National

Report: Incarceration Shows Little to No Effect on Crime

Published

10 years ago

March 4, 2015

By Freddie Allen
NNPA Senior Washington Correspondent

WASHINGTON (NNPA) – In the last two decades mass incarceration, a system that has a disproportionate negative impact on the Black community, has had little to no effect on crime, according to a new report.

The United States accounts for about 5 percent of the world’s population and one-quarter of the world’s incarcerated population, “nine to ten times that of many European countries,” the report said and roughly 40 percent of the 2.3 million people that are locked up in jail or prison are Black.

Researchers at the Brennan Center for Justice at the New York University School of Law, a nonpartisan think tank that advocates for criminal justice reform, looked at 14 of the most common theories associated with the decline of crime, including incarceration, an aging population, decreased alcohol use, consumer confidence and even decreased lead in gasoline and found that the current levels of incarceration were ineffective in reducing crime.

Inimai Chettiar, the director of the Justice Program at the Brennan Center, wrote that mass incarceration has been a vast, costly social experiment that has spanned four decades.

Chettiar said, “At current rates, one in three black males can expect to spend time behind bars. This archipelago of prisons and jails costs more than $80 billion annually – about equivalent to the budget of the federal Department of Education.”

The report said that from 1990-1999 an aging population, decreased alcohol consumption, decreased unemployment, growth in income, increased rates of incarceration and the number of police likely had an effect on crime.

“Since 2000, the effect on the crime rate of increasing incarceration, in other words, adding individuals to the prison population, has been essentially zero,” stated the report. “Increased incarceration accounted for approximately 6 percent of the reduction in property crime in the 1990s (this could vary statistically from 0 to 12 percent), and accounted for less than 1 percent of the decline in property crime this century.”

From 2000-2013 consumer confidence, decreased alcohol consumption, income growth, inflation and the introduction of CompStat (COMParative STATistics) contributed to falling crime rates.

The basic principles of CompStat include accurate, timely intelligence, effective tactics, rapid deployment, a targeted policing plan, and follow-up and assessment.

According to the report, CompStat-style programs accounted for about 5 to 15 percent decrease in crime in city urban police departments where they were employed. The report also noted that CompStat policies were different than policing tactics like broken windows, hot spots, or stop-and-frisk.

Researchers said that CompStat contributed to the sharp decline New York City’s from 1994 to 2012, a 63 percent fall vs. 27.2 percent nationwide.

When researchers examined state-level data, they found that slow-moving criminal justice reform contributed to diminishing returns of incarceration.

For years, mandatory minimum sentencing, “10-20-life” and “three strikes” laws contributed to incredible growth in Florida’s jail and prison population.

“By 2010, Florida’s incarceration rate was 38 percent higher than the national average,” the report said. “Since 1980, the effectiveness of increased incarceration in Florida has been declining. In 1980, the state’s prison population was 20,735. In 2002, when the prison population exceeded 75,000, the effectiveness of increased incarceration reached a level that was effectively zero. By 2013, Florida’s prison population skyrocketed to 103,028.”

Even though state lawmakers in Florida passed legislation to abolish mandatory minimums for some low-level drug offenders, the report said that “without major reforms, the state continues to suffer from high rates of recidivism, probation violations, and juveniles graduating to the adult system.”

Past felony convictions often make it difficult or impossible in some cases for ex-offenders to access federal housing, food and education aid and employers use criminal records to screen potential candidates. Limited opportunities on the outside often increase their chances of returning to prison. One in 9 Black children have a parent who is incarcerated increasing the likelihood that they will grow up poor with limited access to high quality education and opportunities continuing the cycle of poverty.

In the foreword to the Brennan Center report, Joseph Stiglitz, the former chairman of the United States Council of Economic Advisers and a 2001 recipient of Nobel Memorial Prize in Economic Sciences wrote that the United States needed to work on decreasing the effects of socioeconomic inequality instead of investing in policies that destroy human potential today and handicap the country in the future.

Stiglitz stated: “When high levels of incarceration provide scant public safety benefit, it is pointless to continue using – wasting – resources in this way. Instead, the country should shift priorities away from policies proven to be ineffective and focus our energies on truly beneficial initiatives that both reduce crime and reduce mass incarceration.”

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Oakland Post: Week of December 25 – 31, 2024

The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024

Published

12 hours ago

December 26, 2024

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Activism

OPINION: “My Girl,” The Temptations, and Nikki Giovanni

Giovanni was probably one of the most famous young African American women in the 1960s, known for her fiery poetry. But even that description is tame. The New York Times obit headline practically buried her historical impact: “Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81.” That doesn’t begin to touch the fire of Giovanni’s work through her lifetime.

Published

3 days ago

December 24, 2024

Oakland Post

Nikki Giovanni. Courtesy of Nikki-Giovanni.com

By Emil Guillermo

The Temptations, the harmonizing, singing dancing man-group of your OG youth, were on “The Today Show,” earlier this week.

There were some new members, no David Ruffin. But Otis Williams, 83, was there still crooning and preening, leading the group’s 60th anniversary performance of “My Girl.”

