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Marvin Gaye postage stamp unveiled at Greek Theatre

WAVE NEWSPAPERS —  A stamp honoring the life of the late soul singer Marvin Gaye was officially released at the Greek Theatre April 2 by the U.S. Postal Service, on what would have been the singer’s 80th birthday.

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By City News Service

LOS ANGELES — A stamp honoring the life of the late soul singer Marvin Gaye was officially released at the Greek Theatre April 2 by the U.S. Postal Service, on what would have been the singer’s 80th birthday.

“The Postal Service is honored to recognize Marvin Gaye, the Motown legend, with a stamp on his birthday in this venue that held a special place in his heart,” said Gary R. Barksdale, USPS chief postal inspector. “Known as the ‘Prince of Soul,’ Gaye was a man whose timeless music was a true catalogue of human emotions that inspired, informed and entertained the world.”

Among those attending the event were Motown Records founder Berry Gordy, singer Mary Wilson of the Supremes and singer Smokey Robinson, along with members of Gaye’s family.

The stamp is part of the Postal Service’s Music Icons series. Its design features a portrait of Gaye inspired by historic photographs. The stamp pane is designed to resemble a vintage 45 rpm record sleeve. One side of the pane includes the stamps, brief text about Gaye’s legacy, and the image of a sliver of a record seeming to peek out the top of the sleeve.

Another portrait of Gaye, also inspired by historic photographs, appears on the reverse along with the Music Icons series logo.

A pane is the unit into which a full press sheet is divided before sale at post offices.

Because of solo hits such as “How Sweet It Is,” “Ain’t That Peculiar,” “I Heard It Through the Grapevine” and his duet singles with such singers as Mary Wells and Tammi Terrell, Gaye was dubbed “The Prince of Motown” and “The Prince of Soul.”

Gaye won Grammys in 1983 for best male rhythm and blues vocal performance and best rhythm and blues instrumental performance for “Sexual Healing.”

Gaye was elected to the Rock & Roll Hall of Fame in 1987 and received a Grammy Lifetime Achievement Award in 1996.

“His music was cathartic,” biographer David Ritz said. “His songs were prayers, meditations, strategies for survival.”

A bill naming the post office at 3585 S. Vermont Ave. in South Los Angeles the Marvin Gaye Post Office was signed into law by President Donald Trump on July 24.

Gaye was shot and killed by his father following an altercation after he intervened in an argument between his parents at their house in the West Adams district on April 1, 1984, one day before what would have been his 45th birthday.

Then-Los Angeles County Superior Court Judge Ronald M. George, later chief justice of the California Supreme Court, agreed to grant the elder Gaye a plea bargain because of the amount of drugs in the younger Gaye’s system and pictures of the elder Gaye’s injuries during his final fight with his son.

The elder Gaye pleaded no contest to a voluntary manslaughter charge and was sentenced by Judge Gordon Ringer to a six-year suspended sentence and five years of probation. He died in 1998 at the age of 84.

This article originally appeared in the Wave Newspapers

From City News Service

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Activism

U.S. House Minority Leader Hakeem Jeffries Speaks on Democracy at Commonwealth Club

Based on his first speech as House minority leader, “The ABCs of Democracy” by Grand Central Publishing is an illustrated children’s book for people of all ages. Each letter contrasts what democracy is and isn’t, as in: “American Values over Autocracy”, “Benevolence over Bigotry” and “The Constitution over the Cult.”

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: House Minority Leader Hakeem Jeffries at the Commonwealth Club World Affairs Council on Dec. 2. Photo by Johnnie Burrell. Book cover: "The ABCs of Democracy" by Hakeem Jeffries.
: House Minority Leader Hakeem Jeffries at the Commonwealth Club World Affairs Council on Dec. 2. Photo by Johnnie Burrell. Book cover: "The ABCs of Democracy" by Hakeem Jeffries.

By Linda Parker Pennington
Special to The Post

House Minority Leader Hakeem Jeffries addressed an enthusiastic overflow audience on Monday at San Francisco’s Commonwealth Club, launching his first book, “The ABCs of Democracy.”

Based on his first speech as House minority leader, “The ABCs of Democracy” by Grand Central Publishing is an illustrated children’s book for people of all ages.

Each letter contrasts what democracy is and isn’t, as in: “American Values over Autocracy”, “Benevolence over Bigotry” and “The Constitution over the Cult.”

Less than a month after the election that will return Donald Trump to the White House, Rep. Jeffries also gave a sobering assessment of what the Democrats learned.

“Our message just wasn’t connecting with the real struggles of the American people,” Jeffries said. “The party in power is the one that will always pay the price.”

On dealing with Trump, Jeffries warned, “We can’t fall into the trap of being outraged every day at what Trump does. That’s just part of his strategy. Remaining calm in the face of turmoil is a choice.”

