National

Parents: Children Will Have It Harder Than They Did

Published

10 years ago

March 26, 2015

By Jazelle Hunt
NNPA Washington Correspondent

WASHINGTON (NNPA) – A majority of American parents believe their children will face a harsher coming-of-age than they did, according to a new survey – and no one feels this more acutely than Black parents.

In a recent NBC News State of Parenting Poll, 63 percent of parents felt their children would face more problems growing up than they did. For Black parents, the figure was 72 percent.

“That feeling is real…that children growing up today are growing up in a more complex society, with respect to issues like racism, institutional racism, structural racism, and the educational system, and growing inequality,” says George Garrow, executive director of Concerned Black Men National, which seeks to enrich the lives of Black children and parents through mentorship and community-building.

“We as adults are being affected by these things, and if we’re being affected then young people certainly are. Our kids are being raised in a time where…the kids are not going to have the opportunities that we had 25 years ago, 30 years ago.”

Parents who had little faith in today’s education system were likelier to foresee greater challenges for their children. These parents of little faith were in the minority, however. In the case of Black parents, 51 percent rated their child’s education as “good,” on a scale from “excellent” to “poor.”

Most of the parents who rated their children’s education experience as “fair” or “poor” also believed that their children would have a harder time growing up. Only 18 percent and 9 percent of Black parents gave “fair” and “poor” ratings, respectively, but Black parents made up the largest share of both ratings.

The outlook on growing up was bleak even among the satisfied parents, 57 percent of whom still felt their children would face more problems.

“I always thought…we’d be, now, in an era of better schools. But when you look at the terrain we’re not there yet…particularly with Black kids and the schools they are going to,” Garrow said. “While we may live in a society with greater options for some, those things haven’t necessarily materialized for Black children, and Black families.”

Interestingly, 51 percent of all parents felt that school would not prepare their children for the job market unless their child also went to college. Further, a sizeable 86 percent said their children would need more than a high school degree to achieve The American Dream.

Although many parents believed the journey to adulthood would be harder for their children, 53 percent also believed that their children would be the same or better off once they grew up. While Black parents were most likely to worry about their children’s present experiences, they were also more likely to be optimistic about their child’s future than White parents were—but not more optimistic than Hispanic parents. Additionally, younger, Democrat, and/or low-income parents were more optimistic than older, Republican, and/or higher-income parents; Black people tend to fall into the former categories. (Political independents are evenly split).

While the worry about modern childhood remains high, research suggests the sentiment is declining with each generation, as the standard of living gets better. In the 1998 results of this same survey, 78 percent of parents believed their children had more problems.

At the same time, outlook on the future of the next generation seems to have remained steady. Over the past few years the Pew Research Center has surveyed approximately 2,500 parents with similar questions. From 2008 to 2012, roughly half of parents believed their children would have it better off when they reached adulthood. Interestingly, roughly 60 percent of the same respondents believed that they had a better standard of living than their parents did at the same age.

At a time when the nation is rallying against unchecked police violence on Black people (among a host of chronic social and political problems), Garrow points out that Black families have to dig deep to find optimism for the future. But, he also believes that positive adult involvement and community building are the keys to helping children navigate an increasingly complex society.

“We can no longer live under the idyllic notion that kids—as long as they don’t get into trouble, as long as the ‘behave themselves’—that they’re going to grow up to be responsible citizens, be educated properly, and have opportunities in life. All of our kids are at risk,” Garrow says.

“[The finding] is really tragic because it should not be this way. Each society should be able to build upon the successes of the previous generation. …[W]e really need a reality check to determine what we need to do so we at least have a chance at offering our kids a better life.”

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Oakland Post: Week of December 25 – 31, 2024

The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024

Published

1 day ago

December 26, 2024

Oakland Post

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OPINION: “My Girl,” The Temptations, and Nikki Giovanni

Giovanni was probably one of the most famous young African American women in the 1960s, known for her fiery poetry. But even that description is tame. The New York Times obit headline practically buried her historical impact: “Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81.” That doesn’t begin to touch the fire of Giovanni’s work through her lifetime.

Published

3 days ago

December 24, 2024

Oakland Post

Nikki Giovanni. Courtesy of Nikki-Giovanni.com

By Emil Guillermo

The Temptations, the harmonizing, singing dancing man-group of your OG youth, were on “The Today Show,” earlier this week.

There were some new members, no David Ruffin. But Otis Williams, 83, was there still crooning and preening, leading the group’s 60th anniversary performance of “My Girl.”

When I first heard “My Girl,” I got it.

I was 9 and had a crush on Julie Satterfield, with the braided ponytails in my catechism class. Unfortunately, she did not become my girl.

But that song was always a special bridge in my life. In college, I was a member of a practically all-White, all-male club that mirrored the demographics at that university. At the parties, the song of choice was “My Girl.”

