Division and the Moorland-Spingarn Research Center at Howard University, and in New York at the Schomburg Center for Research in Black Culture.

Eye on the Struggle: Ethel Payne, The First Lady of the Black Press is available at major book retailers. Signed copies can be purchased via www.jamesmcgrathmorris.com/eyeonstruggle.html.

“She went as a reporter to the front lines of the Civil Rights Movement…to report back to African Americans…to activate them,” Morris said. “The more people learn about Ethel Payne, I think they too will feel a sense of power.”

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OPINION: “My Girl,” The Temptations, and Nikki Giovanni

Giovanni was probably one of the most famous young African American women in the 1960s, known for her fiery poetry. But even that description is tame. The New York Times obit headline practically buried her historical impact: “Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81.” That doesn’t begin to touch the fire of Giovanni’s work through her lifetime.

Published

1 day ago

December 24, 2024

Oakland Post

Nikki Giovanni. Courtesy of Nikki-Giovanni.com

By Emil Guillermo

The Temptations, the harmonizing, singing dancing man-group of your OG youth, were on “The Today Show,” earlier this week.

There were some new members, no David Ruffin. But Otis Williams, 83, was there still crooning and preening, leading the group’s 60th anniversary performance of “My Girl.”

When I first heard “My Girl,” I got it.

I was 9 and had a crush on Julie Satterfield, with the braided ponytails in my catechism class. Unfortunately, she did not become my girl.

But that song was always a special bridge in my life. In college, I was a member of a practically all-White, all-male club that mirrored the demographics at that university. At the parties, the song of choice was “My Girl.”

Which is odd, because the party was 98% men.

The organization is a little better now, with women, people of color and LGBTQ+, but back in the 70s, the Tempts music was the only thing that integrated that club.

POETRY’S “MY GIRL”

The song’s anniversary took me by surprise. But not as much as the death of Nikki Giovanni.

Giovanni was probably one of the most famous young African American women in the 1960s, known for her fiery poetry. But even that description is tame.

The New York Times obit headline practically buried her historical impact: “Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81.”

That doesn’t begin to touch the fire of Giovanni’s work through her lifetime.

I’ll always see her as the Black female voice that broke through the silence of good enough. In 1968, when cities were burning all across America, Giovanni was the militant female voice of a revolution.

Her “The True Import of Present Dialogue: Black vs. Negro,” is the historical record of racial anger as literature from the opening lines.

It reads profane and violent, shockingly so then. These days, it may seem tamer than rap music.

But it’s jarring and pulls no punches. It protests Vietnam, and what Black men were asked to do for their country.

“We kill in Viet Nam,” she wrote. “We kill for UN & NATO & SEATO & US.”

Written in 1968, it was a poem that spoke to the militancy and activism of the times. And she explained herself in a follow up, “My Poem.”

“I am 25 years old, Black female poet,” she wrote referring to her earlier controversial poem. “If they kill me. It won’t stop the revolution.”

Giovanni wrote more poetry and children’s books. She taught at Rutgers, then later Virginia Tech where she followed her fellow professor who would become her spouse, Virginia C. Fowler.

Since Giovanni’s death, I’ve read through her poetry, from what made her famous, to her later poems that revealed her humanity and compassion for all of life.

In “Allowables,” she writes of finding a spider on a book, then killing it.

And she scared me
And I smashed her
I don’t think
I’m allowed
To kill something
Because I am
Frightened

For Giovanni, her soul was in her poetry, and the revolution was her evolution.

About the Author

Emil Guillermo is a journalist, commentator, and solo performer. Join him at www.patreon.com/emilamok

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Black History

Book Review: In Slavery’s Wake: Making Black Freedom in the World

It’s a tale of heroes: the Maroons, who created communities in unwanted swampland, and welcomed escaped slaves into their midst; Sarah Baartman, the “Hottentot Venus”; Marème Diarra, who walked more than 2000 miles from Sudan to Senegal with her children to escape slavery; enslaved farmers and horticulturists; and everyday people who still talk about slavery and what the institution left behind.

Published

1 day ago

December 24, 2024

Oakland Post

Book cover. Courtesy of Smithsonian Books.

By Terri Schlichenmeyer

Ever since you learned how it happened you couldn’t get it out of your mind.

People, packed like pencils in a box, tightly next to each other, one by one by one, tier after tier. They couldn’t sit up, couldn’t roll over or scratch an itch or keep themselves clean on a ship that took them from one terrible thing to another. And in the new book “In Slavery’s Wake,” essays by various contributors, you’ll see what trailed in waves behind those vessels.

You don’t need to be told about the horrors of slavery. You’ve grown up knowing about it, reading about it, thinking about everything that’s happened because of it in the past four hundred years. And so have others: in 2014, a committee made of “key staff from several world museums” gathered to discuss “telling the story of racial slavery and colonialism as a world system…” so that together, they could implement a “ten-year road map to expand… our practices of truth telling…”

Here, the effects of slavery are compared to the waves left by a moving ship, a wake the story of which some have tried over time to diminish.

