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Phyllis Emelda: Oakland’s Global Designer Extraordinaire 

Beyond the runway, on Sundays Emelda opens her East Oakland home as a design studio and modeling training ground. With woodshop and home economics no longer taught in high school or middle schools, Emelda says youth and young adults are missing out on key opportunities.

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Phyllis Emelda in Phyllis Emelda Design. Photo courtesy of Phyllis Emelda.
Phyllis Emelda in Phyllis Emelda Design. Photo courtesy of Phyllis Emelda.

By Carla Thomas

Black Friday and Small Business Saturday had to make way for Black Out Sunday with Phyllis Emelda Designs and Company on Sunday, Nov. 26, at the Veterans Memorial Building in San Leandro. The event opened a gateway to the local fashionista’s global couture, kicking off the holidays in style with all the glitz and glam the audience could handle.

The full afternoon of fashion, food and fun produced by Woman in the Moons Productions featured models blazing the runway with one-of-a-kind designs for bodies of all sizes. From women’s fashions and menswear to children’s clothing, Black Out Sunday also featured emerging artists Kandy Kyriakou and Phyllis Emelda’s own granddaughter Reya Renee, among others.

Entertainment by Mercenery, formerly Graham Central Station, a Tavia Percia theatrical production and Dr. Yvonne Cobbs’ gospel explosion also complimented the lineup.

During the event, guests were able to jumpstart their Christmas shopping with vendors offering a variety of handmade gifts, garments, jewels and crafts. A portion of the proceeds benefitted the Healthy Living Foundation, founded by Dr. Yvonne Cobbs.

Beyond the runway, on Sundays Emelda opens her East Oakland home as a design studio and modeling training ground. With woodshop and home economics no longer taught in high school or middle schools, Emelda says youth and young adults are missing out on key opportunities.

“I view the fashion industry as a whole, including product development, creative design theory, sales, marketing and presentation. I have students of all backgrounds. Currently one from India, one from DuBai, and five college graduates, including a scientist, chemist, and two engineers.

“My students and participants are ages 5 – 75 years old. My 6-year-old granddaughter is already illustrating her designs.

“We are working on bringing the program into the Oakland public schools and Recreation Centers in the near future. I currently offer this training free of charge to Oakland Inner City Youth, which is my target market for training.”

In February 2022 she was selected Emerging Designer for New York Fashion Week.

“I took 17 inner city hopefuls to New York Fashion Week for an experience of a lifetime,” she said. “My 6-year-old granddaughter was the youngest-ever model for NYFW.”

Phyllis Emelda & Company began as Blaize in 1991, having grown to four locations in Bay Area malls.

By the late 90s she began working with a slinky fiber and developed a line of seven interchangeable garments suitable in style for most women. This collection was called “Wardrobe In A Box.” The explosive success of the collection landed her in a spot on a roadshow program with Costco Stores. After an exhausting 18 months of working on the road, Emelda fell ill and then her mother passed away. “The devastation took its toll, but I knew I had to reinvent myself yet again.”

She began marketing her collection to boutiques nationally and contracted with Walmart Stores to bring her Travelwear Collection to Sam’s Club. She also contracted with Seams To Fit in Berkeley, Grand Diva Salon in Florida, The San Francisco Opera House, Thunder Valley Casino Resort, and Zulily.com. Her line was then qualified by the Art Commission as Wearable Art.

“During the pandemic, my team and I launched Drama Dressing, The Couture Collection-(Just Coats by Phyllis Emelda) and an updated version of “Wardrobe In A Box” shown for the first time at New York Fashion Week 2022.

“This year was great, but I have much more in store for 2024,” she said.

For more information visit: www.phyllisemelda.com

Activism

Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

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Late playwright August Wilson. Wikipedia photo.
Late playwright August Wilson. Wikipedia photo.

By Godfrey Lee

Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.

The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.

For more information, go to griottheatercompany.squarespace.com/productions-v2

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Activism

MLK Day of Service Volunteers Make Blankets and Art for Locals in Need

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

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Photo courtesy of the nonprofit.
Photo courtesy of the nonprofit.

By Kathy Chouteau
The Richmond Standard

The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.

Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.

Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.

CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects.  The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.

BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.

Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.

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Art

Vandalism at Richmond Ferry Terminal Saddens Residents

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

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Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.
Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.

The Richmond Standard

“This is why we can’t have nice things,” stated the post on NextDoor.

The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.

On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.

Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.

A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.

A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”

“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.

It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk.

“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.

On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.

On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.

Kathy Chouteau contributed to this report.

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