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OPINION: Is Travis Scott to Blame for Astroworld?

Festival seating is when the entire venue becomes a mosh pit. It’s a concert where there are no assigned seats, making it a Darwinian every-person-for-himself, go-at-your-own-risk event. The nightmarish, mad rush that occurred at NRG Park at Travis Scott’s hip-hop Astroworld on November 5 was a foreseen possibility, especially since the artist’s encouraging a crowd surge is part of his act.

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Already more than a dozen civil suits have been filed against the concert promoters, which includes Live Nation and Scott himself. Eight people were killed including Danish Baig, 27, born near Dallas, an Asian American Pakistani and a district manager for AT&T, who went with his fiancé to the show.
Already more than a dozen civil suits have been filed against the concert promoters, which includes Live Nation and Scott himself. Eight people were killed including Danish Baig, 27, born near Dallas, an Asian American Pakistani and a district manager for AT&T, who went with his fiancé to the show.

By Emil Guillermo

I grew up in the Bay Area and attended “Days on the Green” at the Coliseum. But I started going to rock concerts in earnest when I was a teenager in Houston. I had taken a gap year from college and was the all-night DJ on the biggest rock station in town. Whenever I saw “festival seating” on a ticket, I knew it was more than just a warning, but an invitation to disaster.

Festival seating is when the entire venue becomes a mosh pit. It’s a concert where there are no assigned seats, making it a Darwinian every-person-for-himself, go-at-your-own-risk event. The nightmarish, mad rush that occurred at NRG Park at Travis Scott’s hip-hop Astroworld on November 5 was a foreseen possibility, especially since the artist’s encouraging a crowd surge is part of his act.

In Houston, the crowd was so packed, witnesses described how they couldn’t move. Then someone would fall, and the domino pile would begin.

For some, it became an “I can’t breathe moment.”

Eight people were killed including Danish Baig, 27, born near Dallas, an Asian American Pakistani and a district manager for AT&T, who went with his fiancé to the show.

He didn’t expect to die in the crush of people as he tried to save his fiancé from being trampled.

“She was stomped on, hit, punched, horrendous things were happening to her that I don’t want to mention,” said Basil Mirza Baig, Baig’s brother, who was also at the concert. “My brother was trying to save her, and he did, he saved her, and it cost him his life.”

At this time no precise cause of death is given. But the family said it was from cardiac arrest suffered from the crush of people.

The fiancé survived. But Mirza, speaking at Baig’s funeral on Sunday wants answers.

“My brother was laying on the ground. They were chanting to stop the event. Nobody stopped the event,” Mirza said in an interview with Dallas news station WFAA. “In this horrendous event, people that were in it (who) took part in this event, Travis Scott’s team, the NRG team, everybody who was associated with this should be held accountable for the lives that were lost today. We’re grieving. We’re in pain.”

Mirza wants answers, not a Tweet, but real answers from Scott.

“He could stop a show for his shoe, but he couldn’t stop the show for people?” Mirza asked. Reports say Scott performed for at least another 30 minutes after an emergency had been declared. “It was upsetting and sad seeing people thrown left and right, stop, girls, guys, everybody, little kids,” Mirza described the scene. “This is not how you do it. You go to a concert to have fun. You don’t go to a concert to die.”

Already more than a dozen civil suits have been filed against the concert promoters, which includes Live Nation and Scott himself. This is not the first time for Scott, who has faced criminal charges related to inciting concert crowds in Arkansas in 2018 (guilty, disorderly conduct), and Chicago in 2015 (guilty, misdemeanor reckless conduct).

Live Nation, too, should have known better. When the word “festival” is on the ticket, there are no seats, forcing crowds to compete for a stage view, and then a fun night becomes Darwinian, the survival of the fittest.

That’s not entertainment.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Activism

Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

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From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.
From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.

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