Education
Oakland Teachers take on The State
Standing behind the scenes of the battle between Oakland’s school district and its 3,000 teachers are State representatives controlling the district and enforcing drastic budget cuts.
The officials who control the Oakland Unified School District (OUSD) on behalf of the State of California mostly operate behind the scenes, meeting in private with school board members and district staff.
But this week, the overseers came out publicly in defense of the state’s austerity program for OUSD, as they sought to counter the enormous resistance of striking Oakland teachers, backed by the solid support of students, parents, community, churches and city leaders, fighting for higher teacher salaries, more counselors and nurses, smaller class sizes and a halt to school closures.
“Under my authority as the Fiscal Oversight Trustee for OUSD, I will stay and/or rescind any agreement that would put the District in financial distress. A 12 percent salary increase would do just that. What the District has on the table now is what the District can afford,” said (State) Fiscal Oversight Trustee Chris Learned in a press statement released by OUSD last Sunday.
Where did the trustee come from, and where did he get the authority to say what he said?
A little history: while OUSD was under receivership (2003-2009), the district was not allowed to hire a superintendent, and the power of the board was suspended. The district did eventually hire a superintendent, and restore the school board. However, what came next was not local control, but modified state control.
“(Since 2008), OUSD began operating with two governing boards responsible for policy—the state Department of Education and the locally elected Oakland Board of Education,” according to the district’s website. A state trustee was appointed with power to nullify district financial decisions.
Rather than serving as an independent outside evaluator, the state forced a $100 million bailout loan on the district in 2003 and spent the money with no local input—a debt which costs OUSD $6 million a year until 2026. The state was in control while a spending spree during the administration of pro-privatization Supt. Antwan Wilson almost bankrupted the district.
The reality of the state’s current authority over Oakland schools, going back to 2003, was presented last October during a rare joint public appearance at a school board meeting of the officials who are in charge of Oakland schools: California Deputy Superintendent of Public Instruction Nick Schweizer, Trustee Chris Learned, Fiscal Crisis Management and Assistance Team (FCMAT) CEO Michael Fine, and Alameda County Superintendent of Schools Karen Monroe.
The officials came to Oakland to explain the meaning of AB 1840, a new law backed by then Gov. Jerry Brown that would give more power to FCMAT (pronounced FICK-MAT) and Alameda County. They spoke about collaboration and teamwork, while demanding Oakland close schools and cut $30 million from its operating budget.
FCMAT is an independent nonprofit based in Bakersfield, funded by the State and representing the State’s authority in districts throughout California. FCMAT was directly involved in the passage of AB 1840.
Speaking bluntly, FCMAT CEO Fine said the district has no choice but to make budget cuts and close schools.
“If you failed at this, the county superintendent would come in and govern the district,” Fine said. ”The county supt. already has the authority that, if you don’t do what’s right, to impose a functioning budget on you.”
“We do this every day, guide districts through this every day. It is ultimately less painful to make your decisions as early as possible,” he said. “Cutting three dollars today rather than a dollar today, a dollar tomorrow and a dollar (later)…allows the district to get to its new norm much quicker.”
Fine said that the school district has “struggled for many years” to close schools, based on a formula for the appropriate number of students for the square footage of classroom space.
“That is one of the specific conditions in 1840,” he said. “1840 says that we are going to partner with you so that you can implement these plans in a timely fashion and buy a little bit of time, and it is just a little bit of time, so you can incorporate good decisions.”
While saying the district’s sole responsibility is to “close the gap” and end its “deficit,” Fine admitted closing schools does not save money. “When everything is said and done, the actual dollar savings are relatively small—you don’t see the savings,” he said.
Fine said that over the course of 27 years, he has had a lot of experience closing schools. “I’ve had to close some….lease some…sell some and exchange some for other properties. It’s a long and difficult process,” he said.
He also emphasized the importance of the budget cuts. “You’ve made a very public commitment to a set of reductions that total about $30 million….If you stop at $15 million, you do not achieve the benchmark…It is your job to figure out the details.”
County Supt. of Schools Monroe explained that under the implementation of AB 1840, she is working closely with FCMAT. Trustee Chris Learned now reports to her office, rather than the state.
Calling the budget cuts a team effort with the district, she explained that her office—the Alameda County Office of Education—and FCMAT will “confer and agree on the operating deficit and the next steps that are part of the legislation.
“If we see that those budget balancing strategies are not being implemented, then we will have to impose strategies,” she said.
In the midst of the ongoing Oakland teachers strike, following on the heels of the successful strike of Los Angeles teachers, new opportunities are now opening up to change the state’s long-term policies of underfunding public education and enforcing austerity on individual school districts.
