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Majella Hamilton: Preserving City’s African American History

BIRMINGHAM TIMES — 

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Majella Hamilton (Photo by: birminghamtimes.com)

By Erica Wright

As an avid student of race and culture with a passion for telling stories, Majella Chube Hamilton wakes up and goes to sleep with a love for history. That’s why her work as executive director of the Ballard House Project Inc. is so important.

“We research, document, preserve, and share the information we uncover regarding the African American experience in Birmingham,” said Hamilton. “We host oral-history sessions, community conversations, and temporary exhibits, and we’re [also] working on permanent exhibits.”

The Ballard House Project Inc., part of the downtown Birmingham Civil Rights District, is a 501(c)(3) charitable organization dedicated to disseminating the history of the African American experience among children and adults within the community, across the state, and beyond.

The building, named after renowned Birmingham physician Edward H. Ballard, MD, was constructed in the first half of the 20th century as a medical office and residence for the doctor’s family; it is one of the few surviving live-work structures in the Magic City.

The Ballard home served as a meeting place for African American organizations barred from gathering in other areas of the city and hosted noted physicians, including Dodson Curry, MD, Herschell Hamilton, MD, and Ross Gardner, MD.

Hamilton and her team focus on and feature not only specifics about what happened in the Ballard House but also the innovative contributions, educators, business owners, and women who lived together and created amazing networks throughout Birmingham.

“We have some resources we’ve gathered that are part of our exhibits, some of which are from the early 1900s,” Hamilton said. “We have information we’ve been sharing about the African American experience in Birmingham, … what was going on here and what we think is important for the community to know.”

Shared Experiences

The Ballard House Project, which received its nonprofit status in 2010, began with community conversations, collective-memory sessions, and oral history.

“We have been working for more than 10 years to gather the shared experiences of [Birmingham’s] African American community. We started having community conversations and gatherings of individuals to learn about their shared experiences and also individual oral histories,” said Hamilton, who has long been interested in learning the back story of a particular initiative or why things are the way they are.

“I recognized early on that there were aspects of this community that had been marginalized, had been ignored, and we weren’t talking about it,” she said. “People talk about their culture and their families and their extended families and their neighborhoods, usually within their own circles. I felt through all of my community activism that some aspects were not being discussed and engaged.

“It’s important to uncover and discover rich, historical information not to dwell on the past but to connect what happened yesterday with what is currently happening in our community today,” Hamilton said.

“In order to move forward, we feel that we’ve got to reach back and find out about what happened in the past so we can empower each other,” she continued. “I’d like to see children, adults, all of us be empowered by this information. … I’d also like to make sure that this is the history of not just Birmingham’s African American communities but all of Birmingham’s communities, which are part of the history of this nation. It is universally important.”

Click to view slideshow.

“Culturally Rich”

Hamilton, who is in her early 50s, spent most of her childhood in Franklin, La., a small town outside of New Orleans. When she was 12 years old, her family moved to Gary, Ind.

“My childhood was culturally rich,” she said. “My parents were dedicated to the community in which they lived, and they worked all of their lives to uplift the small community we lived in. I have one brother and two sisters, and we all learned the importance of hard work, giving back to our communities, and using the opportunities we received in ways that would be beneficial for others.”

Both of Hamilton’s parents, O’Neal and Merion, were educators and community activists.

“They were Civil Rights activists in the sense that they broke down barriers in their community, as well as worked to unify their community,” she said. “[In Franklin], there is a street named after my dad and … a library named after my mom. In that community, my mother was the first African American librarian … and my dad was one of the first African American principals.”

When the family moved to Indiana, Hamilton’s parents were retired. They moved so her father could help his brother, who was a family physician, with his medical practice.

Hamilton finished high school in Gary and went on to Howard University in Washington, D.C., where she majored in public relations.

