Arts and Culture
Los partidarios de Malonga Center dicen que el proyecto de Mercado puede acabar con la Institución Cultural
Casi un mes después de que el Ayuntamiento aprobó una resolución que designa el corredor de la calle 14 en el centro de Oakland como el Distrito Black Arts Movement Business “para resaltar, celebrar, preservar y apoyar las contribuciones de los artistas afroamericanos y propietarios de negocios de Oakland”, uno de los principales centros culturales instituciones de la ciudad está siendo amenazada por dos propuestas para desarrollar proyectos de vivienda a precio de mercado a través de la calle.
El Centro Malonga Casquelourd para las Artes, ubicado en la 14th y Alice St., ha sido una institución cultural reconocible en Oakland durante más de cuatro décadas y un eje central para las comunidades de la diáspora africana.
La cantidad de aparcamiento a lo largo de la calle 14, dos de los únicos lugares donde los clientes del Centro Malonga pueden aparcar sus coches al tomar clases o asistir a espectáculos culturales, están programadas para ser reemplazados por los desarrollos de vivienda a precio de mercado que también significará la destrucción del icónica mural de la Calle Alice.
De acuerdo con activistas culturales y vecinos del centro Malonga, las dos de las propuestas de desarrollo fueron por la vía rápida a través de la Comisión de Planificación de la ciudad y no incluyen unidades de vivienda asequible, no hay aparcamiento para reemplazar las plazas de aparcamiento y beneficios de poca a ninguno para la comunidad para compensar los impactos negativos en el Centro Malonga.
Carla Service, propietaria de Dance-A-Vision Entertainment y residente de largo plazo del Centro Malonga, dice que el proyecto y la falta de aparcamiento serán perjudiciales para la institución cultural y sus vecinos.
“Se van a ahogar nuestros negocios, y van a ser paralizados”, dijo Service. “Por aquí, estas empresas están en rectas nefastas, y la ciudad debe asegurarse de que se hace cargo de las personas que ya existen en los barrios, sobre todo si el desarrollo está llegando.”
“El centro es un destino internacional que atrae a visitantes de toda la región”, dijo. “Algunos vienen de lugares tan lejanos como Hayward, Antioquía, o Santa Rosa. El aparcamiento es ya muy difícil, y por lo general hay coches aparcados en doble fila o personas durmiendo en sus coches en espera de un espacio libre”.
Cerca de 200 artistas, activistas culturales, tambores y los estudiantes de Oakland se reunieron el jueves en frente del Mural de la calle Alice y marcharon al Ayuntamiento para protestar por la voluntad de la Comisión de Planificación a la “evolución de la vía rápida sin negociar una parte equitativa de los beneficios para la comunidad”, según un comunicado de prensa de Oakland Creative Neighborhoods Coalition (OCNC).
Los organizadores exigieron que las decisiones sean detenidas hasta que los costos para reemplazar el mural estén completamente financiados y la planta baja de los edificios se conviertan en un garaje de estacionamiento dedicado al personal y los clientes de Malonga Arts Center.
También quieren que del 15 al 28 por ciento de las unidades sea asequible para las familias que ganan menos de $64.000 al año.
“El Teatro Malonga es uno de los iconos culturales de la ciudad, y la gente viene de todas partes para verlo”, dijo el ex-alcalde Jean Quan, quien asistió a la manifestación.
“El ayuntamiento de la ciudad realmente no ha seguido adelante con la sugerencia del Mapa de Ruta para la Equidad de la Vivienda, y que realmente necesitan”, dijo el alcalde Quan. “De lo contrario, van a ser incompatibles luchando por equidad espacio por espacio a lo largo de Oakland, y vamos a perder la mezcla diversa de la ciudad.”
De acuerdo con Eric Arnold, miembro del comité de dirección de OCNC, los dos desarrollos van en contra de la promesa de la ciudad para apoyar un distrito de Black Arts.
La presidenta del Consejo Lynette Gibson McElhaney no respondió a las preguntas del Post con respecto a cómo la reciente aprobación del distrito Black Arts ayudaría a proteger a las instituciones como el Centro Malonga.