One sign of that movement occurred Monday when State Supt. of Instruction Tony Thurmond intervened in the Oakland strike, joining teachers and district representatives at the bargaining table in an attempt to close the deep divisions between the parties.
Further, as community awareness grows about the role of the state in this strike, many are looking to the local state legislative delegation—Senator Nancy Skinner and Assemblymembers Rob Bonta and Buffy Wicks—to muster support in Sacramento for a more positive direction, one that embraces the needs of Oakland teachers, students and community.
Activism
LIVE! — TOWN HALL ON RACISM AND ITS IMPACT — THURS. 11.14.24 5PM PST
Join us for a LIVE Virtual Town Hall on the Impact of Racism hosted by Post News Group Journalist Carla Thomas and featuring Oakland, CA NAACP President Cynthia Adams & other Special Guests.
Thursday, November 14, 2024, 5 p.m. – 6:30 p.m. PST
Join us for a LIVE Virtual Town Hall on the Impact of Racism hosted by Post News Group Journalist Carla Thomas and featuring Oakland, CA NAACP President Cynthia Adams & other Special Guests.
Thursday, November 14, 2024
5 p.m. – 6:30 p.m. PST
Discussion Topics:
• Since the pandemic, what battles have the NAACP fought nationally, and how have they impacted us locally?
• What trends are you seeing concerning Racism? Is it more covert or overt?
• What are the top 5 issues resulting from racism in our communities?
• How do racial and other types of discrimination impact local communities?
• What are the most effective ways our community can combat racism and hate?
Your questions and comments will be shared LIVE with the moderators and viewers during the broadcast.
STREAMED LIVE!
FACEBOOK: facebook.com/PostNewsGroup
YOUTUBE: youtube.com/blackpressusatv
X: twitter.com/blackpressusa
Art
Brown University Professor and Media Artist Tony Cokes Among MacArthur Awardees
When grants were announced earlier this month, it was noted that seven of the 22 fellows were African American. Among them are scholars, visual and media artists a poet/writer, historian, and dancer/choreographer who each receive $800,000 over a five-year period to spend as they see fit. Their names are Ruha Benjamin, Jericho Brown, Tony Cokes, Jennifer L. Morgan, Ebony G. Patterson, Shamel Pitts, Jason Reynolds, and Dorothy Roberts. This is the third in the series highlighting the Black awardees.
Special to The Post
When grants were announced earlier this month, it was noted that seven of the 22 fellows were African American. Among them are scholars, visual and media artists a poet/writer, historian, and dancer/choreographer who each receive $800,000 over a five-year period to spend as they see fit. Their names are Ruha Benjamin, Jericho Brown, Tony Cokes, Jennifer L. Morgan, Ebony G. Patterson, Shamel Pitts, Jason Reynolds, and Dorothy Roberts. This is the third in the series highlighting the Black awardees. The report below is excerpted from the MacArthur Fellows web site.
Tony Cokes
Tony Cokes, 68, is a media artist creating video works that recontextualize historical and cultural moments. Cokes’s signature style is deceptively simple: changing frames of text against backgrounds of solid bright colors or images, accompanied by musical soundtracks.
Cokes was born in Richmond, Va., and received a BA in creative writing and photography from Goddard College in 1979 and an MFA from Virginia Commonwealth University in 1985. He joined the faculty of Brown University in 1993 and is currently a professor in the Department of Modern Culture and Media.
According to Wikipedia, Cokes and Renee Cox, and Fo Wilson, created the Negro Art Collective (NAC) in 1995 to fight cultural misrepresentations about Black Americans.[5]
His work has been exhibited at national and international venues, including Haus Der Kunst and Kunstverein (Munich); Dia Bridgehampton (New York); Memorial Art Gallery University of Rochester; MACRO Contemporary Art Museum (Rome); and the Carpenter Center for the Visual Arts (Harvard University), among others.
Like a DJ, he samples and recombines textual, musical, and visual fragments. His source materials include found film footage, pop music, journalism, philosophy texts, and social media. The unexpected juxtapositions in his works highlight the ways in which dominant narratives emerging from our oversaturated media environments reinforce existing power structures.
In his early video piece Black Celebration (A Rebellion Against the Commodity) (1988), Cokes reconsiders the uprisings that took place in Black neighborhoods in Los Angeles, Detroit, Newark, and Boston in the 1960s.
He combines documentary footage of the upheavals with samples of texts by the cultural theorist Guy Debord, the artist Barbara Kruger, and the musicians Morrisey and Martin Gore (of Depeche Mode).
