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Meet Micah Lewis, Founder of Vibestreet Studios

BIRMINGHAM TIMES — Micah Lewis, 24, is founder of Vibestreet Photography and Rental Studios, a rental space near Five Points South that opened this year and hosts a broad range of photo shoots, videography, art shows, meetings, and even served as a site for a local reality show. He recently spoke to The Birmingham Times about the multipurpose location for creatives in the Magic City.

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Micha Lewis (Photo by: birminghamtimes.com)

By Ameera Steward

Micah Lewis, 24, is founder of Vibestreet Photography and Rental Studios, a rental space near Five Points South that opened this year and hosts a broad range of photo shoots, videography, art shows, meetings, and even served as a site for a local reality show. He recently spoke to The Birmingham Times about the multipurpose location for creatives in the Magic City.

Birmingham Times: What do you like most about Birmingham?

Lewis: I love that Birmingham is a happy medium between small towns and big cities. We have a large university here, but also a lot of small businesses and restaurants that aren’t available in other cities. Places like Atlanta can be overwhelming for extended amounts of time with the huge population and constant traffic. Also, my roots are here, and there’s nothing better than giving back to a community that gave me so much.

If you had someone visit from out of town, what’s the one place you have to take them?

Aside from places like Vulcan [Park and Museum] and the Civil Rights Institute, it’s important to see other places in the city that truly capture the essence of Birmingham. First, we’d stop by Bayles, a black-owned restaurant in Woodlawn that opened recently and has the best waffles I’ve tasted in a long time. Next, we’d head to Third Avenue North, where there’s an assortment of amazing businesses. Starting at Don’s Hair Care Center, I’d make sure they get a fresh fade from one of the best barbers in Birmingham, Donnie. Then we’d get them some air-purifying plants from the Botanical Gardens, a cup of coffee from Revelator Coffee, and end the visit with the McWane Center.

What’s your favorite movie?

My top three of all time would be “Training Day,” “White Men Can’t Jump,” and “She’s Out of Your League.” I’m a fan of movies that have issues that aren’t too big. Our real lives can be very stressful so I’m not into movies or shows where someone has to save the world from ending. In movies like these, people are put in situations where they’re probably supposed to lose, but they find a way through despite their flaws.

Who’s your favorite musical artist?

I’m not sure if I’ll ever have a number-one favorite artist but, but right now my favorites are YBN Cordae, Sam Cooke, and the great Nipsey Hussle. Cordae is a newer artist, but it’s so refreshing to hear someone actually rapping in a time of hip-hop that is so heavily diluted with people focusing on money instead of the art itself. I believe you can be considered a great artist when you have one truly perfect song, and Sam Cooke has at least three, which is amazing. Aside from his extensive discography and constant growth within his music, Nipsey Hussle gave knowledge and resources to his community in abundance, which is something I think about daily.

What’s a food dish that you can never get tired of?

The super double burger from Pop’s Neighborhood Grill on the Southside is amazing. There’s just something about that restaurant, where you can literally taste the love. With places like that open here in Birmingham, I rarely go to the chain fast food restaurants.

What are you most passionate about professionally? Personally?

Professionally, I care about growing Vibestreet organically and keeping our focus on being a resource to the young people coming up behind us. In the past, I’ve been so focused on changing people’s perception of Vibestreet, I ended up reaching for things that were not in the best interest of the brand, [such as paying people they didn’t know personally to promote the brand.] In those cases, people did the bare minimum or only what they were contractually obligated to do. Customers can tell it’s just someone being paid and not that they personally believe in Vibestreet but looked good on social media. Now, due to those hard lessons I understand that our victory is not in comparison to others but knowing that we did our best and still remained ourselves in that. Personally, I strive to be a better man every day and gain more patience and understanding of the world around me.

Who is someone you admire, and why?

My cousin, Ronald Jackson, is someone I draw strength from regularly. His childhood situations were more than any one person should have to endure, but he’s one of the most kind and pleasant people walking the earth. I’ve had issues with forgiveness and patience, but it seems he’s been endowed with those traits his entire life. I regularly think to myself, “If Ronnie could make it through all that, I can keep going as well.”

What are three pet peeves?