“I did several internships in that career and decided I wanted to stop after three years in school for a period of time to work in D.C.,” she said. “I started an internship and really liked it, so I was like, ‘Hey, this is cool. I want to do this.’ I decided to really get my feet wet and see if I really liked what I was doing. I worked for close to year and then I decided to finish my studies at DePaul University in Chicago, [Ill.]”

Hamilton earned a Bachelor of Arts degree in communications with an emphasis on public relations and journalism. While living in Chicago, she worked in several different fields and was engaged to be married to her college sweetheart, Herschell, who she met at Howard. The Hamiltons, who have been married since the early 1990s, have two children, Jillian and Herschell O’Neal, called Neal. Jillian is a Howard University graduate currently pursuing a PhD in psychology at the University of Oregon, and Neal is a student at Howard.

The Magic City

Hamilton accepted a position with Macy’s and took part in the company’s executive training program, which is how she ultimately landed in Birmingham. After living in Atlanta, Ga., she and her husband relocated to the Magic City, where Hamilton moved into a corporate position with the locally based Parisian department store chain (now known as Belk).

“Eventually, I became the public information director for the city of Birmingham and worked for Mayor Richard Arrington and his administration for a little more than five years,” she said. “In that role, I created and opened the Office of Public Information to inform, engage, and be responsive to the questions and needs residents had about their city.”

From there, Hamilton started her own strategic communications business.

“I did project management and worked on a number of different special projects, including editing magazines and conducting special-event initiatives,” she said. “[I also videotaped] projects, managing and coordinating … many that dealt with community, culture, and history.”

Hamilton put her business to the side for a time to work for Southern Living magazine, covering areas such as interior design and architecture. What she enjoyed most, however, was doing features that enabled her to chronicle the stories of prominent African Americans in society.

“I did stories on people like Children’s Defense Fund founder Marian Wright Edelman and the quilters of Gee’s Bend,” she said. “I also did a story on Haley Farms, the farm outside Knoxville, Tenn., that [“Roots” author] Alex Haley purchased prior to his death.”

During her magazine stint, Hamilton was also able to cover the African American experience: “I saw a gap was there,” she said. “[There were so many] individuals and aspects of our community that had contributed so much but not very many people knew about them, so that was an opportunity I loved.”

After leaving Southern Living, Hamilton returned to being a businessowner, establishing Enclave Communication Strategies, where she created strategic plans for projects in the community. She spent her free time on efforts designed to raise awareness about history, art, and culture, and along with her husband and others started working on the Ballard House Project.

“Quietly and methodically, we started to pull back the layers on the Ballard House and began stripping things away and restoring what was here,” said Hamilton, who is currently enrolled in a PhD program in history with an emphasis on race and culture at Howard University.

“We realized how important this aspect of history in the community is to the entire history of the area, so we started making plans to do what we’re doing now—telling those stories and highlighting the voices and experiences of the African American community in Birmingham.”

Talking Circles

This summer, the Ballard House Project started hosting a new series, entitled “Talking Circles: The Impact of Jim Crow Then and Now.”

“We cover every facet of the impact of Jim Crow, [including] culture, health, education, business, housing, voting, traumatic violence, and everything as it relates to race and the laws, customs, and ordinances [under] Jim Crow in Birmingham,” said Hamilton.

“We didn’t know exactly how we were going to focus on it, but it was a wonderful opportunity because we focus on dialogic engagement. Through dialogue [among those attending the Talking Circle], we were able to determine the specific topics or facets of community impact we wanted to focus on. We’re inviting different individuals and community leaders who have some expertise on the different topics … to lead this initiative.”

So far, there have been three Talking Circles at the Ballard House and other locations. They are held on the second and fourth Saturday of each month; starting in October, they will be held on the second and third Saturday of each month. Among the myriad topics discussed are genealogy, migration, and the African diaspora. At the next event, scheduled for October 12, Greg Townsend of the Jefferson County Department of Health will discuss the impact of Jim Crow on health and health care in the African American community.

