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PURE Theatre to remount critically-acclaimed Sweat by Lynn Nottage at the Queen Street Playhouse this 2019 Piccolo Spoleto Festival

CHARLESTON CHRONICLE — Tuesday, May 28, PURE Theatre will open the remount of 2017 Pulitzer Prize for Drama winner, Sweat at the Queen Street Playhouse. Written by two-time Pulitzer prize-winning playwright, Lynn Nottage, and directed by PURE Theatre Artistic Director, Sharon Graci, Sweat returns by popular request and demand following its Southeastern Regional Premiere at the Dock Street Theatre where it made record attendance for PURE in the 2018 MOJA Arts Festival.

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By The Charleston Chronicle

Tuesday, May 28, PURE Theatre will open the remount of 2017 Pulitzer Prize for Drama winner, Sweat at the Queen Street Playhouse. Written by two-time Pulitzer prize-winning playwright, Lynn Nottage, and directed by PURE Theatre Artistic Director, Sharon Graci, Sweat returns by popular request and demand following its Southeastern Regional Premiere at the Dock Street Theatre where it made record attendance for PURE in the 2018 MOJA Arts Festival.

Sweat is the story of a group of friends who have spent their lives sharing drinks, secrets, and laughs while working together on the factory floor. But when layoffs and picket lines begin to chip away at their trust, the friends find themselves pitted against each other in a heart-wrenching fight to stay afloat. Filled with warm humor and tremendous heart, Sweat is “a topical reflection of the present and poignant outcome of America’s economic decline.” – Theatre Communications Group

Sweat is powerful theatre,” says Director, Sharon Graci. “It’s electric and dynamic. It’s a near perfect arc plot. It’s provocative, satisfying, well crafted, and well acted. It is truly one of the star offerings this Piccolo Spoleto Festival. It achieves a visceral exploration of the human cost of deindustrialization by examining the effects of post-industrialization from the ground-zero perspective of laborers. Yet, make no mistake,  Sweat offers few definitive comments on complex issues such as trade agreements, collective bargaining, unionization, workers rights, and wage distribution. It asks many more questions than it provides answers. It is an exceptional platform for discussion of some of the most pressing and  complex issues of our times, including corporate consciousness, globalization, disenfranchisement of the working class, and the resulting impact on race relations as well as the rise of recessive social movements and attitudes such as anti-immigration, amplified bigotry, and fascist philosophies as they relate to the destruction of labor. As Artistic Director of PURE Theatre, I make three promises on behalf of my company: We will always tell you a story worth listening to. We will always pursue the highest standards of artistic excellence. We will always gift you with something to talk about when you leave the theatre. Sweat prefers to cue the questions, and I’m keeping my promises. It’s up to us, all of us, to find the answers.”

The remount will feature original cast members: Henry Clay Middleton, Jacob Milano, David Perez, and PURE Core Ensemble members, Cristy Landis, Douglas Scott Streater, R.W. Smith, Joel Watson, Joy Vandervort-Cobb, and Erin Wilson.

Piccolo Spoleto Festival performance times are as follows:

Tuesday, May 28 at 5:00pm

Saturday, June 1 at 2:00pm

Sunday, June 2 at 5:00pm

Tuesday, June 4 at 6:00pm

Tickets for Sweat are on sale now at piccolospoleto.com and at the Piccolo Spoleto Festival Box Office at the Gaillard Center (95 Calhoun Street) from. Advance purchases are strongly recommended.

This article originally appeared in the Charleston Chronicle

Activism

Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

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Late playwright August Wilson. Wikipedia photo.
Late playwright August Wilson. Wikipedia photo.

By Godfrey Lee

Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.

The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.

For more information, go to griottheatercompany.squarespace.com/productions-v2

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Activism

MLK Day of Service Volunteers Make Blankets and Art for Locals in Need

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

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Photo courtesy of the nonprofit.
Photo courtesy of the nonprofit.

By Kathy Chouteau
The Richmond Standard

The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.

Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.

Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.

CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects.  The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.

BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.

Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.

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Art

Vandalism at Richmond Ferry Terminal Saddens Residents

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

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Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.
Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.

The Richmond Standard

“This is why we can’t have nice things,” stated the post on NextDoor.

The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.

On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.

Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.

A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.

A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”

“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.

It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk.

“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.

On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.

On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.

Kathy Chouteau contributed to this report.

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