Art

Orrin Cromwell Evans: The Pioneer of African American Journalism and Comics

Orrin Cromwell Evans was a remarkable figure in the history of African American journalism and comics. Born in 1902 in Steelton, Pennsylvania, he overcame racial complexities and challenges to become a groundbreaking journalist and the driving force behind the publication of All-Negro Comics, a significant milestone in African American comic book history.

Published

1 year ago

December 26, 2023

Oakland Post

In 1947, Orrin Evans, along with his partners Bill Driscoll and Harry T. Saylor, founded All-Negro Comics, Inc.

By Tamara Shiloh

Despite leaving school at a young age, Orrin Evans’ determination and talent led him to The Philadelphia Tribune, a highly respected Black newspaper, when he was just a teenager. By the early 1930s, he had become the only Black reporter on the staff of The Philadelphia Record, a mainstream white newspaper. He covered critical race issues during World War II, making him one of the first Black reporters on general assignment for a white publication. His fearless reporting often put him in difficult situations, including being denied entry to a press conference on Charles Lindbergh, a pioneering aviator.

Evans’ work was not confined to one newspaper; his reports were featured in other notable publications, including the Chicago Defender, The Philadelphia Independent, and The Crisis, the NAACP’s official magazine. His popularity as a journalist convinced him that he could reach an even broader audience through a different medium: comic books.

In 1947, Orrin Evans, along with his partners Bill Driscoll and Harry T. Saylor, founded All-Negro Comics, Inc. They published the groundbreaking All-Negro Comics, the first-known comic magazine entirely written and illustrated by African American writers and artists. This 48-page comic book featured glossy covers and newsprint interiors. While the exact number of copies produced remains unknown, it was a significant achievement in a time when Black-themed comics were limited to segregated Black communities.

Orrin, alongside artists like his brother George J. Evans Jr., John Terrell, Cooper, and Cravat, co-created the comic’s features. These characters, including “Ace Harlem,” a Black police detective, aimed to inspire African Americans and represent their cultural heritage positively. Although Evans attempted to publish a second issue, he faced obstacles, including difficulties in obtaining the required newsprint, possibly due to opposition from white publishers entering the Black-themed comics market.

Orrin Evans’ contributions to journalism and comics did not go unnoticed. He received numerous awards and tributes during his lifetime, including recognition from the Urban League of Pennsylvania and the NAACP. A scholarship was established in his name, honoring his commitment to journalism. In 2011, he and his brother were posthumously awarded the ECBACC Pioneer Lifetime Achievement Award for their role in creating All-Negro Comics. Three years later, Evans was elected to the Will Eisner Award Hall of Fame, a testament to his pioneering work as the president of All-Negro Comics.

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Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

Published

3 months ago

February 17, 2025

Oakland Post

Late playwright August Wilson. Wikipedia photo.

By Godfrey Lee

Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20^th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.

The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.

For more information, go to griottheatercompany.squarespace.com/productions-v2

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Activism

MLK Day of Service Volunteers Make Blankets and Art for Locals in Need

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

Published

4 months ago

January 18, 2025

Oakland Post

Photo courtesy of the nonprofit.

By Kathy Chouteau
The Richmond Standard

The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.

Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.

Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.

“People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.

CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects. The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.

BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.

Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.

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Art

Vandalism at Richmond Ferry Terminal Saddens Residents

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

Published

4 months ago

January 18, 2025

Oakland Post

Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.

The Richmond Standard

“This is why we can’t have nice things,” stated the post on NextDoor.

The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.

On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.

Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.

A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.

A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”

“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.

It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.

“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.

On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.

On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.

Kathy Chouteau contributed to this report.