Ongoing Restoration

Currently, the Ballard House Project is conducting a $1 million capital campaign to raise funds to restore the building.

“We want to fully restore the building,” Hamilton said. “[We’ve been making improvements] little by little throughout the years as needed, but we know full restoration of this building is critical. We also have already started on the development of a master community garden, which … will be in the lot next door. This plan also includes infrastructure for permanent exhibits, … [both] interior and exterior.”

In addition to the special events and Talking Circles series, the organization hosts community conversations and collaborates with other groups.

“We’ve hosted community conversations, … most of which are in different parts of the city, as well as sometimes here at the Ballard House and at several [local] libraries,” Hamilton said. “We’ve also hosted temporary exhibits, whether here or somewhere else, including one at the Taste of 4th Avenue Jazz Festival, where we’ve hosted exhibits [that enable] people to come learn more about their history.”

The Ballard House also does presentations at schools for students and adults.

“We want this to be a community initiative. That’s our focus,” Hamilton said. “We’re doing more than just unveiling what happened. This is a collaborative process with members of the community.”

This article originally appeared in The Birmingham Times.

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Rep. Al Green Files Articles of Impeachment Against President Trump

BLACKPRESSUSA NEWSWIRE — Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.”

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By Lauren Burke

Congressman Al Green (D-TX) has filed articles of impeachment against President Trump. Rep. Green, 77, has served in Congress since 2005.  President Trump is the only President who has been impeached twice by the U.S. House of Representatives. Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.” The impeachment resolution filed by Rep. Green on May 19, states that President Trump is, “unfit to represent the American values of decency and morality, respectability and civility, honesty, and propriety, reputability, and integrity, is unfit to defend the ideals that have made America great, is unfit to defend liberty and justice for all as extolled in the Pledge of Allegiance, is unfit to defend the American ideal of all persons being created equal as exalted in the Declaration of Independence, is unfit to ensure domestic tranquility, promote the general welfare and to ensure the blessings of liberty to ourselves and our posterity as lauded in the preamble to the United States Constitution, is unfit to protect government of the people…” Whether Rep. Green can force a vote in the U.S. House on impeachment remains an unknown issue. President Trump was impeached on December 18, 2019, for abuse of power and obstruction of Congress. He was then impeached a second time on January 13, 2021, for “Incitement of insurrection” in the wake of the violent January 6, 2021 attack on the U.S. Capitol by Trump’s supporters.

The White House stated Black Press USA on Rep. Green’s effort to impeach the President. “This week, Democrats ousted their DNC ‘leader,’ opposed the largest tax cut in history, and were exposed for actively covering up Joe Biden’s four-year cognitive decline. Now, Democrats have turned their sights to threatening impeachment. We are witnessing the collapse of the Democrat Party before our eyes. Not a single one of these efforts will help the American people. The contrast could not be more clear: President Trump is fighting for historic tax relief for the American people, Democrats are fighting themselves,” said White House Deputy Press Secretary Anna Kelly in a written statement. Several decisions and legal interpretations by the Trump Administration are currently being challenged in federal court. On May 15, the U.S. Supreme Court debated the issue of birthright citizenship after a legal challenge on the issue by the Trump Administration.

During that legal challenge, Justice Ketanji Brown Jackson challenged Trump’s solicitor general Dean John Sauer by saying, “Your argument seems to turn our justice system into a catch-me-if-you-can kind of regime … where everybody has to have a lawyer and file a lawsuit in order for the government to stop violating people’s rights.” Rep. Green’s impeachment resolution also focused on the issue of ignoring judicial orders by the executive branch. A notable example was the deportation case of Maryland father Kilmar Abrego Garcia. Garcia was deported to a prison in El Salvador by federal officials on March 15, 2025.“The Constitution does not tolerate willful disobedience of judicial orders — especially by officials of a coordinate branch who have sworn an oath to uphold it. To permit such officials to freely ‘annul the judgments of the courts of the United States’ would not just ‘destroy the rights acquired under those judgments’; it would make a solemn mockery’ of ‘the constitution itself.’” “You have no mandate,” Congressman Green stood up and yelled at President Trump during his State of the Union Speech on March 4. After the incident, Republicans who control the U.S. House considered sanctioning Rep. Green, but they did not complete an action against him.

