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Lyric’s ‘Barber’ Shows Black Tenor Brownlee At Bubbly Best
CHICAGO CRUSADER — “The Barber of Seville” (Barber) is an opera that was composed in 1816 by Gioachino Rossini, but the storyline could just as well have been written 200 years later. The Lyric Opera of Chicago (20 N. Wacker Drive) opened its 65th season in grand form, with a Lyric favorite, Lawrence Brownlee, in one of the leading roles.
By Elaine Hegwood Bowen, MSJ
“The Barber of Seville” (Barber) is an opera that was composed in 1816 by Gioachino Rossini, but the storyline could just as well have been written 200 years later. The Lyric Opera of Chicago (20 N. Wacker Drive) opened its 65th season in grand form, with a Lyric favorite, Lawrence Brownlee, in one of the leading roles.
Irrepressible Rosina (played by Marianne Crebassa) refuses to marry her pompous old guardian. Meanwhile, a bold young count is eager to win Rosina for himself. And who’s going to make sure those two finish the opera united? The cleverest character in all of Seville: the barber Figaro, whose services are sought after by everyone for everything (the guy has a lot more talents than just cutting hair). Rossini’s music—the aural equivalent of champagne—is the last word in humor, inspiring smiles and laughter on every page of the score, which is what makes “Barber” the most popular of all operatic comedies.
Figaro (played by Adam Plachetka) has all the information on everybody in the Spanish village and advises Count Almaviva

Adam Plachetka as Figaro the Barber attempts to gussy up Alessandro Corbelli who plays the guardian. “The Barber of Seville” was the opening opera for the Lyric’s 65th season. (Photo by: Todd Rosenberg)
(Brownlee) to go undercover to gain access to Rosina’s home, where she is obsessively under watch. “Barber” is great entertainment from the start, and the elegant confines of the magnificent Lyric don’t stifle the audience members’ delight in the events unfolding. The cast members and audience appear to have a great time performing, watching and appreciating, I might add, the at turns serious and playful antics that are part of this best-known comic masterpiece. In the end, can this unlikely duo of Figaro and Count Almaviva win the heroine’s heart before it’s too late?
Black operatic tenor Brownlee is great in this lighthearted role, as he leaves no stones unturned to win his beloved’s hand in marriage. The Crusader interviewed Brownlee last year when he was featured at the Lyric in “I Puritani,” where he played Arturo, who along with his bride-to-be, Elvira, was a passionate young couple who find themselves caught up in a conflict between political factions.
Brownlee had his first professional stage debut in the “Barber” with the Virginia Opera in 2002 and his first Metropolitan Opera in 2007. To deliver performances in these and other different arenas with different operas requires fluency in many languages, and Brownlee has continued to master this, as well. “I would say that I’m fluent in English, of course, and Italian. I have a very good working knowledge of French and German, and when I go to countries that speak French and German, I take private lessons in both languages. My goal is to be fully fluent in a minimum of five languages in my lifetime. I sing primarily in Italian, French, and German, although I’ve also sung in English, Latin, Russian and Spanish.”
He has traveled much for work and pleasure during his nearly 20 years for work, but all total Brownlee says he has traveled internationally for 30 years. Last year, he told the Crusader: “I’ve seen 45 countries to date: this is the perfect career for someone who loves to travel. Some of my favorite places to perform are New York City, Paris, Milan, Chicago, Rome, Zürich, Berlin and Vienna. Outside of just performing, I’ve enjoyed Greece, the Tuscan region of Italy and France. Also, Cape Town, South Africa, was definitely one of my favorite places to date.”
When asked about the small class of Black male opera singers, he paid homage to George Shirley (who was the first African-American tenor to perform a leading role at the Met in New York City) and Paul Robeson.
This reporter would be remiss if I did not mention the late opera extraordinaire Jessye Norman and her influence on current and future Black opera singers. I wrote about a young lady in last week’s column (Muti Keeps Promise, Holds Special Rehearsal for CWCMC, October 5) named JeSelle Jakes, who I think has a promising classical singing career and who I’m sure is familiar with Norman’s body of work.
Often times people of color just need to see themselves in the arts. Given this, Jakes and Brownlee are on the right track. “I encourage young people by being an artist that’s on the front lines in the community, so people see that someone who is performing on stage is also reaching out as an artist,” Brownlee added.
