Education
Math Skills and Black Culture Come Together at CBAC
LOS ANGELES SENTINEL — Like many parents, Pastor James Thomas of the Living Word Community Church, and his wife, Mona, aimed to place their children in a private school with the expectation that they would receive an exceptional education, and have the best chance possible of thriving in college. But once their children were enrolled in a private school, the Thomases were deeply disappointed to see how the Black students were treated.
Like many parents, Pastor James Thomas of the Living Word Community Church, and his wife, Mona, aimed to place their children in a private school with the expectation that they would receive an exceptional education, and have the best chance possible of thriving in college. But once their children were enrolled in a private school, the Thomases were deeply disappointed to see how the Black students were treated.
“We had no idea that in the minds of the folks in the Valley, and in this particular private school that we were involved in, that it was like the ‘60s almost,” Pastor Thomas says. “[There was] a lot of racism [and] a lot of stereotyping.”
Even their own children, who were all excellent students, were not immune to the underlying prejudice. Pastor Thomas got on the board of the school in an attempt to exact change, but found his voice was not being heard.
Eventually, the Thomases concluded that the culture of the private school system was not conducive to the success of Black children, and many Black children were simply tolerating the prejudice for fear that they would get in trouble if they spoke up.
If they wanted to give these children the attention and care they deserved, they would have to take it into their own hands. So, with the help of their church, the Thomases launched their own educational program, which would later become the Culturally Based Algebra Camp (CBAC).
“We started this because we felt like, even though Black folks are moving to the Valley hoping to get a better education, these people are treating us as if we don’t even deserve respect or dignity,” says Mr. Thomas.
When the Thomases first got the idea to start an after-school educational program, it was not actually a math camp at all. It started as a weekly Saturday morning tutoring session for students attending public and charter schools in the San Fernando Valley. The prevailing sentiment among those who attended was that they did not enjoy school, and they especially dreaded math classes.
Realizing that these children needed much more support and encouragement than could be provided in a weekly study group, the Thomases transformed these sessions into an Algebra-focused camp. Now, it runs five days a week, from 8 a.m. to 1 p.m., for six weeks each summer at CHAMPS Charter High School of the Arts in Van Nuys. The camp serves the first through the 12th grades, which are divided into five classrooms. Third graders are the only children who get their own classroom apart from any other grades, and for good reason.
“Usually, Black students, especially Black boys, are excelling in school until they get to grade three,” says Mr. Thomas. “At grade three, they begin to decline. And so, we decided to separate them out and work specifically with them so that wouldn’t happen.”
While the camp’s main objective is to prepare students to do well in Algebra 1 and more advanced math levels, it is anything but a typical summer program. As its name implies, the Culturally Based Algebra Camp prides itself on contextualizing lessons within the historical origins of mathematics and specifically its connection to Africa.
“Our motto is, you’ve got to be able to do math because you invented it,” says Pastor Thomas. “And so, what these students find out is not only did we invent math, but just about everything else. And so, most of what the world celebrates started with us. We show them that.”
In addition to being a pastor, Mr. Thomas is also a professor of Pan-African studies at Cal State LA. He says he repeats many of the same lectures he would give to his college students to the children at CBAC. Each morning, when the first students begin to arrive, he talks to them about a variety of topics including cultural appropriation, HBCUs, Black Greek letter organizations, post-traumatic slave syndrome, reparations, medical apartheid and slave religious customs.
“I don’t dumb it down for them,” he says. “Some of it is over their heads, and that’s fine.”
What is important, he says, is that these children are exposed to their culture and history from a young age so that they can feel proud of their heritage and assured of their abilities to excel academically — something many of the campers truly seem to take to heart.
“I’m learning about how Black people have invented many things and knowing that my culture is a pretty smart culture and they have done a lot of things for this world,” says Donovan, a 14-year-old student. “So, it’s nice to know that, and nice to see that I come from a culture with rich history.”
However, the cultural discussions at CBAC are not solely focused on the past. The camp is also a safe space for students to air their thoughts about the current political and racial climate.
“The year that Trayvon Martin was killed, we wanted to know how the kids were feeling about that,” says Mrs. Thomas. “So, there was a whole discussion about that, just so that the kids could have clear perspective and have an opportunity to voice whatever it was that they felt about that.”
The Thomases say the enthusiasm that CBAC students show in dedicating themselves to showing up each day and practicing their math skills is truly stunning. It goes entirely against the stereotype that Black children are uninterested or unskilled in academic performance.
Martha, 16, has been coming to CBAC since she was in fourth grade.
“Before I came to camp, math was not really my friend,” she says. “I didn’t really understand much of what was happening and sometimes my teachers were going too fast or they were not explaining it thoroughly. But then, when I started coming here, and I started learning more, I feel like math is now one of my strongest subjects.”
She is now preparing to take the SAT next year and says she wants to become a pediatric surgeon.
Kruse, a 7-year-old student, likewise had only positive things to say about how the camp has impacted his learning.
“I think it’s pretty good,” he says. “I haven’t learned multiplication or division yet, so I’m starting to get the hang of that and I’m thinking that I can take this stuff over to school and I’ll be probably smarter than other kids.”
