#NNPA BlackPress
Musical on Calypso Rose a Story to Be Told
NNPA NEWSWIRE — This light-hearted evening of entertainment defies the hyper-produced West End or Broadway experiences of shows like Tina – The Tina Turner Musical or Get Up, Stand Up, and The Bob Marley Musical. Instead, it traces a local route that was first established in 1995 by director and playwright Rhoma Spencer’s Bassman (Shadow), and then in 2003 by Zeno Constance’s The Road Make to Walk (Lord Kitchener).

By New York Carib News
Attendees at the Central Bank Auditorium were captivated by The Queen of the Road: The Calypso Rose Musical, which presented another instance of national theater rooted in the Carnival spirit. Thankfully, this production was better than the numerous instances of poor production quality and “uneven quality” common in Best Village drama.
This light-hearted evening of entertainment defies the hyper-produced West End or Broadway experiences of shows like Tina – The Tina Turner Musical or Get Up, Stand Up, and The Bob Marley Musical. Instead, it traces a local route that was first established in 1995 by director and playwright Rhoma Spencer’s Bassman (Shadow), and then in 2003 by Zeno Constance’s The Road Make to Walk (Lord Kitchener).
The musical had been in the works for some time, and during Spencer’s 2022–2023 artist-in-residence period at the Queer and Trans Research Lab at the University of Toronto, it made considerable progress. As stated on the lab’s webpage, “Spencer had been working since 2019 on a jukebox musical based on the life of queer Caribbean icon and ‘undisputed Calypso Queen of the world,’ Linda McCartha Monica Sandy-Lewis, popularly known as Calypso Rose.” Within the confines of Rose’s little over forty calypsoes, the four-act jukebox musical attempts to expound on Rose’s life, professional advancement, and evolution.
Spencer claims that her favorite model for this show was the Best Village model: “I make no apology for situating (the production) in the original Trinbago Musical Theatre style — Best Village.”
She has said previously that, “The Best Village competition was called ‘illegitimate theatre,’” however, that she “continued to crave the illegitimacy, a feeling that has inspired her whole career.”
Here, the music, dance, actor, and plot all worked well together thanks to excellent staging and directing. Rose’s life narrative, from birth to adulthood, is shown in flashbacks because she was the 2017 recipient of the French Grammy, the Victoire de la Musique award.
The term “light entertainment” used above does not minimize the fact that the musical touches on significant aspects of Rose’s life and work that have lasting relevance. The rural, very religious family with several children is discussed in Act I in terms of family dynamics. To defuse the tension, Rose’s uncle and aunt in Trinidad voluntarily “adopted” her from a family of thirteen brothers and sisters.
Rose’s development is directed and notably stable throughout the musical by her lifetime relationship with her Spiritual Baptist grandmother, both physically and subsequently in spirit. With impressive confidence and skill, young actor Thara Howe plays the preteen Rose. Her outstanding stagecraft manages to upstage everyone, and perhaps she will be seen in many shows.
Act II follows Stacey Sobers’s character, Calypso Rose, as she navigates the misogynistic and frequently anticipated hypersexuality of the calypso society in the late 1960s and early 1970s when her career was just starting to take off. Calypso Rose is a young adult who works in the Original Young Brigade Tent under the leadership of Kearn Samuel.
It cost her dearly that the church, women’s organizations, and the local newspapers of the time called her the “Queen of Slackness” and “Queen of Smut,” despite her musical pushback with wickedly double-entendre calypsoes like Banana and Sweet Pudding Man (1968) and Palet (1969) – the sweetness, and the reciprocal exchange of orality.
During this time, Sparrow and other people questioned her sexuality, asking “why she doesn’t have a man.”
Rose was not a prissy, coy, or weak-willed person at this time. She made a demand because she knew what she wanted. It was worthy of respect.
As an actress, Stacey Sobers is astonishing. She is already well-known for her singing and calypsonian skills; in 2018, she was named the National Women’s Action Committee (NWAC) National Calypso Queen and an NCC Calypso Monarch finalist. She also successfully mimics Rose’s stammer and Tobago accent with her body language.
In 2004, Gordon Rohlehr penned that “Rose’s prolonged wailing mode of delivery, a possible inheritance from her Spiritual Baptist/Shouter roots, has now become the signature style of a significant number of current female soca singers.
The performing style and tone are nearly exact replicas.
In Act II, the Sparrow-Kitchener duo that dominated Calypso at the time is essentially overthrown by Rose’s ascent to prominence with Road March and Calypso Monarch victories in the middle to late 1970s. Not only did she have to negotiate the narrow silo of a Carnival season, but she also faced rising antagonism towards her domination over a considerable number of male calypsonians, which led to jealousy and relocation to better pastures up the islands.