And this community feeling is a two-way street. “It’s wonderful to look out in the audience and see people of color. My hope is that people who come [to see me] feel like they have someone on their side, and that it makes it easier for them to feel like they can relate to the stories they see on stage.”
To see Brownlee and the full cast in “The Barber of Seville,” which is playing through October 27 and sung in Italian with projected English translations, visit lyricopera.org/barber or call 312-827-5600.
Elaine Hegwood Bowen, M.S.J., is the Entertainment Editor for the Chicago Crusader newspaper. She is also the author of “Old School Adventures from Englewood–South Side of Chicago.” For book info, editor 91210@yahoo.com.
This article originally appeared in The Chicago Crusader.
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Fighting to Keep Blackness
BlackPressUSA NEWSWIRE — Trump supporters have introduced another bill to take down the bright yellow letters of Black Lives Matter Plaza in Washington, D.C., in exchange for the name Liberty Plaza. D.C.

By April Ryan
As this nation observes the 60th anniversary of Bloody Sunday in Selma, Alabama, the words of President Trump reverberate. “This country will be WOKE no longer”, an emboldened Trump offered during his speech to a joint session of Congress Tuesday night. Since then, Alabama Congresswoman Terri Sewell posted on the social media platform formerly known as Twitter this morning that “Elon Musk and his DOGE bros have ordered GSA to sell off the site of the historic Freedom Riders Museum in Montgomery.” Her post of little words went on to say, “This is outrageous and we will not let it stand! I am demanding an immediate reversal. Our civil rights history is not for sale!” DOGE trying to sell Freedom Rider Museum
Also, in the news today, the Associated Press is reporting they have a file of names and descriptions of more than 26,000 military images flagged for removal because of connections to women, minorities, culture, or DEI. In more attempts to downplay Blackness, a word that is interchanged with woke, Trump supporters have introduced another bill to take down the bright yellow letters of Black Lives Matter Plaza in Washington, D.C., in exchange for the name Liberty Plaza. D.C. Mayor Morial Bowser is allowing the name change to keep millions of federal dollars flowing there. Black Lives Matter Plaza was named in 2020 after a tense exchange between President Trump and George Floyd protesters in front of the White House. There are more reports about cuts to equity initiatives that impact HBCU students. Programs that recruited top HBCU students into the military and the pipeline for Department of Defense contracts have been canceled.
Meanwhile, Democrats are pushing back against this second-term Trump administration’s anti-DEI and Anti-woke message. In the wake of the 60th anniversary of Bloody Sunday in Selma, several Congressional Black Caucus leaders are reintroducing the Voting Rights Act. South Carolina Democratic Congressman James Clyburn and Alabama Congresswoman Terry Sewell are sponsoring H.R. 14, the John Lewis Voting Rights Advancement Act. Six decades ago, Lewis was hit with a billy club by police as he marched for the right to vote for African Americans. The right for Black people to vote became law with the 1965 Voting Rights Act that has since been gutted, leaving the nation to vote without the full protections of the Voting Rights Act. Reflecting on the late Congressman Lewis, March 1, 2020, a few months before his death, Lewis said, “We need more than ever in these times many more someones to make good trouble- to make their own dent in the wall of injustice.”
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Rep. Al Green is Censured by The U.S. House After Protesting Trump on Medicaid
BLACKPRESSUSA NEWSWIRE — His censure featured no hearing at the House Ethics Committee and his punishment was put on the floor for a vote by the Republican controlled House less than 72 hours after the infraction in question.

By Lauren Burke
In one of the quickest punishments of a member of the U.S. House of Representatives in the modern era, Congressman Al Green (D-TX) was censured by a 224-198 vote today in the House. His censure featured no hearing at the House Ethics Committee and his punishment was put on the floor for a vote by the Republican controlled House less than 72 hours after the infraction in question. Of the last three censures of members of the U.S. House, two have been members of the Congressional Black Caucus under GOP control. In 2023, Rep. Jamal Bowman was censured.