Which is odd, because the party was 98% men.

The organization is a little better now, with women, people of color and LGBTQ+, but back in the 70s, the Tempts music was the only thing that integrated that club.

POETRY’S “MY GIRL”

The song’s anniversary took me by surprise. But not as much as the death of Nikki Giovanni.

Giovanni was probably one of the most famous young African American women in the 1960s, known for her fiery poetry. But even that description is tame.

The New York Times obit headline practically buried her historical impact: “Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81.”

That doesn’t begin to touch the fire of Giovanni’s work through her lifetime.

I’ll always see her as the Black female voice that broke through the silence of good enough. In 1968, when cities were burning all across America, Giovanni was the militant female voice of a revolution.

Her “The True Import of Present Dialogue: Black vs. Negro,” is the historical record of racial anger as literature from the opening lines.

It reads profane and violent, shockingly so then. These days, it may seem tamer than rap music.

But it’s jarring and pulls no punches. It protests Vietnam, and what Black men were asked to do for their country.

“We kill in Viet Nam,” she wrote. “We kill for UN & NATO & SEATO & US.”

Written in 1968, it was a poem that spoke to the militancy and activism of the times. And she explained herself in a follow up, “My Poem.”

“I am 25 years old, Black female poet,” she wrote referring to her earlier controversial poem. “If they kill me. It won’t stop the revolution.”

Giovanni wrote more poetry and children’s books. She taught at Rutgers, then later Virginia Tech where she followed her fellow professor who would become her spouse, Virginia C. Fowler.

Since Giovanni’s death, I’ve read through her poetry, from what made her famous, to her later poems that revealed her humanity and compassion for all of life.

In “Allowables,” she writes of finding a spider on a book, then killing it.

And she scared me
And I smashed her
I don’t think
I’m allowed
To kill something
Because I am
Frightened

For Giovanni, her soul was in her poetry, and the revolution was her evolution.

About the Author

Emil Guillermo is a journalist, commentator, and solo performer. Join him at www.patreon.com/emilamok

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Black History

Book Review: In Slavery’s Wake: Making Black Freedom in the World

It’s a tale of heroes: the Maroons, who created communities in unwanted swampland, and welcomed escaped slaves into their midst; Sarah Baartman, the “Hottentot Venus”; Marème Diarra, who walked more than 2000 miles from Sudan to Senegal with her children to escape slavery; enslaved farmers and horticulturists; and everyday people who still talk about slavery and what the institution left behind.

Published

3 days ago

December 24, 2024

Oakland Post

Book cover. Courtesy of Smithsonian Books.

By Terri Schlichenmeyer

Ever since you learned how it happened you couldn’t get it out of your mind.

People, packed like pencils in a box, tightly next to each other, one by one by one, tier after tier. They couldn’t sit up, couldn’t roll over or scratch an itch or keep themselves clean on a ship that took them from one terrible thing to another. And in the new book “In Slavery’s Wake,” essays by various contributors, you’ll see what trailed in waves behind those vessels.

You don’t need to be told about the horrors of slavery. You’ve grown up knowing about it, reading about it, thinking about everything that’s happened because of it in the past four hundred years. And so have others: in 2014, a committee made of “key staff from several world museums” gathered to discuss “telling the story of racial slavery and colonialism as a world system…” so that together, they could implement a “ten-year road map to expand… our practices of truth telling…”

Here, the effects of slavery are compared to the waves left by a moving ship, a wake the story of which some have tried over time to diminish.

It’s a tale filled with irony. Says one contributor, early American Colonists held enslaved people but believed that King George had “unjustly enslaved” the colonists.

It’s the story of a British company that crafted shackles and cuffs and that still sells handcuffs “used worldwide by police and militaries” today.

Today, discussions about cooperation and diversity remain essential.

Says one essayist, “… embracing a view of history with a more expansive definition of archives in all their forms must be fostered in all societies.”

Unless you’ve been completely unaware and haven’t been paying attention for the past 150 years, a great deal of what you’ll read inside “In Slavery’s Wake” is information you already knew and images you’ve already seen.

Look again, though, because this comprehensive book isn’t just about America and its history. It’s about slavery, worldwide, yesterday and today.

Casual readers – non-historians especially – will, in fact, be surprised to learn, then, about slavery on other continents, how Africans left their legacies in places far from home, and how the “wake” they left changed the worlds of agriculture, music, and culture. Tales of individual people round out the narrative, in legends that melt into the stories of others and present new heroes, activists, resisters, allies, and tales that are inspirational and thrilling.

This book is sometimes a difficult read and is probably best consumed in small bites that can be considered with great care to appreciate fully. Start “In Slavery’s Wake,” though, and you won’t be able to get it out of your mind.

Edited by Paul Gardullo, Johanna Obenda, and Anthony Bogues, Author: Various Contributors, c.2024, Smithsonian Books, $39.95