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Affordable Childcare Remains a Barrier: Solutions in New Report

BLACKPRESSUSA NEWSWIRE — We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

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While America’s childcare supply grew nationally, the price of that care continues to rise—placing affordable, high-quality care out of reach for many families. A new report released by Child Care Aware® of America (CCAoA), Child Care in America: 2024 Price & Supply, shows that despite promising signs of increased supply, affordability remains a major barrier — and underscores the need for increased sustained federal and state investment.

From 2023 to 2024, the number of childcare centers increased by 1.6% (to 92,613) and the supply of licensed family childcare (FCC) homes increased by 4.8% (to 98,807). The national growth in FCC homes’ supply is driven largely by four states (CA, KS, MA, VA) and is especially notable as it reverses a year-long downward trend.

At the same time, the national average price for childcare rose by 29% from 2020 to 2024, outpacing inflation and exceeding other major family household expenses like rent or mortgage payments in many states. Childcare is now so expensive that it consumes 10% of a married couple with children’s median household income and a staggering 35% for a single parent. In most states, families pay more for childcare than rent, mortgage payments, or in-state university tuition.

“Childcare supply is increasing, and that is a win—but it’s not enough,” said Susan Gale Perry, Chief Executive Officer of CCAoA. “Recent federal and state pandemic-era investments have stabilized and grown supply in some places, but a significant supply gap still exists — especially in rural communities and for infants and toddlers. We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

CCAoA’s Childcare in America: 2024 Price & Supply report also found that:

  • The average price of childcare increased by 29% from 2020 to 2024, outpacing the national inflation rate of 22%.
  • In 45 states plus Washington, DC, the average annual price of center-based childcare for two children exceeded mortgage payments, in some states by up to 78%.
  • In 49 states plus Washington, DC, the price of center-based childcare for two children exceeded median rent payments ranging from 19% to over 100%.
  • In 41 states plus Washington, DC, infant care in a center cost more than in-state university tuition.

CCAoA urges policymakers to increase childcare funding at both state and federal levels to maintain the momentum of growing supply, address rising prices, and expand access to childcare for families. Federal funding increases have fallen short of the need and our research shows that total state investments in child care or preschool vary widely from state to state, putting children, families, and communities across America on an uneven playing field. Further, targeted investments in childcare supply building and stabilization and childcare workforce recruitment and retention strategies are essential to help sustain an adequate supply of high-quality childcare options nationwide.

Child Care Aware® of America (CCAoA) is the only national organization that supports every part of the childcare system. Together with an on-the-ground network of people doing the work in states and communities, it helps America become child care strong by providing research that drives effective practice and policy, building strong child care programs and professionals, helping families find and afford quality child care, delivering thought leadership to the military and direct service to its families, and providing a real-world understanding of what works and what doesn’t to spur policymakers into action and help them build solutions.

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Sex, Coercion, and Stardom: Diddy Case Mirrors Music’s Ugly History

BLACKPRESSUSA NEWSWIRE — It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him

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By Stacy M. Brown
Black Press USA Senior National Correspondent

As Sean “Diddy” Combs faces a federal sex trafficking case and the slow unraveling of his once-untouchable legacy, a larger question looms: Is this the moment the music industry finally confronts its darkest secrets?

