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MTV Causes Stir with Film on White People

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In this image released by MTV, filmmaker Jose Antonio Vargas, right, listens to a group of young people during the filming of his documentary "White People." The full film debuts Wednesday, July 22, at 8 p.m. ET/PT, offered simultaneously online. (MTV via AP)

In this image released by MTV, filmmaker Jose Antonio Vargas, right, listens to a group of young people during the filming of his documentary “White People.” The full film debuts Wednesday, July 22, at 8 p.m. ET/PT, offered simultaneously online. (MTV via AP)

David Bauder, ASSOCIATED PRESS

 
NEW YORK (AP) — One of the challenges for makers of the MTV documentary “White People” was getting folks to talk about race when they didn’t feel the issue concerned them — like those quoted as saying they consider white the “default race” or “normal.”

So filmmaker Jose Antonio Vargas recorded white Americans in situations where they were forced to confront racial identity issues. He found to a white man who attends a traditionally black college, teachers on a South Dakota reservation where resentment toward whites is palpable, a young Brooklyn man bewildered by the Asian immigrants on his block, a white man who teaches a college course on white privilege.

The documentary’s trailer alone created a stir. The full film debuts Wednesday at 8 p.m. ET/PT, offered simultaneously online.

“The only thing I fear is not having these conversations,” Vargas said. “What I fear is the silence, the indifference, the ignorance. We can no longer have a conversation about race and diversity without having white people in it.”

Racial issues are timely, topping the news during the past several months with the “black lives matter” campaign in response to police shootings and the debate over the Confederate flag. MTV President Stephen Friedman said he’s wanted to look at how whites perceive themselves for several years, but it wasn’t until he met Vargas that he felt he’d found the right person to do it.

Vargas is best known for “Documented,” a film where the Philippines-born journalist talks about his status as an undocumented U.S. resident. (His status hasn’t changed since then).

Race was a difficult topic, not simply because it’s uncomfortable to talk about. Shuns, slights and stereotypes aren’t a regular part of life for most whites. More than four-fifths of MTV viewers polled said their families had taught them that everyone should be treated the same, regardless of differences.

A colorblind upbringing is admirable, an attitude that no doubt leads to young people being more accepting of gay marriage, for example, than older Americans, Friedman said. But many also look past the lessons of history to question the need for affirmative action. Vargas talks to a white student with a 3.8 grade point average in high school who now goes to a community college; she and her mother are convinced that racial minorities get the edge in college scholarships and admissions. “I feel like I’m being discriminated against,” she said.

Attitudes hidden beneath the surface are revealed when Vargas talks to the white student who goes to a black college and some of his friends. A white Italian-American from Brooklyn’s Bensonhurst neighborhood is angered by many of the Asians who moved into his neighborhood not wanting to help with a block party until it was pointed out that how his ancestors were looked down upon generations earlier.

Vargas is a facilitator who poses questions throughout the film. His eyebrow is a character of its own, each exaggerated lift conveying skepticism or surprise.

“Part of our job with this special is to really create the space to have an honest dialogue,” he said, “and I think we achieved that.”

Some critics have pounced on MTV before seeing the documentary. Rush Limbaugh’s website proclaims, “MTV Documentary Shames White Youth.” The conservative Breitbart news service headlined a story, “Dear Morons: You are Paying for an Illegal Alien’s MTV White-Shaming Film.” The “paying for” reference alludes to cable subscribers being required to pay for MTV as part of their service even if they don’t necessarily want the network.

“So this is a documentary produced by an illegal immigrant that’s going to run starting July 22nd on MTV on the problems white people have caused in America,” Limbaugh said on his show last week. “Everybody’s shaking their head in there, ‘Oh, this is horrible, this is terrible.’ Yeah, it is, but nobody is going to do anything about it.”

Friedman said he believed the film doesn’t shame white people. Quite the opposite, he said.

“If you see the young people in that film, I think every one of them, because it was done in a respectful way, feels like they came away with a deeper understanding of their community and different people,” he said. “It enabled them to walk in their shoes.”

Given the attention on racial issues now, it’s not surprising that the idea of the film itself will grate on some nerves, he said.

“What I would hope is that people would watch the documentary, because there is nothing about it that is provocative when you sit through it,” he said.

___

Follow David Bauder at twitter.com/dbauder. His work can be found at http://bigstory.ap.org/content/david-bauder.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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