Arts and Culture
Readers Theater Puts on August Wilson’s “Piano Lesson” at Hannah Gallery
August Wilson’s play “The Piano Lesson” was performed at the Hannah Gallery in Marin City Friday, Feb. 27.
Oshalla Diana Marcus directed the play, presenting it as a Community Readers Theater in which actors read their parts.
Readers Theater is rooted in the traditional art of storytelling, where people would gather to hear a gifted storyteller share a story or tale. The listener will use his or her imagination to visualize the details.
This oral tradition evolved into the form of radio shows, which were popular in the 1940s. Today the form continues on National Public Radio and in audio books.
Lashawn Darnell Holcomb (Boy Willie) is a playwright and currently teaches with the Marin Theater Company and leads theater workshops for elementary and middle school students. Holcomb wishes to write for the stage and work with youth.
Alvin Gilmore (Lymon) is the Education Director for Bridge the Gap College Prep. He started performing as a teenager in the musical production of “L’il Abner.”
Gilmore is a teacher and has also performed in various student productions.
ChauntiAna YaVette Keene-Thomas (Maretha) has sung since the age of two and has written songs since the age of four. She has performed in the Marin Theatre Company production of “Oliver” and starred in the role of Dorothy in “The Wiz,” and as Geronimo in the “Seven Rays of Light.”
W. Allen Taylor (Doaker) currently teaches, and directs plays, in College of Marin Drama Department. He has also performed AugustWilson’s “Piano Lesson” as Lymon on the professional stage.
Ricardo Moncrieff (Wining Boy and musical effects) is an improvisation jazz artist and a community activist who sees “art as everything and everywhere,” especially when used to heal.
Carol Thomas (Narrator) is a native of Marin City. Thomas is a singer and actress and has often sung and acted in the Marin City community.
Reggie Murray (Avery Brown) has been studying the craft of theater for the past decade. He played in the “Monster” in Hannah Gallery’s production of the Seven Ray’s of Light and also various character roles in Stage plays.
Chauntina YaVette Keene-Thomas (Grace) has performed several times with the Hannah Gallery along side with her daughter ChauntiAna. Thomas has always had a passion for the theater and has been singing and writing songs, poetry and prose since the age of 6.
Oshalla Diana Marcus read the role of Bernice and directed the play. Marcus is a professional dancer/choreographer who specializes in education through the performing arts and has written, directed and performed in educational and community theater setting in the United States, Russia, Africa and India.
“It was especially an honor to direct a play written by August Wilson, a playwright who brings the complexities of African-American culture to audiences in a way that is both thought-provoking and entertaining,” says Marcus who is committed to carrying on the tradition of storytelling and looks forward to working on new projects.
Activism
New Oakland Moving Forward
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

By Post Staff
Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.
Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.
These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.
So, upward and onward with the movement of New Oakland.
Arts and Culture
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

By Terri Schlichenmeyer
Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages
Take care.
Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.
It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’
Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.
Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.
She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”
When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.
First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”
After their mother died of colon cancer, Rita’s lupus took a turn for the worse.
“Did she even stand a chance?” Davis wrote in her journal.
“It just didn’t seem possible that she, someone so full of life, could die.”
Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.
Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.
But don’t. Not quite yet.
In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.
This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.
Activism
Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.

By Barbara Fluhrer
I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.
I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.
Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing, just blessings. Pray for the best and deal with the rest.
Nobody is perfect, so forgive quickly and love easily!”
Lewis’ book “Detour to Straight Street” is available on Amazon.
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