Entertainment

Mardi Gras: Last Tipsy Revelers Sent Home, Trash Swept Up

Published

11 years ago

February 18, 2015

Revelers dance to a brass band in the French Quarter on Mardi Gras in New Orleans, Tuesday, Feb. 17, 2015. Revelers in glitzy costumes filled the streets of New Orleans for the annual fat Tuesday bash, opening a day of partying, parades and good-natured jostling for beads and trinkets tossed from passing floats. (AP Photo/Gerald Herbert)

JANET McCONNAUGHEY, Associated Press

NEW ORLEANS (AP) — Mardi Gras 2015 is officially over and the last tipsy revelers in New Orleans have been cleared from city streets.

At the stroke of midnight, New Orleans police on horseback rode down the French Quarter’s main tourist thoroughfare, Bourbon Street, sending home the last revelers from the “Fat Tuesday” bash in this Mississippi River port city.

City crews before dawn Wednesday began sweeping up tons of trash, discarded food and plastic beads that had been tossed from the Mardi Gras floats during parades the day before. City officials have said up to 150 tons of trash would be collected — making it appear as if the parades never happened.

Each year, the unabashed Mardi Gras celebrations by costumed revelers mark the prelude to the solemn Catholic religious season of Lent.

And with temperatures near freezing on Tuesday, almost everyone was bundled up even along Bourbon Street, where costumes usually tend toward the skimpy during Mardi Gras.

“You can’t tell, but we’ve got Mardi Gras shirts on,” said Tiffany Cannon, watching Tuesday’s first big parade with her 8-year-old son, Eli, tucked up in warm layers. The youngster had a blue scarf over his chin and mouth and a large fuzzy hat to ward off temperatures Tuesday that began in the mid-30s.

No major incidents were reported Tuesday by police. But a 23-year-old man and a 24-year-old woman fell from different floats in a truck parade in the New Orleans suburb of Metairie, the Jefferson Parish Sheriff’s Office said. The man was in stable condition and the woman was expected to be treated and released, said Col. John Fortunato, the sheriff’s spokesman.

Tuesday’s main celebration kicked off when a retired musician, Pete Fountain, launched a 10-mile stroll by his Half-Fast Walking Club through the city. Many fortified themselves agains the cold with a breakfast of sandwiches, coffee and brandy-fortified milk punch.

“There was beer and water, too. But most people stuck with the milk punch,” said Ralph Jukkola, on his fourth walk with Fountain’s club.

After Fountain’s group, major parades of Zulu, Rex and others followed down the streets, their costumed participants tossing trinkets and plastic bead necklaces to revelers lining the sidewalks and median strips.

The crowd was thick along the main St. Charles Avenue, where Zulu’s parade route merged with that of Rex, one of the most elaborate. Rex was followed by two long “truck parades” — floats built up from flatbed trailers and decorated by costumed riders.

Matching gray quilted jackets hid the gowns worn by young women on the “maids” float in the Zulu Social Aid and Pleasure Club’s popular parade.

As Zulu passed, Ashley English said she was too cold to show off her costume.

“I have a corset on. You just can’t see it,” she said, pulling at the neck of her leather jacket. The corset was purple, she said, to go with her green and gold leggings.

Purple, green and gold were introduced as the colors of Mardi Gras in 1872, when a group of businessmen first crowned one of their own “Rex, king of Carnival.”

Because of the cold weather, many wore extra layers of sweat shirts and jeans under costumes made to look like clowns or animals.

Erin Buran of New Orleans wore a white jacket and feathery angel wings but didn’t mind the cold.

“My angel wings have tequila in them,” she said, showing off the mouthpiece of a hydration backpack covered by the wings.

___

Associated Press writer Stacey Plaisance contributed to this report.

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Published

5 days ago

January 9, 2026

Oakland Post

Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.