Arts and Culture

Michael Morgan, Music Director and Conductor, Dies at 63

He served three decades with the Oakland Symphony and was a passionate advocate for change

Published

4 years ago

August 26, 2021

Isabelle Price

Michael Morgan leads the Oakland Symphony in a concert curated by W. Kamau Bell; Photo Courtesy of KQED

Michael Morgan was the music director and conductor with the Oakland Symphony. He died August 20, 2021, at an Oakland hospital. He was 63.

During a career that spanned 40 years, Maestro Morgan was one of the rare Black conductors to rise to prominence. He had guest appearances with leading the top orchestras of St. Louis, Los Angeles, Baltimore, New York, and San Francisco. He served as assistant conductor of the Chicago Symphony.

Maestro Morgan became music director of the Oakland East Bay Symphony in 1991. He also served as artistic director of the Oakland Youth Orchestra and was the music director of the Sacramento Philharmonic Orchestra.

He was artistic director of Festival Opera in Walnut Creek for more than 10 seasons. He taught a graduate conducting course at the San Francisco Conservatory of Music. He was music director at the Bear Valley Music Festival in California. He conducted the San Francisco Ballet for several performances. He also conducted the San Francisco Symphony.

Maestro Morgan did much more than bring classical and new music to Paramount theater audiences. He brought music to thousands of underserved children in the Oakland public schools.

“Michael Morgan was an advocate for change, both within the classical music community and also outside, in his community and beyond”, said Paul Cobb, publisher of the Post Newspaper Group.

Morgan’s “’Let Us Break Bread Together’ concert presented music from the Black Panther era that reflected back on the protest music from the 60’s and 70’s”, Cobb continued.

Morgan was always interested in providing an early education in classical music. “Talk to people of whatever color in any professional orchestra, and ask them where they started, and you’ll find that most of them started, as I did, in a public school somewhere,” he told the San Francisco Chronicle in 1998.

“And if there’s not that possibility, then of course there’s not going to be people at the other end,” he said. “It’s impossible to maintain the respect of an orchestra if they think that the only reason you’re there is that they needed a Black conductor,” Morgan said.

Maestro Morgan started the Symphony’s MUSE program as a multi-component music education and enrichment initiative to serve young people at public schools and community sites throughout Oakland.

These programs were free to participants, ensuring that each year thousands of young people have access to a variety of music education and enrichment activities, regardless of their economic situation.

“The MUSE program is a lifeline in difficult times. It’s not just a token – it’s keeping the music program afloat in Oakland. It’s the tipping point between success and failure”, said Ted Allen, former Instrumental Director, Skyline and Oakland Technical High School.

At the onset of distance learning during the Covid-19 pandemic, all engagement visits and teaching artists adapted their work with students to an on-line format in partnership with OUSD into 2020-21.

MUSE has continued to be there for the community as programs, captivating and exciting students about music, encouraging a lifelong passion for the art of sound.

Over 2,500 students are served through the symphony’s school programs hosted by MUSE. The students work with professional musician mentors from the Symphony as part of the In-School Mentor and After School programs.

Michael created the “NOTES FROM” series, designed to welcome different elements of our community into the symphony family.

The diversity of the Bay Area is well known and was reflected in the concert hall in the NOTES FROM programming.

These programs included NOTES FROM Persia, China, the Philippines, Mexico, NOTES FROM LGBT America, and the African Diaspora.

Michael DeVard Morgan was born in Washington, DC, Sept. 17, 1957.His father, Willie DeVard Morgan, was a biologist. His mother, Mabel Morgan, was a health researcher.

When Michael was 6 years old, his father bought the family a piano. Michael began to play two years later. By the age of 12, he was leading two orchestras, one founded by Michael at MacFarland Junior High School and the other at the People’s Congregational Church.

In his teens, while a student at McKinley High School, he was named conductor of the Washington D.C. Youth Orchestra. He attended the Oberlin Conservatory in Ohio, originally as a composition major.

