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Miss Black America Pageant Returns to Atlantic City for 55th Anniversary Celebration

NNPA NEWSWIRE — The Miss Black America Pageant is coming back to Atlantic City to celebrate its 55th anniversary. It will be held on the Boardwalk on Saturday, December 16th. The return to the city where the “Historic Protest Pageant of 1968” took place has generated considerable anticipation among many.
The post Miss Black America Pageant Returns to Atlantic City for 55th Anniversary Celebration first appeared on BlackPressUSA.

Published

2 years ago

November 28, 2023

Stacy M. Brown

By Stacy M. Brown
NNPA Newswire Senior National Correspondent
@StacyBrownMedia

The Miss Black America Pageant is coming back to Atlantic City to celebrate its 55th anniversary. It will be held on the Boardwalk on Saturday, December 16th. The return to the city where the “Historic Protest Pageant of 1968” took place has generated considerable anticipation among many. As announced, a captivating parade and a series of exciting festivities are guaranteed as the prelude to the grand main event at the renowned Showboat Atlantic Hotel.

J. Morris Anderson, an individual who performed at the forefront of his time, established the Miss Black America Pageant, and made a lasting impact as the founder of the “American Institute of Positivity.” “The Seeds of Positivity,” the term “Positivity,” and the “Success Seekers Seminars” hosted by the institute are all works Anderson authored. His influence transcends the pageant, as does his vision, which surpasses the conventional. Aleta Anderson, Morris’s daughter, stated that it’s critical to recognize the differences between the Miss Black America Pageant and a Black Miss America pageant. “I’ve been working with this pageant since I was a little girl,” Anderson declared. “The thing that it originally was meant is still there, and it means so much more in that it provides an opportunity for the young women to participate.”

Established in 1968, the organization carved its path, boasting a syndicated television network to showcase Black women’s often-overlooked beauty, talent, and intelligence in mainstream pageants. “Miss Black America was always a pageant of access,” Anderson told the Black Press. “It wasn’t a beauty pageant, but a story of Black beauty, and of confidence, and self-esteem. And it continues to be a part of our learning process as we now have all these platforms of exposure.”

Saundra Williams, a college student from Philadelphia, made history as the first Miss Black America. She used her platform to showcase an enchanting traditional African dance and to challenge the long-standing exclusion of Black women from the Miss America pageant. “Miss America does not represent us because there has never been a black girl in the pageant,” Williams once stated. In 1970, Cheryl Browne became the first black Miss America contestant, and Vanessa Williams secured the historic title in 1983. Over 50 distinguished women will compete for the Miss Black America title this year, joining the ranks of past champions such as Oprah Winfrey, Toni Braxton, Bern Nadette Stanis, and Nicole Hibbert. Anderson underscored the pageant’s lasting relevance as a symbol of hope for young women. The pageant was originally created to celebrate Black beauty, confidence, and self-esteem. Now it has become a platform for challenging traditional ideas of beauty and providing needed exposure.

Anderson emphasized the pageant’s diversity, which transcended social, economic, and educational limitations. She described the Miss Black America Pageant as a national and global event that has shaped American history since 1968. “We have so many young women in the pageant and just because it’s the Miss Black America pageant doesn’t mean it isn’t diverse,” Anderson argued. “The diversity exceeds socio-economic status, and our education because the way we are educated is different. Every woman who has participated is vested and becomes a lifelong participant and we have so many coming back to Atlantic City to pay homage.”

The first-ever senior Miss Black America will be crowned, Anderson believes, marking a historic event that will give the competition a new dimension. She promised to commemorate J. Morris Anderson’s devotion to Black women by keeping the pageant going forward as a legacy program. “I want everyone to walk away with the feeling that anything is possible and that they have the support and a window of opportunity,” Anderson stated. “It doesn’t start in Atlantic City, it starts before. Getting there and showing up, being highly motivated, and having a feeling of going into this that they are now a part of something that provides an experience that elevates the rest of their lives.”

The post Miss Black America Pageant Returns to Atlantic City for 55th Anniversary Celebration first appeared on BlackPressUSA.

