Arts and Culture
Negro Spirituals and Gospel Music Influence International Relations

International music leaders celebrated the “Roots from the West” program on July 1, at Allen Temple and gave the African American Heritage Hymnal to Per Oddvar “Prots” Hildre, founder and director of SKRUK choir visiting from Norway. Standing with him are L. to R., Terrance Kelly, artistic director of the Oakland Interfaith Gospel Choir, and Pastor Emeritus and Mrs. J. Alfred Smith, Sr. Photo by Sue Taylor.
Three choirs sang July 1 at a program at Allen Temple Baptist Church in East Oakland— the Oakland Interfaith Gospel Choir (OIGC), visiting Norwegian Choir SKRUK, and the Allen Temple Unity Choir, which opened the program.
OIGC Artistic Director Terrance Kelly, “grew up” at Allen Temple, and joyfully relished returning “home” as almost 200 voices filled the sanctuary.
One of many programs over the last two weeks, the cultural exchange came from OIGC’s visit to Norway, where musicians and directors of the two choirs fell in love with each other. Both the SKRUK choir under the direction of Per Oddvar “Prots” Hildre, and OIGC performed all over the Bay Area. Concluding performances were at First Presbyterian Church of Oakland Monday night, and Napa Methodist Church on Tuesday, July 3.
SKRUK from Norway was founded in 1973, OIGC in 1986, and Allen Temple has had choirs since the church was founded almost 100 years ago. Liberation—a prevailing theme of Negro spirituals and Gospel music—has been a focus of all three choirs.
Gospel music is performed and appreciated across Scandinavia and Europe. A group of 30 students from International House at the UC Berkeley campus visited Allen Temple years ago to worship with the congregation and hear the music.
Attending the Sunday program was Pastor Emeritus J. Alfred Smith, Sr., who closed the program in prayer.
Afterward, SKRUK Director Prots Hildre was given the African American Heritage Hymnal and he immediately asked that Pastor “sign my copy.” He was thrilled to have the hymnal, available at the Allen Temple Bookstore and online where books are sold. The hymnal was published in 2001 and is still the only hymnal of its kind.
Pastor Smith and the late Minister of Music Betty D. Gadling served on a committee that published the hymnal, “committed to preserving and promoting the best congregational music of our ecumenical African-American Christian tradition.”
In the introduction, Pastor Smith wrote, “This tradition is rooted in the richness of our historical past, but it is also dynamic and evolutionary with the continuing creativity of God-inspired persons.”
From reports of those attending the various programs around the Bay Area of OIGC and SKRUK, the music was performed by “God-inspired” persons. The Allen Temple sanctuary resounded with ethereal sounds, with music from Norway, the early Christian church, and the most pre-eminent of traditional and modern Gospel music.
Pastor Smith quotes in his introduction essay from the book, “The Black Church in the African American Experience,” by C. Eric Lincoln and Lawrence H. Mamiya, that “Black people ‘Africanized’ Christianity in America as they sought to find meaning in the turn of events that made them involuntary residents in a strange and hostile land.”
Even now in 2018, many around the globe seeking liberation have their own need to “find meaning,” and the music performed these past two weeks surely lends itself to that mission.
For more information, visit www.oigc.org.
Activism
New Oakland Moving Forward
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

By Post Staff
Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.
Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.
These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.
So, upward and onward with the movement of New Oakland.
Arts and Culture
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

By Terri Schlichenmeyer
Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages
Take care.
Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.
It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’
Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.
Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.
She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”
When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.
First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”
After their mother died of colon cancer, Rita’s lupus took a turn for the worse.
“Did she even stand a chance?” Davis wrote in her journal.
“It just didn’t seem possible that she, someone so full of life, could die.”
Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.
Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.
But don’t. Not quite yet.
In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.
This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.
Activism
Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.

By Barbara Fluhrer
I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.
I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.
Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing, just blessings. Pray for the best and deal with the rest.
Nobody is perfect, so forgive quickly and love easily!”
Lewis’ book “Detour to Straight Street” is available on Amazon.
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