Being late, unprepared/uninformed, or stagnant would be my biggest pet peeves. I like to get where I’m going at least 10 minutes early, just in case an issue arises. Additionally, I know I value my time, so I wouldn’t want to waste anyone else’s. Being on time goes hand in hand with being prepared and informed. For events we curate for Vibestreet, as a team we organize everything three months in advance so we can be thorough and precise with our finished products. And finally, without growth there is no life itself.

How do you want to be remembered?

As a flawed man who took his vision farther than he was equipped to. The very heritage of black Americans is being dealt an unfair hand and still coming away with a victory. I’d like to continue that legacy and leave more resources behind, therefore passing the baton on to the next generation so maybe they can simply live better lives instead of having to fight for one. I know we’re far from the goal of full civil equality, but if we were the last generation to have to go to war and die for it, that’d be great.

What do you want to do before you die?

I want to ensure that I convey a message that happiness is more accessible than what we are taught. Life is not worth living only because you have an expensive sports car and a mansion. The greatest luxury in this life is time spent with people who matter to you. A cousin of mine was murdered recently [June 2019] here in Birmingham, and I would give everything I have for him to have made it home safely that night. We’re often in heaven but get too preoccupied looking out the window at something else. Many of our young people are systematically being led astray by being told that they need material things—often depreciating liabilities—to be successful, when instead they need to be taught the importance of financial stability and building a foundation that can help them for the rest of their lives.

What publications or websites do you regularly read?

Aside from reading The Birmingham Times regularly, I’m not as much of a reader as I’d like to be. I usually get my breaking news from Twitter, and I watch a lot of interviews from people that inspire me. I actually listen to the same interviews a lot so I can fully digest messages from people.

What is your personal motto?

From the late great Nipsey Hussle: “The marathon continues.” We’ve been working on Vibestreet for four years now, and I still feel like we’ve barely begun. Earlier on I was concerned with the sprint and trying to be the biggest thing in the world by tomorrow, but that isn’t possible. The slow growth, hard lessons, and struggles along the way are what make the journey worth it.

Click here to read about Vibestreet’s chief financial officer, Josh Echols. 

Click here to read about Vibestreet’s operations coordinator, Jerrod Dukes. 

This article originally appeared in The Birmingham Times.

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Rep. Al Green Files Articles of Impeachment Against President Trump

BLACKPRESSUSA NEWSWIRE — Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.”

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By Lauren Burke

Congressman Al Green (D-TX) has filed articles of impeachment against President Trump. Rep. Green, 77, has served in Congress since 2005.  President Trump is the only President who has been impeached twice by the U.S. House of Representatives. Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.” The impeachment resolution filed by Rep. Green on May 19, states that President Trump is, “unfit to represent the American values of decency and morality, respectability and civility, honesty, and propriety, reputability, and integrity, is unfit to defend the ideals that have made America great, is unfit to defend liberty and justice for all as extolled in the Pledge of Allegiance, is unfit to defend the American ideal of all persons being created equal as exalted in the Declaration of Independence, is unfit to ensure domestic tranquility, promote the general welfare and to ensure the blessings of liberty to ourselves and our posterity as lauded in the preamble to the United States Constitution, is unfit to protect government of the people…” Whether Rep. Green can force a vote in the U.S. House on impeachment remains an unknown issue. President Trump was impeached on December 18, 2019, for abuse of power and obstruction of Congress. He was then impeached a second time on January 13, 2021, for “Incitement of insurrection” in the wake of the violent January 6, 2021 attack on the U.S. Capitol by Trump’s supporters.

The White House stated Black Press USA on Rep. Green’s effort to impeach the President. “This week, Democrats ousted their DNC ‘leader,’ opposed the largest tax cut in history, and were exposed for actively covering up Joe Biden’s four-year cognitive decline. Now, Democrats have turned their sights to threatening impeachment. We are witnessing the collapse of the Democrat Party before our eyes. Not a single one of these efforts will help the American people. The contrast could not be more clear: President Trump is fighting for historic tax relief for the American people, Democrats are fighting themselves,” said White House Deputy Press Secretary Anna Kelly in a written statement. Several decisions and legal interpretations by the Trump Administration are currently being challenged in federal court. On May 15, the U.S. Supreme Court debated the issue of birthright citizenship after a legal challenge on the issue by the Trump Administration.