Her relationship with Andy Palacio, Belize, and Garifuna culture—which includes punta—is discussed. It turns out that she had a lucky link to Belize since Ivan Duran, a producer based in Belize, created her 2017 comeback album, Far From Home, which won an award.
The world, and the French in particular, welcome her as she moves toward near calypso immortality in Act IV, which is set in the 2010s and takes place thirty years after Act III. This marks the collapse of the main calypsonians who began their careers in the 1960s and 1970s.
The musical challenges the audience to realize that Rose is more than just Fire in Your Wire by showcasing her extensive body of work. A Caribbean queen, Rose is. One advantage was how simple it was to sing along to a couple of calypsoes. In order to respond with honor, audiences ought to hear the entire canon of our calypsonians. one stride at a time.
Under Michelle Henry’s direction, the musical accompaniment was superb, and the Central Bank Auditorium was transformed into a fitting calypso tent without any startling volume changes. The musical’s technical aspects were handled deftly, demonstrating progress over concerns that were noted on opening night.
The stage blocking and movement, which extended up and down and into the auditorium aisles, along with the set design, which featured projection screens to establish Rose’s homes in Trinidad and Tobago as well as the larger school area, the yard, the Original Young Brigade calypso tent, and performance stages in France and Coachella Festival, lifted the musical above the recollections of the basic folk theater of the past.
The two leads played by Rose received well-deserved applause.
To improve the quality of singing, which is essential for any musical, and to work out production problems, this play may and should be workshopped. Assuming that this is a tale that has to be discovered by everybody, local validation is safe.
Because it searches beyond itself for approval and economic development, Queen of the Road: The Calypso Rose Musical is a good illustration of the calypso musical style and quality that can eventually become commonplace in our creative industries.
#NNPA BlackPress
Recently Approved Budget Plan Favors Wealthy, Slashes Aid to Low-Income Americans
BLACKPRESSUSA NEWSWIRE — The most significant benefits would flow to the highest earners while millions of low-income families face cuts

By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent
The new budget framework approved by Congress may result in sweeping changes to the federal safety net and tax code. The most significant benefits would flow to the highest earners while millions of low-income families face cuts. A new analysis from Yale University’s Budget Lab shows the proposals in the House’s Fiscal Year 2025 Budget Resolution would lead to a drop in after-tax-and-transfer income for the poorest households while significantly boosting revenue for the wealthiest Americans. Last month, Congress passed its Concurrent Budget Resolution for Fiscal Year 2025 (H. Con. Res. 14), setting revenue and spending targets for the next decade. The resolution outlines $1.5 trillion in gross spending cuts and $4.5 trillion in tax reductions between FY2025 and FY2034, along with $500 billion in unspecified deficit reduction.
Congressional Committees have now been instructed to identify policy changes that align with these goals. Three of the most impactful committees—Agriculture, Energy and Commerce, and Ways and Means—have been tasked with proposing major changes. The Agriculture Committee is charged with finding $230 billion in savings, likely through changes to the Supplemental Nutrition Assistance Program (SNAP), also known as food stamps. Energy and Commerce must deliver $880 billion in savings, likely through Medicaid reductions. Meanwhile, the Ways and Means Committee must craft tax changes totaling no more than $4.5 trillion in new deficits, most likely through extending provisions of the 2017 Tax Cuts and Jobs Act. Although the resolution does not specify precise changes, reports suggest lawmakers are eyeing steep cuts to SNAP and Medicaid benefits while seeking to make permanent tax provisions that primarily benefit high-income individuals and corporations.
To examine the potential real-world impact, Yale’s Budget Lab modeled four policy changes that align with the resolution’s goals:
- A 30 percent across-the-board cut in SNAP funding.
- A 15 percent cut in Medicaid funding.
- Permanent extension of the individual and estate tax cuts from the 2017 Tax Cuts and Jobs Act.
- Permanent extension of business tax provisions including 100% bonus depreciation, expense of R&D, and relaxed limits on interest deductions.
Yale researchers determined that the combined effect of these policies would reduce the after-tax-and-transfer income of the bottom 20 percent of earners by 5 percent in the calendar year 2026. Households in the middle would see a modest 0.6 percent gain. However, the top five percent of earners would experience a 3 percent increase in their after-tax-and-transfer income.
Moreover, the analysis concluded that more than 100 percent of the net fiscal benefit from these changes would go to households in the top 20 percent of the income distribution. This happens because lower-income groups would lose more in government benefits than they would gain from any tax cuts. At the same time, high-income households would enjoy significant tax reductions with little or no loss in benefits.