Arts and Culture
Book Review: Building the Worlds That Kill Us: Disease, Death, and Inequality in American History
Nearly five years ago, while interviewing residents along the Mississippi River in Louisiana for a book they were writing, authors Rosner and Markowitz learned that they’d caused a little brouhaha. Large corporations in the area, ones that the residents of “a small, largely African American community” had battled over air and soil contamination and illness, didn’t want any more “’agitators’” poking around. They’d asked a state trooper to see if the authors were going to cause trouble.
By Terri Schlichenmeyer
Author: David Rosner and Gerald Markowitz, c.2024, Columbia University Press, $28.00
Get lots of rest.
That’s always good advice when you’re ailing. Don’t overdo. Don’t try to be Superman or Supermom, just rest and follow your doctor’s orders.
And if, as in the new book, “Building the Worlds That Kill Us” by David Rosner and Gerald Markowitz, the color of your skin and your social strata are a certain way, you’ll feel better soon.
Nearly five years ago, while interviewing residents along the Mississippi River in Louisiana for a book they were writing, authors Rosner and Markowitz learned that they’d caused a little brouhaha. Large corporations in the area, ones that the residents of “a small, largely African American community” had battled over air and soil contamination and illness, didn’t want any more “’agitators’” poking around. They’d asked a state trooper to see if the authors were going to cause trouble.
For Rosner and Markowitz, this underscored “what every thoughtful person at least suspects”: that age, geography, immigrant status, “income, wealth, race, gender, sexuality, and social position” largely impacts the quality and availability of medical care.
It’s been this way since Europeans first arrived on North American shores.
Native Americans “had their share of illness and disease” even before the Europeans arrived and brought diseases that decimated established populations. There was little-to-no medicine offered to slaves on the Middle Passage because a ship owner’s “financial calculus… included the price of disease and death.” According to the authors, many enslavers weren’t even “convinced” that the cost of feeding their slaves was worth the work received.
Factory workers in the late 1800s and early 1900s worked long weeks and long days under sometimes dangerous conditions, and health care was meager; Depression-era workers didn’t fare much better. Black Americans were used for medical experimentation. And just three years ago, the American Lung Association reported that “’people of color’ disproportionately” lived in areas where the air quality was particularly dangerous.
So, what does all this mean? Authors David Rosner and Gerald Markowitz don’t seem to be too optimistic, for one thing, but in “Building the Worlds That Kill Us,” they do leave readers with a thought-provoker: “we as a nation … created this dark moment and we have the ability to change it.” Finding the “how” in this book, however, will take serious between-the-lines reading.
If that sounds ominous, it is. Most of this book is, in fact, quite dismaying, despite that there are glimpses of pushback here and there, in the form of protests and strikes throughout many decades. You may notice, if this is a subject you’re passionate about, that the histories may be familiar but deeper than you might’ve learned in high school. You’ll also notice the relevance to today’s healthcare issues and questions, and that’s likewise disturbing.
This is by no means a happy-happy vacation book, but it is essential reading if you care about national health issues, worker safety, public attitudes, and government involvement in medical care inequality. You may know some of what’s inside “Building the Worlds That Kill Us,” but now you can learn the rest.
Arts and Culture
‘Giants Rising’ Film Screening in Marin City Library
A journey into the heart of America’s most iconic forests, “Giants Rising” tells the epic tale of the coast redwoods — the tallest and among the oldest living beings on Earth. Living links to the past, redwoods hold powers that may play a role in our future, including their ability to withstand fire and capture carbon, to offer clues about longevity, and to enhance our own well-being.
By Godfrey Lee
The film “Giants Rising” will be screened on Saturday, Jan. 11, from 3-6 p.m. at the St. Andrew Presbyterian Church, located 100 Donahue St. in Marin City.