While at Oberlin, Michael worked with conductors Seiji Ozawa and Leonard Bernstein at the Tanglewood Music Festival in Massachusetts. He accepted the position of apprentice conductor at the Buffalo Philharmonic in 1979.

The Oakland Post’s coverage of local news in Alameda County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.

Isabelle Price

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Activism

Golden State Warriors Program Is Inspiring Next Generation of Female Engineers

Breaking down barriers and biases that deter young girls from pursuing STEAM subjects is essential for creating a level playing field and ensuring equal opportunities for all. By challenging stereotypes and promoting a culture of inclusivity and diversity in STEAM fields, experts believe young girls can be empowered to pursue their interests and aspirations without limitations confidently. Encouraging mentorship, providing access to resources, and celebrating girls’ achievements in STEAM are all crucial steps in creating a supportive environment that fosters success.

Published

1 month ago

March 23, 2025

Oakland Post

Front Row: UC Berkeley Steel Bridge Team Back Row: Girls, Inc. Participants. Photo courtesy of the Golden State Warriors.

By Y’Anad Burrell

The Golden State Warriors and e-commerce giant Rakuten are joining forces to inspire the next generation of female engineers through Building STEAM Futures, part of The City Calls campaign.

Organizers say the initiative is founded on the idea that science, technology, engineering, arts, and mathematics (STEAM) are crucial fields for innovation and progress, and empowering young girls to pursue careers in these areas is more important than ever. Studies consistently show that girls are underrepresented in STEAM fields, resulting in a gender disparity that limits potential and hinders diversity.

On Saturday, March 8, International Women’s Day, the Warriors and Rakuten hosted 20 middle school girls from Girls Inc. of Alameda County at Chase Center’s Above the Rim for a hands-on bridge-building experience. The young girls from Girls, Inc. of Alameda County had an opportunity to design, build and test their own bridge prototypes and learn the fundamentals of bridge construction from the Engineering Alliance and the UC Berkeley Steel Bridge Team.

This STEAM experience for the girls followed the first session in January, where they took a behind-the-scenes tour of the Golden Gate Bridge, learning about its design and construction from industry experts. The City Calls campaign, tipped off with the unveiling the Warriors’ new bridge-themed City Edition jerseys and court design earlier this year.

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Arts and Culture

Beverly Lorraine Greene: A Pioneering Architect and Symbol of Possibility and Progress

Greene graduated from the University of Illinois at Urbana-Champaign in 1936 with a degree in Architecture — a remarkable accomplishment for an African American woman at the time. She was never discouraged by the racial and gender discrimination that saturated her field.

Published

2 months ago

March 3, 2025

Oakland Post

Beverly Lorraine Greene. Public domain photo.

By Tamara Shiloh

In the mid-20th century, Beverly Lorraine Greene was recognized as the first African American woman licensed to practice architecture in the United States.

Greene was born on Oct. 4, 1915, in Chicago during an era when opportunities for African Americans, particularly women, were severely limited.

Her parents, James and Vera Greene, were deeply invested in her education, instilling in her a belief in the power of intellect and perseverance. She grew up during the Great Migration that transformed Chicago starting in 1900.

Greene continued her education, earning a master’s degree in City Planning and Housing in 1937, also from the University of Illinois. Her ambition was not merely to design structures but to shape spaces that fostered equity and community. In 1942, she became the first African American woman licensed as an architect in the United States, obtaining her credentials in Illinois. This groundbreaking achievement, however, did not translate immediately into job opportunities.

Early in her career, she faced significant discrimination from firms unwilling to hire a Black woman. However, her determination never wavered. In 1945, Beverly moved to New York City, a place she believed could offer broader professional opportunities.

She joined the architectural department of the New York City Housing Authority, focusing on affordable housing projects. Her work during this time reflected her commitment to using architecture as a tool for social justice, ensuring that marginalized communities had access to well-designed, dignified living spaces.

Greene’s talents soon drew the attention of prominent firms. She was hired by Isadore Rosenfield, a respected architect known for designing hospitals. She contributed to the design of healthcare facilities, including the modernization of Harlem Hospital. Her portfolio expanded in collaboration with architectural personalities such as Marcel Breuer and Edward Durell Stone.