Stacy M. Brown

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2 hours ago

June 17, 2025

Oakland Post

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IN MEMORIAM: Legendary Funk Pioneer Sly Stone Dies at 82

Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

Published

2 hours ago

June 17, 2025

Oakland Post

Sly and the Family Stone play the Opera House in Bournemouth. Mojo review. Photo by Simon Fernandez.

By Stacy M. Brown
BlackPressUSA.com Newswire

Sylvester “Sly” Stewart—known to the world as Sly Stone, frontman of the groundbreaking band Sly and the Family Stone—has died at the age of 82.

His family confirmed that he passed away peacefully at his Los Angeles home surrounded by loved ones, after battling chronic obstructive pulmonary disease (COPD) and other health complications.

Born March 15, 1943, in Denton, Texas, Stone moved with his family to Vallejo, California, as a child. He began recording gospel music at age 8 with his siblings in a group called the Stewart Four. By his teenage years, he had mastered multiple instruments and was already pioneering racial integration in music—an ethos that would define his career.

In 1966, Sly and his brother Freddie merged their bands to form Sly and the Family Stone, complete with a revolutionary interracial, mixed-gender lineup.

The band quickly became a commercial and cultural force with hits such as “Dance to the Music,” “Everyday People,” and “Thank You (Falettinme Be Mice Elf Agin)”—all penned by Stone himself.

Their album “Stand!” (1969) and live performances—most notably at Woodstock—cemented their reputation, blending soul, funk, rock, gospel, and psychedelia to reflect the optimism and turmoil of their era.

As the 1970s progressed, Stone confronted personal demons. His desire to use music as a response to war, racism, and societal change culminated in the intense album “There’s a Riot Goin’ On” (1971). But drug dependency began to undermine both his health and professional life, leading to erratic behavior and band decline through the early 1980s.

Withdrawn from the public eye for much of the 1990s and early 2000s, Stone staged occasional comebacks. He was inducted into the Rock & Roll Hall of Fame in 1993, received a Lifetime Achievement Award from the Grammys in 2017, and captured public attention following the 2023 release of his memoir “Thank You (Falettinme Be Mice Elf Agin)”—published under Questlove’s imprint. He also completed a biographical screenplay and was featured in Questlove’s documentary “Sly Lives!” earlier this year.

His influence endured across generations. Critics and historians repeatedly credit him with perfecting funk and creating a “progressive soul,” shaping a path for racial integration both onstage and in the broader culture.

“Rest in beats Sly Stone,” legendary Public Enemy frontman Chuck D posted on social media with an illustrative drawing of the artist. “We should thank Questlove of the Roots for keeping his fire blazing in this century.”

Emmy-winning entertainment publicist Danny Deraney also paid homage. “Rest easy Sly Stone,” Deraney posted. “You changed music (and me) forever. The time he won over Ed Sullivan’s audience in 1968. Simply magical. Freelance music publicist and Sirius XM host Eric Alper also offered a tribute.

“The funk pioneer who made the world dance, think, and get higher,” Alper wrote of Sly Stone. “His music changed everything—and it still does.”

Sly Stone is survived by three children.

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PRESS ROOM: Clyburn on 10th Anniversary of Mother Emanuel AME Church Shooting in Charleston

BLACKPRESSUSA NEWSWIRE — Congressman James E. Clyburn (SC-06) released the following video on X, paying tribute to the 10th anniversary of the shooting that took place at Mother Emanuel AME Church in Charleston, South Carolina on June 17, 2015.

Published

3 hours ago

June 17, 2025

Oakland Post

By Congressman James E. Clyburn

WATCH HERE

CHARLESTON, SOUTH CAROLINA – Congressman James E. Clyburn (SC-06) released the following video on X, paying tribute to the 10^th anniversary of the shooting that took place at Mother Emanuel AME Church in Charleston, South Carolina on June 17, 2015.

“Over 6 years ago, the House first passed my Enhanced Background Checks Act to close the Charleston Loophole that allowed a white supremacist to obtain the gun he used to murder nine worshipers at Emanuel AME Church on June 17, 2015.

“I’ll never stop fighting to pass this law.”