“These results indicate a shift in resources away from low-income tax units toward those with higher incomes,” the Budget Lab report states. “In particular, making the TCJA provisions permanent for high earners while reducing spending on SNAP and Medicaid leads to a regressive overall effect.” The report notes that policymakers have floated a range of options to reduce SNAP and Medicaid outlays, such as lowering per-beneficiary benefits or tightening eligibility rules. While the Budget Lab did not assess each proposal individually, the modeling assumes legislation consistent with the resolution’s instructions. “The burden of deficit reduction would fall largely on those least able to bear it,” the report concluded.
#NNPA BlackPress
A Threat to Pre-emptive Pardons
BLACKPRESSUSA NEWSWIRE — it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process.

By April Ryan
President Trump is working to undo the traditional presidential pardon powers by questioning the Biden administration’s pre-emptive pardons issued just days before January 20, 2025. President Trump is seeking retribution against the January 6th House Select Committee. The Trump Justice Department has been tasked to find loopholes to overturn the pardons that could lead to legal battles for the Republican and Democratic nine-member committee. Legal scholars and those closely familiar with the pardon process worked with the Biden administration to ensure the preemptive pardons would stand against any retaliatory knocks from the incoming Trump administration. A source close to the Biden administration’s pardons said, in January 2025, “I think pardons are all valid. The power is unreviewable by the courts.”
However, today that same source had a different statement on the nuances of the new Trump pardon attack. That attack places questions about Biden’s use of an autopen for the pardons. The Trump argument is that Biden did not know who was pardoned as he did not sign the documents. Instead, the pardons were allegedly signed by an autopen. The same source close to the pardon issue said this week, “unless he [Trump] can prove Biden didn’t know what was being done in his name. All of this is in uncharted territory. “ Meanwhile, an autopen is used to make automatic or remote signatures. It has been used for decades by public figures and celebrities.
Months before the Biden pardon announcement, those in the Biden White House Counsel’s Office, staff, and the Justice Department were conferring tirelessly around the clock on who to pardon and how. The concern for the preemptive pardons was how to make them irrevocable in an unprecedented process. At one point in the lead-up to the preemptive pardon releases, it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process. President Trump began the threat of an investigation for the January 6th Select Committee during the Hill proceedings. Trump has threatened members with investigation or jail.
#NNPA BlackPress
Reaction to The Education EO
BLACKPRESSUSA NEWSWIRE — Meanwhile, the new Education EO jeopardizes funding for students seeking a higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college.

By April Ryan
There are plenty of negative reactions to President Donald Trump’s latest Executive Order abolishing the Department of Education. As Democrats call yesterday’s action performative, it would take an act of Congress for the Education Department to close permanently. “This blatantly unconstitutional executive order is just another piece of evidence that Trump has absolutely no respect for the Constitution,” said Rep. Maxine Waters (D-CA) who is the ranking member on the House Financial Services Committee. “By dismantling ED, President Trump is implementing his own philosophy on education, which can be summed up in his own words, ‘I love the poorly educated.’ I am adamantly opposed to this reckless action, said Rep. Bobby Scott who is the most senior Democrat on the House Education and Workforce Committee.
Morgan State University President Dr. David Wilson chimed in saying “I’m deeply concerned about efforts to shift federal oversight in education back to the states, particularly regarding equity, justice, and fairness. History has shown us what happens when states are left unchecked—Black and poor children are too often denied access to the high-quality education they deserve. In 1979 then President Jimmy Carter signed a law creating the Department of Education. Arne Duncan, former Obama Education Secretary, reminds us that both Democratic and Republican presidents have kept education a non-political issue until now. However, Duncan stressed Republican presidents have contributed greatly to moving education forward in this country.
During a CNN interview this week Duncan said during the Civil War President Abraham “Lincoln created the land grant system” for colleges like Tennessee State University. “President Ford brought in IDEA.” And “Nixon signed Pell Grants into law.” In 2001, the No Child Left Behind Act was signed into law by President George W. Bush which increased federal oversight of schools through standardized testing. Meanwhile, the new Education EO jeopardizes funding for students seeking higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college. Wilson details, “that 40 percent of all college students rely on Pell Grants and student loans.”
Rep. Alma Adams (D-NC) says this Trump action “impacts students pursuing higher education and threatens 26 million students across the country, taking billions away from their educational futures. Meanwhile, During the president’s speech in the East Room of the White House Thursday, Trump criticized Baltimore City, and its math test scores with critical words. Governor West Moore, who is opposed to the EO action, said about dismantling the Department of Education, “Leadership means lifting people up, not punching them down.”
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