A journey into the heart of America’s most iconic forests, “Giants Rising” tells the epic tale of the coast redwoods — the tallest and among the oldest living beings on Earth. Living links to the past, redwoods hold powers that may play a role in our future, including their ability to withstand fire and capture carbon, to offer clues about longevity, and to enhance our own well-being.
Through the voices of scientists, artists, Native communities, and others, we discover the many connections that sustain these forests and the promise of solutions that will help us all rise up to face the challenges that lay ahead.
The film’s website is www.giantsrising.com. The “Giants Rising” trailer is at https://player.vimeo.com/video/904153467. The registration link to the event is https://marinlibrary.bibliocommons.com/events/673de7abb41279410057889e
This event is sponsored by the Friends of the Marin City Library and hosted in conjunction with the Golden Gate National Recreation Area and St. Andrew Presbyterian Church.
All library events are free. For more information, contact Etienne Douglas at (415) 332-6158 or email etienne.douglas@marincounty.gov. For event-specific information, contact Zaira Sierra at zsierra@parksconservancy.org.
Activism
‘Resist’ a Look at Black Activism in U.S. Through the Eyes of a Native Nigerian
In 1995, after she and her brothers traveled from their native Nigeria to join their mother at her new home in the South Bronx, young Omokha’s eyes were opened. She quickly understood that the color of her skin – which was “synonymous with endless striving and a pursuit of excellence” in Nigeria – was “so problematic in America.”
By Terri Schlichenmeyer, The Bookworm Sez
Throughout history, when decisions were needed, the answer has often been “no.”
‘No,’ certain people don’t get the same education as others. ‘No,’ there is no such thing as equality. ‘No,’ voting can be denied and ‘no,’ the laws are different, depending on the color of one’s skin. And in the new book, “Resist!” by Rita Omokha, ‘no,’ there is not an obedient acceptance of those things.
In 1995, after she and her brothers traveled from their native Nigeria to join their mother at her new home in the South Bronx, young Omokha’s eyes were opened. She quickly understood that the color of her skin – which was “synonymous with endless striving and a pursuit of excellence” in Nigeria – was “so problematic in America.”
That became a bigger matter to Omokha later, 15 years after her brother was deported: she “saw” him in George Floyd, and it shook her. Troubled, she traveled to America on a “pilgrimage for understanding [her] Blackness…” She began to think about the “Black young people across America” who hadn’t been or wouldn’t be quiet about racism any longer.
She starts this collection of stories with Ella Josephine Baker, whose parents and grandparents modeled activism and who, because of her own student activism, would be “crowned the mother of the Civil Rights Movement.” Baker, in fact, was the woman who formed the Student Nonviolent Coordinating Committee, or SNCC, in 1960.
Nine teenagers, known as the Scottsboro Nine were wrongly arrested for raping two white women in 1931 and were all released, thanks to the determination of white lawyer-allies who were affiliated with the International Labor Defense and the outrage of students on campuses around America.
Students refused to let a “Gentleman’s Agreement” pass when it came to sports and equality in 1940. Barbara Johns demanded equal education under the law in Virginia in 1951. Huey Newton and Bobby Seale formed the Black Panther Party for Self-Defense in 1966. And after Trayvon Martin (2012) and George Floyd (2020) were killed, students used the internet as a new form of fighting for justice.
No doubt, by now, you’ve read a lot of books about activism. There are many of them out there, and they’re pretty hard to miss. With that in mind, there are reasons not to miss “Resist!”
You’ll find the main one by looking between the lines and in each chapter’s opening.
There, Omokha weaves her personal story in with that of activists at different times through the decades, matching her experiences with history and making the whole timeline even more relevant.
In doing so, the point of view she offers – that of a woman who wasn’t totally raised in an atmosphere filled with racism, who wasn’t immersed in it her whole life – lets these historical accounts land with more impact.
This book is for people who love history or a good, short biography, but it’s also excellent reading for anyone who sees a need for protest or action and questions the status quo. If that’s the case, then “Resist!” may be the answer.
“Resist! How a Century of Young Black Activists Shaped America” by Rita Omokha, c.2024, St. Martin’s Press. $29.00
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