Commentary
Myrtis Dightman: The Jackie Robinson of Rodeo
Dightman never finished higher than third in the world standings despite his skills and showmanship. He retired in 1989 after a 30-year career. In 1997, he became the first living African American to be inducted into the Rodeo Hall of Fame.

Myrtis Dightman Jr.
Despite what television westerns and American lore demonstrate, 1 in 4 of the real-life trailblazing, sharpshooting, horseback-riding cowboys were Black.
While Texas ranchers went off to war, their slaves maintained the cattle herds. It was then that they learned to tend cattle, a skill that would make them invaluable in the post-Civil War era. The cowboy lifestyle would soon came into its own in Texas cattle country. It remains a way of life today, especially for Myrtis Dightman (1935–).
Born in Crockett, Texas, Dightman is an esteemed cowboy and a pioneer bull rider. His father, Myrtis Dightman Sr., was a Hall-of-Fame bull rider who broke the color barrier in 1964 when he became the first Black cowboy to compete in the National Finals Rodeo. Dightman Jr. was raised on a ranch and quit school at age 15 to work there full time, alongside his brother, after their father’s death.
Living the ranch lifestyle, cowboys and rodeos piqued Dightman’s interest at an early age. Yet he always found it odd that there were “so few Black cowboys competing in rodeos.” And that, he later said, was the main reason he “jumped into the rodeo arena.”
Dightman first participated in the Prairie View Trail Ride in 1957, which had been established that year to promote Black western heritage. From 1958 to 1960 he worked as a bullfighter. In 1960 he began as a bull rider, competing more than five times in the world championship bull-riding competition. In 1966 he became the first black cowboy to qualify for the Professional Rodeo Association National Finals.
As the competition years passed, he would come close to, but not touch, the championship title. This wasn’t because he wasn’t qualified, or that the bulls’ their bucking was stronger than his ride. According to Dightman, “The championship title would disappear from my grasp each time a judge put the pencil to the paper.”
Years later Dightman would ask a fellow cowboy what it would take for him to win a world title. His friend offered: “Keep riding like you’ve been riding and turn white.”
Dightman would go on to qualify six more times, finishing third in the Professional Rodeo Cowboys Association World Standings in 1967 and 1968. He also won the Calgary Stampede in 1971. The following year, he won the bull-riding competition at the Cheyenne Frontier Days Rodeo and finished seventh in the world in the Professional Rodeo Association National Finals.
Dightman never finished higher than third in the world standings despite his skills and showmanship. He retired in 1989 after a 30-year career. In 1997, he became the first living African American to be inducted into the Rodeo Hall of Fame.
Despite the covert racism Dightman endured during his years on the rodeo circuit, he never lost his inner drive. He made it possible for future Black cowboys to participate in national events, and win.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
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