He pointed out that the razor-thin margin that Republicans now hold in the House is the lowest since the Civil War.

Asked what the public can do, Jeffries spoke about the importance of being “appropriately engaged. Democracy is not on autopilot. It takes a citizenry to hold politicians accountable and a new generation of young people to come forward and serve in public office.”

With a Republican-led White House, Senate, House and Supreme Court, Democrats must “work to find bi-partisan common ground and push back against far-right extremism.”

He also described how he is shaping his own leadership style while his mentor, Speaker-Emeritus Nancy Pelosi, continues to represent San Francisco in Congress. “She says she is not hanging around to be like the mother-in-law in the kitchen, saying ‘my son likes his spaghetti sauce this way, not that way.’”

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MacArthur Fellow Dorothy Roberts’ Advocates Restructure of Child Welfare System

Roberts’s early work focused on Black women’s reproductive rights and their fight for reproductive justice. In “Killing the Black Body: Race, Reproduction, and the Meaning of Liberty 1997)”, she analyzes historical and contemporary policies and practices that denied agency to Black women and sought to control their childbearing—from forced procreation during slavery, to coercive sterilization and welfare reform—and advocates for an expanded understanding of reproductive freedom.

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Dorothy Roberts. Photo courtesy of the John D. and Catherine T. MacArthur Foundation.
Dorothy Roberts. Photo courtesy of the John D. and Catherine T. MacArthur Foundation.

Special to The Post

When grants were announced Oct. 1, it was noted that eight of the 22 MacArthur Fellows were African American. Among the recipients of the so-called ‘genius grants’ are scholars, visual and media artists a poet/writer, historian, and dancer/choreographer who each receive $800,000 over a five-year period to spend as they see fit.

 Their names are Ruha Benjamin, Jericho Brown, Tony Cokes, Jennifer L. Morgan, Ebony G. Patterson, Shamel Pitts, Jason Reynolds, and Dorothy Roberts. This is the eighth and last in the series highlighting the Black awardees. The report below on Dorothy Roberts is excerpted from the MacArthur Fellows web site.

A graduate of Yale University with a law degree from Harvard, Dorothy Roberts is a legal scholar and public policy researcher exposing racial inequities embedded within health and social service systems.

Sine 2012, she has been a professor of Law and Sociology, and on the faculty in the department of Africana Studies at the University of Pennsylvania.

Roberts’s work encompasses reproductive health, bioethics, and child welfare. She sheds light on systemic inequities, amplifies the voices of those directly affected, and boldly calls for wholesale transformation of existing systems.

Roberts’s early work focused on Black women’s reproductive rights and their fight for reproductive justice. In “Killing the Black Body: Race, Reproduction, and the Meaning of Liberty 1997)”, she analyzes historical and contemporary policies and practices that denied agency to Black women and sought to control their childbearing—from forced procreation during slavery, to coercive sterilization and welfare reform—and advocates for an expanded understanding of reproductive freedom.

This work prompted Roberts to examine the treatment of children of color in the U.S. child welfare system.

After nearly two decades of research and advocacy work alongside parents, social workers, family defense lawyers, and organizations, Roberts has concluded that the current child welfare system is in fact a system of family policing with alarmingly unequal practices and outcomes. Her 2001 book, “Shattered Bonds: The Color of Child Welfare,” details the outsized role that race and class play in determining who is subject to state intervention and the results of those interventions.

Through interviews with Chicago mothers who had interacted with Child Protective Services (CPS), Roberts shows that institutions regularly punish the effects of poverty as neglect.

CPS disproportionately investigates Black and Indigenous families, especially if they are low-income, and children from these families are much more likely than white children to be removed from their families after CPS referral.

In “Torn Apart: How the Child Welfare System Destroys Black Families—and How Abolition Can Build a Safer World (2022),” Roberts traces the historical, cultural, and political forces driving the racial and class imbalance in child welfare interventions.

These include stereotypes about Black parents as negligent, devaluation of Black family bonds, and stigmatization of parenting practices that fall outside a narrow set of norms.

She also shows that blaming marginalized individuals for structural problems, while ignoring the historical roots of economic and social inequality, fails families and communities.

Roberts argues that the engrained oppressive features of the current system render it beyond repair. She calls for creating an entirely new approach focused on supporting families rather than punishing them.

Her support for dismantling the current child welfare system is unsettling to some. Still, her provocation inspires many to think more critically about its poor track record and harmful design.

By uncovering the complex forces underlying social systems and institutions, and uplifting the experiences of people caught up in them, Roberts creates opportunities to imagine and build more equitable and responsive ways to ensure child and family safety.

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Activism

Oakland Post: Week of December 18 – 24, 2024

The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024

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