During that legal challenge, Justice Ketanji Brown Jackson challenged Trump’s solicitor general Dean John Sauer by saying, “Your argument seems to turn our justice system into a catch-me-if-you-can kind of regime … where everybody has to have a lawyer and file a lawsuit in order for the government to stop violating people’s rights.” Rep. Green’s impeachment resolution also focused on the issue of ignoring judicial orders by the executive branch. A notable example was the deportation case of Maryland father Kilmar Abrego Garcia. Garcia was deported to a prison in El Salvador by federal officials on March 15, 2025.“The Constitution does not tolerate willful disobedience of judicial orders — especially by officials of a coordinate branch who have sworn an oath to uphold it. To permit such officials to freely ‘annul the judgments of the courts of the United States’ would not just ‘destroy the rights acquired under those judgments’; it would make a solemn mockery’ of ‘the constitution itself.’” “You have no mandate,” Congressman Green stood up and yelled at President Trump during his State of the Union Speech on March 4. After the incident, Republicans who control the U.S. House considered sanctioning Rep. Green, but they did not complete an action against him.

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Affordable Childcare Remains a Barrier: Solutions in New Report

BLACKPRESSUSA NEWSWIRE — We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

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While America’s childcare supply grew nationally, the price of that care continues to rise—placing affordable, high-quality care out of reach for many families. A new report released by Child Care Aware® of America (CCAoA), Child Care in America: 2024 Price & Supply, shows that despite promising signs of increased supply, affordability remains a major barrier — and underscores the need for increased sustained federal and state investment.

From 2023 to 2024, the number of childcare centers increased by 1.6% (to 92,613) and the supply of licensed family childcare (FCC) homes increased by 4.8% (to 98,807). The national growth in FCC homes’ supply is driven largely by four states (CA, KS, MA, VA) and is especially notable as it reverses a year-long downward trend.

At the same time, the national average price for childcare rose by 29% from 2020 to 2024, outpacing inflation and exceeding other major family household expenses like rent or mortgage payments in many states. Childcare is now so expensive that it consumes 10% of a married couple with children’s median household income and a staggering 35% for a single parent. In most states, families pay more for childcare than rent, mortgage payments, or in-state university tuition.

“Childcare supply is increasing, and that is a win—but it’s not enough,” said Susan Gale Perry, Chief Executive Officer of CCAoA. “Recent federal and state pandemic-era investments have stabilized and grown supply in some places, but a significant supply gap still exists — especially in rural communities and for infants and toddlers. We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

CCAoA’s Childcare in America: 2024 Price & Supply report also found that:

  • The average price of childcare increased by 29% from 2020 to 2024, outpacing the national inflation rate of 22%.
  • In 45 states plus Washington, DC, the average annual price of center-based childcare for two children exceeded mortgage payments, in some states by up to 78%.
  • In 49 states plus Washington, DC, the price of center-based childcare for two children exceeded median rent payments ranging from 19% to over 100%.
  • In 41 states plus Washington, DC, infant care in a center cost more than in-state university tuition.

CCAoA urges policymakers to increase childcare funding at both state and federal levels to maintain the momentum of growing supply, address rising prices, and expand access to childcare for families. Federal funding increases have fallen short of the need and our research shows that total state investments in child care or preschool vary widely from state to state, putting children, families, and communities across America on an uneven playing field. Further, targeted investments in childcare supply building and stabilization and childcare workforce recruitment and retention strategies are essential to help sustain an adequate supply of high-quality childcare options nationwide.

Child Care Aware® of America (CCAoA) is the only national organization that supports every part of the childcare system. Together with an on-the-ground network of people doing the work in states and communities, it helps America become child care strong by providing research that drives effective practice and policy, building strong child care programs and professionals, helping families find and afford quality child care, delivering thought leadership to the military and direct service to its families, and providing a real-world understanding of what works and what doesn’t to spur policymakers into action and help them build solutions.

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Sex, Coercion, and Stardom: Diddy Case Mirrors Music’s Ugly History

BLACKPRESSUSA NEWSWIRE — It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him

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By Stacy M. Brown
Black Press USA Senior National Correspondent

As Sean “Diddy” Combs faces a federal sex trafficking case and the slow unraveling of his once-untouchable legacy, a larger question looms: Is this the moment the music industry finally confronts its darkest secrets?

