Arts and Culture
Malonga Center Supporters Say Market-Rate Project May Cripple Cultural Institution
Nearly a month after City Council passed a resolution designating the 14th Street corridor in downtown Oakland as the Black Arts Movement Business District “to highlight, celebrate, preserve and support the contributions of Oakland’s Black artists and business owners,” one of the city’s main cultural institutions is being threatened by two proposals to build market-rate housing developments across the street.
The Malonga Casquelourd Center for the Arts, located at 14th and Alice St., has been a recognizable cultural institution in Oakland for over four decades and a central hub for communities of the African Diaspora.
The parking lots along 14th St., two of the only places where the Malonga Center’s patrons can park their cars when taking classes or attending cultural performances, are slated to be replaced by market-rate housing developments that will also mean the destruction of the iconic Alice Street Mural.
According to cultural activists and Malonga center neighbors, both of the development proposals were fast-tracked through the city’s Planning Commission and include no affordable housing units, no parking to replace the parking lots and little-to-no community benefits to offset the negative impacts on the Malonga Center.
Carla Service, owner of Dance-A-Vision Entertainment and longtime resident of the Malonga Center, says the project and lack of parking will be detrimental to the cultural institution and its neighbors.
“It’s going to choke our businesses, and they are going to be crippled,” said Service. “Over here, these businesses are in dire straights, and the city should make sure it takes care of people that already exist in neighborhoods, especially if development is coming in.”
“The center is an international destination that draws visitors from across the region,” she said. “Some come from as far away as Hayward, Antioch, or Santa Rosa. Parking is already tight, and usually there are cars double-parked or people asleep in their cars waiting for a space to free up.”
Nearly 200 artists, cultural activists, drummers and Oakland students rallied Thursday in front of the Alice Street Mural and marched to City Hall to protest of the Planning Commission’s willingness to “fasttrack developments without negotiating an equitable portion of community benefits,” according to a press release by the Oakland Creative Neighborhoods Coalition (OCNC).
Organizers demanded that the decisions be overturned until the costs to replace the mural are completely financed and the ground floor of the developments become a parking garage dedicated to Malonga Arts Center staff and patrons.
They also want 15 to 28 percent of the units to be affordable to families earning less than $64,000 a year.
“The Malonga Theater is one of the cultural icons of the city, and people come from all over to see it,” said former-Mayor Jean Quan, who attended the rally.
“The city council has not really gone forward with suggestions from the Housing Equity Roadmap, and they really need to,” said Mayor Quan. “Otherwise, they’re going to be inconsistently fighting for equity space by space throughout Oakland, and we’re going to lose the diverse mix of the city.”
According to Eric Arnold, a member of OCNC’s steering committee, the two developments fly in the face of the city’s promise to support a Black Arts District.
Council President Lynette Gibson McElhaney did not respond to the Post’s questions regarding how the recent approval of the Black Arts District would help protect institutions like the Malonga Center.
Activism
New Oakland Moving Forward
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

By Post Staff
Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.
Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.
These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.
So, upward and onward with the movement of New Oakland.
Arts and Culture
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

By Terri Schlichenmeyer
Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages
Take care.
Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.
It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’
Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.
Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.
She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”
When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.
First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”
After their mother died of colon cancer, Rita’s lupus took a turn for the worse.
“Did she even stand a chance?” Davis wrote in her journal.
“It just didn’t seem possible that she, someone so full of life, could die.”
Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.
Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.
But don’t. Not quite yet.
In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.
This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.
Activism
Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.

By Barbara Fluhrer
I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.
I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.
Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing, just blessings. Pray for the best and deal with the rest.
Nobody is perfect, so forgive quickly and love easily!”
Lewis’ book “Detour to Straight Street” is available on Amazon.
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