Since the camp’s inception, countless parents have praised the program, attesting that their children have not only gained confidence in their math skills but have also developed a greater appreciation and pride for their identity as African Americans.
Shade Mokuolu has two children, a 9-year-old and a 10-year-old, who are returning to the camp for their third year. She appreciates that CBAC keeps their minds busy and engaged during the summer so they will be right on track when they go back to school.
“The moment they came, and they saw other kids like them, they started making friends, [and] they loved it,” Mokuolu says. “It’s also a very unique program because it helps them to connect to their roots [and] their heritage as African Americans. They do a lot of projects here that help them to connect with who they are, they study different parts of the world, [and] they study history.”
While CBAC holds its students to high academic standards, the Thomases espouse the philosophy that “parents are the most important component,” and they are held to equally high requirements in terms of their involvement in their children’s success at the camp and beyond. They must attend workshops and meetings throughout the summer to learn more about CBAC and stay updated on college admission requirements such as standardized testing and the FAFSA. They even take a pledge promising to help their children maintain a positive self-image, resolve issues in the household that may hinder academic achievement, limit unhealthy use of electronics and do everything in their power to help their children flourish.
If there is one thing the Thomases hope to accomplish through this program, it is that their students will never feel as though they have to accept racial intolerance in order to succeed academically – exactly what the Black students at the private school their own children once attended, seemed to feel.
“The one thing that I want them to take away is that when they fight, they win,” says Pastor Thomas. “I say that because I think we’re in a place now that we can’t just take for granted that people are going to do right by us. We have to make demands and we have to push for those demands. I hope that they will fight to go to college, that they will fight to get access to the classes that they need and that will help them to grow.”
To learn more about CBAC, contact Pastor James and Mona Thomas at info4cbac@gmail.com
This article originally appeared in The Los Angeles Sentinel.
Activism
LIVE! — TOWN HALL ON RACISM AND ITS IMPACT — THURS. 11.14.24 5PM PST
Join us for a LIVE Virtual Town Hall on the Impact of Racism hosted by Post News Group Journalist Carla Thomas and featuring Oakland, CA NAACP President Cynthia Adams & other Special Guests.
Thursday, November 14, 2024, 5 p.m. – 6:30 p.m. PST
Join us for a LIVE Virtual Town Hall on the Impact of Racism hosted by Post News Group Journalist Carla Thomas and featuring Oakland, CA NAACP President Cynthia Adams & other Special Guests.
Thursday, November 14, 2024
5 p.m. – 6:30 p.m. PST
Discussion Topics:
• Since the pandemic, what battles have the NAACP fought nationally, and how have they impacted us locally?
• What trends are you seeing concerning Racism? Is it more covert or overt?
• What are the top 5 issues resulting from racism in our communities?
• How do racial and other types of discrimination impact local communities?
• What are the most effective ways our community can combat racism and hate?
Your questions and comments will be shared LIVE with the moderators and viewers during the broadcast.
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Art
Brown University Professor and Media Artist Tony Cokes Among MacArthur Awardees
When grants were announced earlier this month, it was noted that seven of the 22 fellows were African American. Among them are scholars, visual and media artists a poet/writer, historian, and dancer/choreographer who each receive $800,000 over a five-year period to spend as they see fit. Their names are Ruha Benjamin, Jericho Brown, Tony Cokes, Jennifer L. Morgan, Ebony G. Patterson, Shamel Pitts, Jason Reynolds, and Dorothy Roberts. This is the third in the series highlighting the Black awardees.
Special to The Post
When grants were announced earlier this month, it was noted that seven of the 22 fellows were African American. Among them are scholars, visual and media artists a poet/writer, historian, and dancer/choreographer who each receive $800,000 over a five-year period to spend as they see fit. Their names are Ruha Benjamin, Jericho Brown, Tony Cokes, Jennifer L. Morgan, Ebony G. Patterson, Shamel Pitts, Jason Reynolds, and Dorothy Roberts. This is the third in the series highlighting the Black awardees. The report below is excerpted from the MacArthur Fellows web site.
Tony Cokes
Tony Cokes, 68, is a media artist creating video works that recontextualize historical and cultural moments. Cokes’s signature style is deceptively simple: changing frames of text against backgrounds of solid bright colors or images, accompanied by musical soundtracks.
Cokes was born in Richmond, Va., and received a BA in creative writing and photography from Goddard College in 1979 and an MFA from Virginia Commonwealth University in 1985. He joined the faculty of Brown University in 1993 and is currently a professor in the Department of Modern Culture and Media.
According to Wikipedia, Cokes and Renee Cox, and Fo Wilson, created the Negro Art Collective (NAC) in 1995 to fight cultural misrepresentations about Black Americans.[5]
His work has been exhibited at national and international venues, including Haus Der Kunst and Kunstverein (Munich); Dia Bridgehampton (New York); Memorial Art Gallery University of Rochester; MACRO Contemporary Art Museum (Rome); and the Carpenter Center for the Visual Arts (Harvard University), among others.