Music from industrial rock band Skinny Puppy accompanies the imagery. In this new context, the scenes of unrest take on new possibilities of meaning: the so-called race riots are recast as the frustrated responses of communities that endure poverty perpetuated by structural racism. In his later and ongoing “Evil” series, Cokes responds to the rhetoric of the Bush administration’s “War on Terror.”
Evil.16 (Torture.Musik) (2009–11) features snippets of text from a 2005 article on advanced torture techniques. The text flashes on screens to the rhythm of songs that were used by U.S. troops as a form of torture.
The soundtrack includes Metallica’s “Enter Sandman” and Britney Spears’s “… Baby One More Time,” songs known to have been played to detainees at deafening decibel levels and on repeated loops. The dissonance between the instantly recognizable, frivolous music and horrifying accounts of torture underscores the ideological tensions within contemporary pop culture.
More recently, in a 2020 work entitled HS LST WRDS, Cokes uses his pared-down aesthetic to examine the current discourse on police violence against Black and Brown individuals. The piece is constructed around the final words of Elijah McClain, who was killed in the custody of Colorado police. Cokes transcribes McClain’s last utterances without vowels and sets them against a monochromatic ground. As in many of Cokes’s works, the text is more than language conveying information and becomes a visualization of terrifying breathlessness. Through his unique melding of artistic practice and media analysis, Cokes shows the discordant ways media color our understanding and demonstrates the artist’s power to bring clarity and nuance to how we see events, people, and histories.
California Black Media
On Your November Ballot: Prop 2 Seeks to Modernize Public Education Facilities
Proposition 2 would authorize the state to issue $10 billion in bonds with $8.5 billion dedicated to elementary and secondary educational facilities and $1.5 billion for community college facilities. If approved, the proposition will make changes to the formula used to determine the amount each district is required to contribute to be eligible to receive state funding from the bond revenue. It would also require the state government to cover between 50 and 55% of construction project costs and 60 and 65% of modernization project costs.
By Edward Henderson, California Black Media
Proposition 2 would authorize the state to issue $10 billion in bonds with $8.5 billion dedicated to elementary and secondary educational facilities and $1.5 billion for community college facilities.
If approved, the proposition will make changes to the formula used to determine the amount each district is required to contribute to be eligible to receive state funding from the bond revenue. It would also require the state government to cover between 50 and 55% of construction project costs and 60 and 65% of modernization project costs.
Supporters argue that the money is critical for making safety improvements in schools, as well as modernizing science labs, performing arts spaces and kindergarten classrooms. School districts in lower-income areas have no other way to pay for these improvements.
According to the Public Policy Institute of California, 38% of students attend schools that don’t meet the state’s minimum safety standards. The research shows that schools with sub-standard facilities tend to have students with lower attendance rates, lower morale and lower overall academic performance.
California Black Media spoke with a Los Angeles Unified School District (LAUSD) spokesperson on why she believes it should be a YES vote on Prop 2.
“Measure US, Los Angeles Unified’s Local Public Schools Safety and Upgrades Measure on the November ballot would provide $9 billion to upgrade Los Angeles public schools for safety and 21st century student learning and college and career preparedness. The average annual cost to property owners is estimated at 2.5 cents per $100 of assessed (not market) property value. The Los Angeles Unified Board of Education adopted a Resolution on October 22 to support Los Angeles Unified’s Measure US, and State Propositions 2 and 4,” the spokesperson said.
Opponents argue that the state should include school repairs in its regular budget instead of putting the burden on taxpayers. Opponents also argue that the proposition would not directly impact students. The Howard Jarvis Taxpayers Association is on record as one of the organizations opposing the proposition.
“Proposition 2 is $10 billion of bonds, new state debt, to pay for school facilities. It is almost certain to result in higher property tax bills, because school districts must provide a ‘local match’ of funds in order to receive money from the Prop. 2 state bonds. That will lead to districts issuing new local school bonds, which are paid for by adding new charges to property tax bills,” said Jarvis.
Opponents also have voiced concerns about what they view as an inequitable distribution of funds. They believe that lower-income school districts should receive a greater share of the state’s sliding scale for matching funds.
“Enrollment is declining in both K-12 district schools and community colleges and the declines are projected to continue. But Proposition 2 commits California to pay an estimated $18 billion, including interest, for school buildings that may not even be necessary. Vote no on proposition 2.”
A “yes” vote gives approval to the state to issue $10 billion in bonds to fund construction and modernization of public education facilities.
A “no” vote will prohibit the state from issuing $10 billion in bonds to fund construction and modernization of public education facilities.
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