Notably, she worked on the prestigious UNESCO headquarters in Paris — a landmark project that brought her skills to an international stage. Her involvement underscored her ability to navigate the intricacies of large-scale, global projects, proving that her talents transcended the limitations society sought to impose.

Greene’s career was tragically cut short when she passed away unexpectedly in 1957 at the age of 41. Though her life was brief, her impact was profound. She shattered entrenched barriers, paving the way for future generations of Black architects and women in the field.

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Activism

U.S. House Minority Leader Hakeem Jeffries and Rep. Lateefah Simon to Speak at Elihu Harris Lecture Series

The popular lecture series is co-produced by the Oakland-based Martin Luther King Jr. Freedom Center and Peralta Community College District. Jeffries’ appearance marks the 32nd lecture of the Barbara Lee and Elihu Harris Lecture Series, which has provided thousands of individuals with accessible, free, high-quality information.

Published

2 months ago

February 19, 2025

Oakland Post

U.S. House Minority Leader Hakeem Jeffries (left) and Rep. Lateefah Simon (D-CA-12) (Right).

By Scott Horton

United States House of Representatives Minority Leader Hakeem Jeffries (D-NY-8) will be a speaker at the Barbara Lee and Elihu Harris Lecture Series on Friday, Feb. 21.

The event will be held at the Henry J. Kaiser Center for the Arts, 10 Tenth Street in Oakland, at 7 p.m.

The popular lecture series is co-produced by the Oakland-based Martin Luther King Jr. Freedom Center and Peralta Community College District. Jeffries’ appearance marks the 32^nd lecture of the Barbara Lee and Elihu Harris Lecture Series, which has provided thousands of individuals with accessible, free, high-quality information.

The overarching goal of the lecture series is to provide speakers from diverse backgrounds a platform to offer their answers to Dr. King’s urgent question, which is also the title of Jeffries’ latest book: “Where do we go from here: Chaos or Community?”

In addition to Jeffries, Congresswoman Lateefah Simon (D-CA-12) will also speak.

“Certainly, now is a time for humanity, in general, and Americans in particular to honestly and genuinely answer Dr. King’s question,” said Dr. Roy D. Wilson, Executive Director of the Martin Luther King Jr. Freedom Center and Executive Producer of the lecture series.

“Dr. King teaches that time is neutral but not static. Like the water in a river, it arrives and then quickly moves on,” continued Wilson. “We must urgently create conditions for listening to many different answers to this vital question, and generate the development of unity of action among all those who struggle for a stronger democracy.”

In his book, Jeffries shares his experience of being unanimously elected by his colleagues as the first African American in history to ever hold the position of House Minority Leader.

In January 2023 in Washington, Jeffries made his first official speech as House Minority Leader. He affirmed Democratic values one letter of the alphabet at a time. His words and how he framed them as the alphabet caught the attention of Americans, and the speech was later turned into a book, The ABCs of Democracy, bringing Congressman Jeffries rousing speech to vivid, colorful life, including illustrations by Shaniya Carrington. The speech and book are inspiring and urgent as a timeless reminder of what it means to be a country with equal opportunities for all. Jeffries paints a road map for a brighter American future and warns of the perils of taking a different path.

Before his colleagues unanimously elected him Minority Leader in 2022, Jeffries previously served as Chair of the House Democratic Caucus and as an Impeachment Manager during the first Senate trial of the 45th President of the United States.

Jeffries was born in Brooklyn Hospital, raised in Crown Heights, grew up in the Cornerstone Baptist Church and he is a product of New York City’s public school system, graduating from Midwood High School. Jefferies went on to Binghamton University (BA), Georgetown University (master’s in public policy) and New York University (JD).

He served in the New York State Assembly from 2007 to 2012.

Admission is free for the Feb. 21 Barbara Lee and Elihu Harris Lecture Series featuring Congressman Jeffries. Please reserve seats by calling the Martin Luther King Jr. Freedom Center at (510) 434-3988.

Signed copies of his book will be available for purchase at the event.