It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him: “How much damage could Diddy do to the state of hip hop?” the user asked. “Supposedly, he has incriminating evidence against those who attended his parties. The same parties that had a lot of bad things happen, to say the least.” The implication was chilling—if Diddy were to cooperate with federal authorities, the fallout might not stop at his feet. Names floated in the post—Jay-Z, Beyoncé, Usher, Justin Bieber—aren’t confirmed in any court filings, but their inclusion highlights the breadth of Diddy’s influence and the potential reach of any revelations. If even a fraction of the speculation proves true, the reverberations wouldn’t stop at hip-hop—they’d hit every corner of the music industry. For his part, Combs denies all allegations. His legal team has described the now-infamous “freak-offs” as consensual encounters, part of his non-monogamous lifestyle. But prosecutors allege something much more sinister: a criminal enterprise powered by the machinery of his music and business empire—one that trafficked women, coerced labor, obstructed justice, and used influence and intimidation to maintain control. Still, for all the headlines Combs generates, his alleged crimes do not exist in isolation. The music industry has long tolerated, enabled, and even glamorized behavior that would trigger career-ending consequences in other arenas. Diddy’s story might be shocking—but it’s not new.

Rock music has its own rogue’s gallery. Jerry Lee Lewis nearly destroyed his career in 1958 after marrying his 13-year-old cousin. Elvis Presley met 14-year-old Priscilla Beaulieu when he was 24 and later moved her into his home in Memphis. In more recent years, Aerosmith’s Steven Tyler faced (and ultimately evaded) a lawsuit from a woman who says he sexually assaulted her in the 1970s when she was 17. A judge dismissed the case due to the statute of limitations. Phil Spector, the genius producer behind the “Wall of Sound,” died in prison after being convicted of murdering actress Lana Clarkson. Gary Glitter was convicted of possessing child pornography and later child sex abuse. Kid Rock and Creed frontman Scott Stapp were filmed with strippers in a sex tape that leaked online in 2006. A new biography of the Rolling Stones claims Mick Jagger had sexual relationships with at least two of his male bandmates, raising further questions about the power dynamics inside even the most celebrated groups.

Journalist Ann Powers, writing for NPR, once noted that the “history of rock turns on moments in which women and young boys were exploited in myriad financial, emotional and sexual ways.” Powers added: “From the teen-scream 1950s onward, one of the music’s fundamental functions has been to frame and express sexual feelings for and from the very young… relating to older men whose glamour and influence encourages trust, not caution.” This brings the spotlight back to Diddy—not just as an accused individual but as a symbol. He was once the archetype of success: Harlem-born mogul, founder of Bad Boy Records, and kingmaker behind artists like Notorious B.I.G., Faith Evans, Ma$e, 112, and French Montana. He transformed hip-hop into a global business and amassed influence far beyond the recording booth. He sold more than 500 million records, earned multiple Grammy Awards, and was honored by MTV, Howard University, and the City of New York—until those honors were swiftly revoked after a video surfaced showing him physically assaulting singer Cassie Ventura. Ventura, his longtime partner and protégé, has accused Combs of brutal physical abuse and psychological control. Her lawsuit and the video evidence ignited a wave of allegations from other women and men, describing similar patterns of coercion, manipulation, and fear. “This is not just about bad behavior. This is about systemic exploitation and abuse made possible by fame, money, and silence,” said one advocate for survivors in the entertainment industry.

While hip-hop has long been a target of criticism for misogyny and violence, what’s now being laid bare is a broader, genre-defying truth: from rock and pop to hip-hop and beyond, the music industry has operated for decades without accountability for its biggest stars. “Sex isn’t the problem,” one Reddit user responded. “Coercion via job opportunities is.” Another added, “Zero [impact], just like R. Kelly and MJ did zero to R&B,” referencing the R&B superstar’s conviction and Michael Jackson’s controversial legacy. Others argued hip hop would endure, regardless of Combs’ fate. Maybe it will. But the Diddy scandal pulls back the curtain—not just on the parties, the rumors, or the headlines—but on an industry-wide culture that has, for too long, allowed power to shield predation. As one survivor put it outside a recent court appearance: “This isn’t just a hip hop problem. It’s not even just a music problem. It’s a power problem.” And now, the music industry has to decide: Will it finally tune in, or will it keep playing the same old song?

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