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Museum of the African Diaspora (MoAD) Receives IMLS Grant to Expand its MoAD in the Classroom Program

The Museum of the African Diaspora (MoAD) in San Francisco has recently been awarded one of 34 Museum Grants for African American History and Culture from the Institute of Museum and Library Services (IMLS) and was one of only two organizations to receive the full $500,000 award amount this year.

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As one of the only museums in the world that exclusively celebrates the art and history of the African Diaspora, MoAD is uniquely positioned to respond to the San Francisco Unified School District’s expected 2023-2024 roll out of a newly-created and pioneering Black Studies Curriculum as well as new mandates from the California Department of Education that require classroom teachers to incorporate art into core subjects.
As one of the only museums in the world that exclusively celebrates the art and history of the African Diaspora, MoAD is uniquely positioned to respond to the San Francisco Unified School District’s expected 2023-2024 roll out of a newly-created and pioneering Black Studies Curriculum as well as new mandates from the California Department of Education that require classroom teachers to incorporate art into core subjects.

By Nina Sazevich

The Museum of the African Diaspora (MoAD) in San Francisco has recently been awarded one of 34 Museum Grants for African American History and Culture from the Institute of Museum and Library Services (IMLS) and was one of only two organizations to receive the full $500,000 award amount this year.

The two-year grant will support the expansion of the Museum’s acclaimed MoAD in the Classroom (MIC) educational outreach program, an arts-based, visual literacy, and cultural studies program for underserved third and fourth-grade public school students and their teachers in the San Francisco Bay Area.

As one of the only museums in the world that exclusively celebrates the art and history of the African Diaspora, MoAD is uniquely positioned to respond to the San Francisco Unified School District’s expected 2023-2024 roll out of a newly-created and pioneering Black Studies Curriculum as well as new mandates from the California Department of Education that require classroom teachers to incorporate art into core subjects, part of an effort to use a variety of approaches to make instruction individually and culturally relevant to all students.

In the majority of school districts across the state of California, only 10% to 25% of students engage in some form of arts education, which research has shown significantly supports student academic achievement and student success toward high school graduation. Without dedicated art teachers on staff however, many educators are without the training and resources to teach the arts.

The IMLS grant allows MoAD to rapidly create and expand high quality digital content to expand the program beyond the Museum’s local geographic area while continuing to support and serve the approximately 1,500 students and teachers currently participating each year.

These digital assets, accessed through a portal on the Museum’s website, will support teachers with extensive lesson plans, instructional videos, and virtual 360-degree exhibition tours, potentially reaching thousands of additional students in California and beyond each year.

The funding also allows the Museum to pilot an expansion to support students and teachers in grades 5-10 and extend its reach through a partnership with the San Francisco Public Library.

“Art education provides a means for self-expression, cultivates cultural pride, and unleashes the creative potential within every child,” says Demetri Broxton, senior director of education at MoAD. “Yet, students of color in lower-income neighborhoods have the least access to it. MoAD in the Classroom and the grant from IMLS addresses this disparity, ensuring that the arts flourish as an integral part of education, enabling every student to thrive and help shape a brighter future for all.”

“IMLS is proud to support museums and cultural organizations doing important work to increase access to the stories of inspiring people, events, and experiences, at the center of African American history,” said IMLS Director Crosby Kemper. “Our Museum Grants for African American History and Culture demonstrate the commitment to preservation and promoting education of the rich cultural heritage across this country.”

Nina Sazevich is the media relations director for MoAD.

Activism

Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

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Late playwright August Wilson. Wikipedia photo.
Late playwright August Wilson. Wikipedia photo.

By Godfrey Lee

Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.

The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.

For more information, go to griottheatercompany.squarespace.com/productions-v2

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Activism

MLK Day of Service Volunteers Make Blankets and Art for Locals in Need

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

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Photo courtesy of the nonprofit.
Photo courtesy of the nonprofit.

By Kathy Chouteau
The Richmond Standard

The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.

Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.

Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.

CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects.  The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.

BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.

Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.

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Art

Vandalism at Richmond Ferry Terminal Saddens Residents

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

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Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.
Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.

The Richmond Standard

“This is why we can’t have nice things,” stated the post on NextDoor.

The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.

On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.

Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.

A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.

A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”

“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.

It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk.

“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.

On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.

On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.

Kathy Chouteau contributed to this report.

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