It’s a tale filled with irony. Says one contributor, early American Colonists held enslaved people but believed that King George had “unjustly enslaved” the colonists.

It’s the story of a British company that crafted shackles and cuffs and that still sells handcuffs “used worldwide by police and militaries” today.

Today, discussions about cooperation and diversity remain essential.

Says one essayist, “… embracing a view of history with a more expansive definition of archives in all their forms must be fostered in all societies.”

Unless you’ve been completely unaware and haven’t been paying attention for the past 150 years, a great deal of what you’ll read inside “In Slavery’s Wake” is information you already knew and images you’ve already seen.

Look again, though, because this comprehensive book isn’t just about America and its history. It’s about slavery, worldwide, yesterday and today.

Casual readers – non-historians especially – will, in fact, be surprised to learn, then, about slavery on other continents, how Africans left their legacies in places far from home, and how the “wake” they left changed the worlds of agriculture, music, and culture. Tales of individual people round out the narrative, in legends that melt into the stories of others and present new heroes, activists, resisters, allies, and tales that are inspirational and thrilling.

This book is sometimes a difficult read and is probably best consumed in small bites that can be considered with great care to appreciate fully. Start “In Slavery’s Wake,” though, and you won’t be able to get it out of your mind.

Edited by Paul Gardullo, Johanna Obenda, and Anthony Bogues, Author: Various Contributors, c.2024, Smithsonian Books, $39.95

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Black History

Ashleigh Johnson: Pioneering the Way in Water Polo

Ashleigh Johnson attended Princeton University, where she played for the Tigers and dominated collegiate water polo. During her time at Princeton, she became the program’s all-time leader in saves and was recognized for her extraordinary ability to anticipate plays and block shots. She was a three-time All-American and was pivotal in leading her team to multiple victories. Balancing rigorous academics and athletics, she graduated with a degree in Psychology, showcasing her determination both in and out of the pool.

Published

1 day ago

December 24, 2024

Oakland Post

Ashleigh Johnson Photo: collegiatewaterpolo.org

By Tamara Shiloh

Ashleigh Johnson has become a household name in the world of water polo, not only for her incredible athleticism and skill but also for breaking barriers as the first Black woman to represent the United States in the sport at the Olympic level. Her journey begins as a determined young athlete to a record-breaking goalkeeper.

Born on September 12, 1994, in Miami, Florida, Ashleigh grew up in a family that valued sports and academics. She attended Ransom Everglades School, where she was introduced to water polo. Despite water polo being a niche sport in her community, she quickly stood out for her remarkable agility, intelligence, and reflexes. Her unique skill set made her a natural fit for the demanding role of a goalkeeper.

Ashleigh attended Princeton University, where she played for the Tigers and dominated collegiate water polo. During her time at Princeton, she became the program’s all-time leader in saves and was recognized for her extraordinary ability to anticipate plays and block shots. She was a three-time All-American and was pivotal in leading her team to multiple victories. Balancing rigorous academics and athletics, she graduated with a degree in Psychology, showcasing her determination both in and out of the pool.

In 2016, Ashleigh made history as the first Black woman to be selected for the U.S. Olympic Water Polo Team. Representing her country at the Rio Olympics, she played a crucial role in helping Team USA secure the gold medal. Her stellar performances earned her the distinction of being named the tournament’s top goalkeeper, further cementing her status as one of the best players in the sport’s history.

Ashleigh didn’t just stop at one Olympic appearance. She continued her dominance in water polo, playing a key role in Team USA’s gold medal win at the 2020 Tokyo Olympics. Her ability to remain composed under pressure and deliver outstanding saves in crucial moments made her an irreplaceable member of the team.

At the age of 29, Johnson appeared in her third Olympiad in Paris at the 2024 Summer Olympics. Their first match was against Greece and the US team won easily and Johnson only gave up 4 points. U.S. Olympic head coach Adam Krikorian shared, “She’s an incredible athlete. She’s got great hand-eye coordination, great reflexes and reactions. And then she’s fiercely competitive – fiercely. And you would never know it by her demeanor or by the huge smile on her face. But to us, on the inside, we know how driven she is to be one of the best ever to do it.”

Team USA Women’s Water Polo ended their Olympic season in fourth place after a 10 – 11 loss to the Netherlands. Johnson only allowed 37 percent of the shots from the Netherlands.

Beyond her achievements in the pool, Ashleigh has used her platform to advocate for diversity in water polo and sports in general. As a trailblazer, she recognizes the importance of representation and works to encourage young athletes, particularly those from underrepresented backgrounds, to pursue their dreams.

Ashleigh has spoken about the challenges she faced as a Black woman in a predominantly white sport and how she turned those obstacles into opportunities for growth.