It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him: “How much damage could Diddy do to the state of hip hop?” the user asked. “Supposedly, he has incriminating evidence against those who attended his parties. The same parties that had a lot of bad things happen, to say the least.” The implication was chilling—if Diddy were to cooperate with federal authorities, the fallout might not stop at his feet. Names floated in the post—Jay-Z, Beyoncé, Usher, Justin Bieber—aren’t confirmed in any court filings, but their inclusion highlights the breadth of Diddy’s influence and the potential reach of any revelations. If even a fraction of the speculation proves true, the reverberations wouldn’t stop at hip-hop—they’d hit every corner of the music industry. For his part, Combs denies all allegations. His legal team has described the now-infamous “freak-offs” as consensual encounters, part of his non-monogamous lifestyle. But prosecutors allege something much more sinister: a criminal enterprise powered by the machinery of his music and business empire—one that trafficked women, coerced labor, obstructed justice, and used influence and intimidation to maintain control. Still, for all the headlines Combs generates, his alleged crimes do not exist in isolation. The music industry has long tolerated, enabled, and even glamorized behavior that would trigger career-ending consequences in other arenas. Diddy’s story might be shocking—but it’s not new.

Rock music has its own rogue’s gallery. Jerry Lee Lewis nearly destroyed his career in 1958 after marrying his 13-year-old cousin. Elvis Presley met 14-year-old Priscilla Beaulieu when he was 24 and later moved her into his home in Memphis. In more recent years, Aerosmith’s Steven Tyler faced (and ultimately evaded) a lawsuit from a woman who says he sexually assaulted her in the 1970s when she was 17. A judge dismissed the case due to the statute of limitations. Phil Spector, the genius producer behind the “Wall of Sound,” died in prison after being convicted of murdering actress Lana Clarkson. Gary Glitter was convicted of possessing child pornography and later child sex abuse. Kid Rock and Creed frontman Scott Stapp were filmed with strippers in a sex tape that leaked online in 2006. A new biography of the Rolling Stones claims Mick Jagger had sexual relationships with at least two of his male bandmates, raising further questions about the power dynamics inside even the most celebrated groups.

Journalist Ann Powers, writing for NPR, once noted that the “history of rock turns on moments in which women and young boys were exploited in myriad financial, emotional and sexual ways.” Powers added: “From the teen-scream 1950s onward, one of the music’s fundamental functions has been to frame and express sexual feelings for and from the very young… relating to older men whose glamour and influence encourages trust, not caution.” This brings the spotlight back to Diddy—not just as an accused individual but as a symbol. He was once the archetype of success: Harlem-born mogul, founder of Bad Boy Records, and kingmaker behind artists like Notorious B.I.G., Faith Evans, Ma$e, 112, and French Montana. He transformed hip-hop into a global business and amassed influence far beyond the recording booth. He sold more than 500 million records, earned multiple Grammy Awards, and was honored by MTV, Howard University, and the City of New York—until those honors were swiftly revoked after a video surfaced showing him physically assaulting singer Cassie Ventura. Ventura, his longtime partner and protégé, has accused Combs of brutal physical abuse and psychological control. Her lawsuit and the video evidence ignited a wave of allegations from other women and men, describing similar patterns of coercion, manipulation, and fear. “This is not just about bad behavior. This is about systemic exploitation and abuse made possible by fame, money, and silence,” said one advocate for survivors in the entertainment industry.

While hip-hop has long been a target of criticism for misogyny and violence, what’s now being laid bare is a broader, genre-defying truth: from rock and pop to hip-hop and beyond, the music industry has operated for decades without accountability for its biggest stars. “Sex isn’t the problem,” one Reddit user responded. “Coercion via job opportunities is.” Another added, “Zero [impact], just like R. Kelly and MJ did zero to R&B,” referencing the R&B superstar’s conviction and Michael Jackson’s controversial legacy. Others argued hip hop would endure, regardless of Combs’ fate. Maybe it will. But the Diddy scandal pulls back the curtain—not just on the parties, the rumors, or the headlines—but on an industry-wide culture that has, for too long, allowed power to shield predation. As one survivor put it outside a recent court appearance: “This isn’t just a hip hop problem. It’s not even just a music problem. It’s a power problem.” And now, the music industry has to decide: Will it finally tune in, or will it keep playing the same old song?

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