Like a DJ, he samples and recombines textual, musical, and visual fragments. His source materials include found film footage, pop music, journalism, philosophy texts, and social media. The unexpected juxtapositions in his works highlight the ways in which dominant narratives emerging from our oversaturated media environments reinforce existing power structures.
In his early video piece Black Celebration (A Rebellion Against the Commodity) (1988), Cokes reconsiders the uprisings that took place in Black neighborhoods in Los Angeles, Detroit, Newark, and Boston in the 1960s.
He combines documentary footage of the upheavals with samples of texts by the cultural theorist Guy Debord, the artist Barbara Kruger, and the musicians Morrisey and Martin Gore (of Depeche Mode).
Music from industrial rock band Skinny Puppy accompanies the imagery. In this new context, the scenes of unrest take on new possibilities of meaning: the so-called race riots are recast as the frustrated responses of communities that endure poverty perpetuated by structural racism. In his later and ongoing “Evil” series, Cokes responds to the rhetoric of the Bush administration’s “War on Terror.”
Evil.16 (Torture.Musik) (2009–11) features snippets of text from a 2005 article on advanced torture techniques. The text flashes on screens to the rhythm of songs that were used by U.S. troops as a form of torture.
The soundtrack includes Metallica’s “Enter Sandman” and Britney Spears’s “… Baby One More Time,” songs known to have been played to detainees at deafening decibel levels and on repeated loops. The dissonance between the instantly recognizable, frivolous music and horrifying accounts of torture underscores the ideological tensions within contemporary pop culture.
More recently, in a 2020 work entitled HS LST WRDS, Cokes uses his pared-down aesthetic to examine the current discourse on police violence against Black and Brown individuals. The piece is constructed around the final words of Elijah McClain, who was killed in the custody of Colorado police. Cokes transcribes McClain’s last utterances without vowels and sets them against a monochromatic ground. As in many of Cokes’s works, the text is more than language conveying information and becomes a visualization of terrifying breathlessness. Through his unique melding of artistic practice and media analysis, Cokes shows the discordant ways media color our understanding and demonstrates the artist’s power to bring clarity and nuance to how we see events, people, and histories.
California Black Media
On Your November Ballot: Prop 2 Seeks to Modernize Public Education Facilities
Proposition 2 would authorize the state to issue $10 billion in bonds with $8.5 billion dedicated to elementary and secondary educational facilities and $1.5 billion for community college facilities. If approved, the proposition will make changes to the formula used to determine the amount each district is required to contribute to be eligible to receive state funding from the bond revenue. It would also require the state government to cover between 50 and 55% of construction project costs and 60 and 65% of modernization project costs.
By Edward Henderson, California Black Media
Proposition 2 would authorize the state to issue $10 billion in bonds with $8.5 billion dedicated to elementary and secondary educational facilities and $1.5 billion for community college facilities.
If approved, the proposition will make changes to the formula used to determine the amount each district is required to contribute to be eligible to receive state funding from the bond revenue. It would also require the state government to cover between 50 and 55% of construction project costs and 60 and 65% of modernization project costs.
Supporters argue that the money is critical for making safety improvements in schools, as well as modernizing science labs, performing arts spaces and kindergarten classrooms. School districts in lower-income areas have no other way to pay for these improvements.
According to the Public Policy Institute of California, 38% of students attend schools that don’t meet the state’s minimum safety standards. The research shows that schools with sub-standard facilities tend to have students with lower attendance rates, lower morale and lower overall academic performance.
California Black Media spoke with a Los Angeles Unified School District (LAUSD) spokesperson on why she believes it should be a YES vote on Prop 2.
“Measure US, Los Angeles Unified’s Local Public Schools Safety and Upgrades Measure on the November ballot would provide $9 billion to upgrade Los Angeles public schools for safety and 21st century student learning and college and career preparedness. The average annual cost to property owners is estimated at 2.5 cents per $100 of assessed (not market) property value. The Los Angeles Unified Board of Education adopted a Resolution on October 22 to support Los Angeles Unified’s Measure US, and State Propositions 2 and 4,” the spokesperson said.
Opponents argue that the state should include school repairs in its regular budget instead of putting the burden on taxpayers. Opponents also argue that the proposition would not directly impact students. The Howard Jarvis Taxpayers Association is on record as one of the organizations opposing the proposition.
“Proposition 2 is $10 billion of bonds, new state debt, to pay for school facilities. It is almost certain to result in higher property tax bills, because school districts must provide a ‘local match’ of funds in order to receive money from the Prop. 2 state bonds. That will lead to districts issuing new local school bonds, which are paid for by adding new charges to property tax bills,” said Jarvis.
Opponents also have voiced concerns about what they view as an inequitable distribution of funds. They believe that lower-income school districts should receive a greater share of the state’s sliding scale for matching funds.
“Enrollment is declining in both K-12 district schools and community colleges and the declines are projected to continue. But Proposition 2 commits California to pay an estimated $18 billion, including interest, for school buildings that may not even be necessary. Vote no on proposition 2.”
A “yes” vote gives approval to the state to issue $10 billion in bonds to fund construction and modernization of public education facilities.
A “no” vote will prohibit the state from issuing $10 billion in bonds to fund construction and modernization of public education facilities.
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