Activism
New Documentary Unveils Pauli Murray, Little-Known Civil Rights Activist, Feminist
I’ll admit it; I was not familiar with Pauli Murray. Honestly, Murray’s extraordinary accomplishments in the years before and after the heyday of the Civil Rights Movement are history lessons many of us didn’t know, until now.
I’ll admit it; I was not familiar with Pauli Murray. Honestly, Murray’s extraordinary accomplishments in the years before and after the heyday of the Civil Rights Movement are history lessons many of us didn’t know, until now.
An accessible compilation of mixed media running 91 minutes, “My Name Is Pauli Murray” unearths a revealing journey of extraordinary feats that pre-date the heralded stories of Rosa Parks and Martin Luther King Jr. Pauli Murray knew intimately what it meant to live a life that was out of sync—when even language wasn’t sufficient to define or describe a journey.
Lawyer, professor, poet, and Episcopal priest, Murray was an iconoclast who pushed against the limits—both the conventional and strict legislation and the narrow thinking around issues of race and gender equity. The struggle wasn’t abstract: Murray’s own life —as an African American intellectual whose gender identity felt fluid —personified it.
Born in 1910, in Baltimore, Md., Pauli was taken in at 3 years old by the maternal wing of the family following the sudden death of Pauli’s mother. Embraced by loving grandparents and two aunts—Pauline and Sarah—Pauli exhibited a proficiency in reading and critical thinking, assessing, early on, the vast discrepancies in conditions African-American families lived in as compared to their white counterparts. Murray’s formative years were spent in a segregated North Carolina where she was among the first to integrate classrooms, courtrooms and conferences to sit alongside the world’s most influential powerbrokers.
That gulf of injustice settled deep inside. A visionary, Pauli Murray understood that the same arguments employed to assail Jim Crow laws and other forms of racial discrimination could be made to attack gender inequity — and, consequently, these pivotal insights became a professional signature.
Confidante to President Franklin D. Rooselevelt’s wife Eleanor and an inspiration to the late Justice Ruth Bader Ginsburg (who cites Murray in her first Supreme Court brief regarding the Equal Protection Clause), Pauli frequently stood in close proximity to power.
Rejected by the University of North Carolina for being Black, and arrested for refusing to move to the back of a bus, Pauli didn’t dodge conflict, even if there was no precedent or model. Yet, there’s often an excruciating price paid for being “ahead of one’s time.”
Richly recounted in Pauli’s own voice—with archival audio drawn from intimate oral histories and interviews dating back to the 1970s — Pauli’s timely story is augmented by testimonies from a host of contemporary thinkers, educators, and present-day civil rights activists and there are many parallels to today’s ongoing struggle for racial and gender equality.
Murray’s story, artfully told, with the help of editor (pronounced syn-quay) Northern, a former Bay Area resident, and filmmakers Betty West, Julie Cohen, and Talleah Bridges. The film is showing at theaters now from Amazon Studios and releases on Prime video on October 1.
Northern is an artist, filmmaker, and editor who’s been working in documentary for over 18 years. He has edited numerous projects for PBS including “America by the Numbers” featuring Maria Hinojosa and “Your Voice Your Story.” He also spent 10 years working as a lead editor for Stanley Nelson’s Firelight Media (“Miles Davis: Birth of the Cool,” “Black Panthers”). To date, he has over a dozen short films on permanent display at The Smithsonian’s National Museum of African American History and Culture, along with the 2021 documentary, “The One and Only Dick Gregory.”
I spoke with Cinque Northern about this absorbing retelling of Pauli Murray (b.1910-d.1985). Please see the link to a portion of our conversation below.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
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