On the night of March 4, as President Trump delivered a Joint Address to Congress, Rep. Green interrupted him twice. Rep. Green shouted, “You don’t have a mandate to cut Medicare, and you need to raise the cap on social security,” to President Trump. In another rare event, Rep. Green was escorted off the House floor by security shortly after yelling at the President by order of GOP House Speaker Mike Johnson. Over the last four years, members of Congress have yelled at President Biden during the State of the Union. Georgia Republican Marjorie Taylor-Greene was joined by Republican Rep. Lauren Bobert (R-CO) in 2022 in yelling at President Biden. In 2023, Rep. Greene, Rep. Bob Good (R-VA), and Rep. Lisa McClain (R-MI) yelled at Biden, interrupting his speech. In 2024, wearing a red MAGA hat, a violation of the rules of the U.S. House, Greene interrupted Biden again. She was never censured for her behavior. Rep. Green voted “present” on his censure and was joined by freshman Democrat Congressman Shomari Figures of Alabama who also voted “present”.
All other members of the Congressional Black Caucus voted against censuring Green. Republicans hold a four-seat advantage in the U.S. House after the death of Texas Democrat and former Houston Mayor Sylvester Turner yesterday. Ten Democrats voted along with Republicans to censure Rep. Green, including Rep. Jim Himes of Connecticut, who is in the leadership as the senior Democrat on the House Intelligence Committee. “I respect them but, I would do it again,” and “it is a matter of conscience,” Rep. Green told Black Press USA’s April Ryan in an exclusive interview on March 5. After the vote, a group of Democrats sang “We Shall Overcome” in the well at the front of the House chamber. Several Republican members attempted to shout down the singing. House Speaker Mike Johnson gaveled the House out of session and into a recess. During the brief recess members moved back to their seats and out of the well of the House. Shortly after the vote to censor Rep. Green, Republican Congressman Andy Ogles of Tennessee quickly filed legislation to punish members who participated in the singing of “We Shall Overcome.” Earlier this year, Rep. Ogles filed legislation to allow President Donald Trump to serve a third term, which is currently unconstitutional. As the debate started, the stock market dove down over one-point hours from close. The jobs report will be made public tomorrow.
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Trump Moves to Dismantle Education Department
BLACKPRESSUSA NEWSWIRE — The department oversees programs under the Individuals with Disabilities Education Act (IDEA), serving 7.5 million students. Transferring IDEA oversight to another agency, as Trump’s plan suggests, could jeopardize services and protections for disabled students.

By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent
@StacyBrownMedia
The Trump administration is preparing to issue an executive order directing newly confirmed Education Secretary Linda McMahon to begin dismantling the Department of Education. While the president lacks the authority to unilaterally shut down the agency—requiring congressional approval—McMahon has been tasked with taking “all necessary steps” to reduce its role “to the maximum extent permitted by law.” The administration justifies the move by claiming the department has spent over $1 trillion since its 1979 founding without improving student achievement. However, data from The Nation’s Report Card shows math scores have improved significantly since the 1990s, though reading levels have remained stagnant. The pandemic further widened achievement gaps, leaving many students behind.
The Education Department provides about 10% of public-school funding, primarily targeting low-income students, rural districts, and children with disabilities. A recent Data for Progress poll found that 61% of voters oppose Trump’s efforts to abolish the agency, while just 34% support it. In Washington, D.C., where student proficiency rates remain low—22% in math and 34% in English—federal funding is crucial. Serenity Brooker, an elementary education major, warned that cutting the department would worsen conditions in underfunded schools.
“D.C. testing scores aren’t very high right now, so cutting the Department of Education isn’t going to help that at all,” she told Hilltop News. A report from the Education Trust found that low-income schools in D.C. receive $2,200 less per student than wealthier districts, leading to shortages in essential classroom materials. The department oversees programs under the Individuals with Disabilities Education Act (IDEA), serving 7.5 million students. Transferring IDEA oversight to another agency, as Trump’s plan suggests, could jeopardize services and protections for disabled students.
The Office for Civil Rights also plays a key role in enforcing laws that protect students from discrimination. Moving it to the Department of Justice, as proposed in Project 2025, would make it harder for families to file complaints, leaving vulnerable students with fewer protections. Federal student aid programs, including Pell Grants and loan repayment plans, could face disruption if the department is dismantled. Experts warn this could worsen the student debt crisis, pushing more borrowers into default. “With funding cuts, they don’t have the materials they need, like books or things to help with math,” Brooker said. “It makes learning less fun for them.”
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