When I first heard “My Girl,” I got it.

I was 9 and had a crush on Julie Satterfield, with the braided ponytails in my catechism class. Unfortunately, she did not become my girl.

But that song was always a special bridge in my life. In college, I was a member of a practically all-White, all-male club that mirrored the demographics at that university. At the parties, the song of choice was “My Girl.”

Which is odd, because the party was 98% men.

The organization is a little better now, with women, people of color and LGBTQ+, but back in the 70s, the Tempts music was the only thing that integrated that club.

POETRY’S “MY GIRL”

The song’s anniversary took me by surprise. But not as much as the death of Nikki Giovanni.

Giovanni was probably one of the most famous young African American women in the 1960s, known for her fiery poetry. But even that description is tame.

The New York Times obit headline practically buried her historical impact: “Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81.”

That doesn’t begin to touch the fire of Giovanni’s work through her lifetime.

I’ll always see her as the Black female voice that broke through the silence of good enough. In 1968, when cities were burning all across America, Giovanni was the militant female voice of a revolution.

Her “The True Import of Present Dialogue: Black vs. Negro,” is the historical record of racial anger as literature from the opening lines.

It reads profane and violent, shockingly so then. These days, it may seem tamer than rap music.

But it’s jarring and pulls no punches. It protests Vietnam, and what Black men were asked to do for their country.

“We kill in Viet Nam,” she wrote. “We kill for UN & NATO & SEATO & US.”

Written in 1968, it was a poem that spoke to the militancy and activism of the times. And she explained herself in a follow up, “My Poem.”

“I am 25 years old, Black female poet,” she wrote referring to her earlier controversial poem. “If they kill me. It won’t stop the revolution.”

Giovanni wrote more poetry and children’s books. She taught at Rutgers, then later Virginia Tech where she followed her fellow professor who would become her spouse, Virginia C. Fowler.

Since Giovanni’s death, I’ve read through her poetry, from what made her famous, to her later poems that revealed her humanity and compassion for all of life.

In “Allowables,” she writes of finding a spider on a book, then killing it.

And she scared me
And I smashed her
I don’t think
I’m allowed
To kill something
Because I am
Frightened

For Giovanni, her soul was in her poetry, and the revolution was her evolution.

About the Author

Emil Guillermo is a journalist, commentator, and solo performer. Join him at www.patreon.com/emilamok

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Black History

Book Review: In Slavery’s Wake: Making Black Freedom in the World

It’s a tale of heroes: the Maroons, who created communities in unwanted swampland, and welcomed escaped slaves into their midst; Sarah Baartman, the “Hottentot Venus”; Marème Diarra, who walked more than 2000 miles from Sudan to Senegal with her children to escape slavery; enslaved farmers and horticulturists; and everyday people who still talk about slavery and what the institution left behind.

Published

3 days ago

December 24, 2024

Oakland Post

Book cover. Courtesy of Smithsonian Books.

By Terri Schlichenmeyer

Ever since you learned how it happened you couldn’t get it out of your mind.

People, packed like pencils in a box, tightly next to each other, one by one by one, tier after tier. They couldn’t sit up, couldn’t roll over or scratch an itch or keep themselves clean on a ship that took them from one terrible thing to another. And in the new book “In Slavery’s Wake,” essays by various contributors, you’ll see what trailed in waves behind those vessels.

You don’t need to be told about the horrors of slavery. You’ve grown up knowing about it, reading about it, thinking about everything that’s happened because of it in the past four hundred years. And so have others: in 2014, a committee made of “key staff from several world museums” gathered to discuss “telling the story of racial slavery and colonialism as a world system…” so that together, they could implement a “ten-year road map to expand… our practices of truth telling…”

Here, the effects of slavery are compared to the waves left by a moving ship, a wake the story of which some have tried over time to diminish.

It’s a tale filled with irony. Says one contributor, early American Colonists held enslaved people but believed that King George had “unjustly enslaved” the colonists.

It’s the story of a British company that crafted shackles and cuffs and that still sells handcuffs “used worldwide by police and militaries” today.

Today, discussions about cooperation and diversity remain essential.

Says one essayist, “… embracing a view of history with a more expansive definition of archives in all their forms must be fostered in all societies.”

Unless you’ve been completely unaware and haven’t been paying attention for the past 150 years, a great deal of what you’ll read inside “In Slavery’s Wake” is information you already knew and images you’ve already seen.

Look again, though, because this comprehensive book isn’t just about America and its history. It’s about slavery, worldwide, yesterday and today.

Casual readers – non-historians especially – will, in fact, be surprised to learn, then, about slavery on other continents, how Africans left their legacies in places far from home, and how the “wake” they left changed the worlds of agriculture, music, and culture. Tales of individual people round out the narrative, in legends that melt into the stories of others and present new heroes, activists, resisters, allies, and tales that are inspirational and thrilling.

This book is sometimes a difficult read and is probably best consumed in small bites that can be considered with great care to appreciate fully. Start “In Slavery’s Wake,” though, and you won’t be able to get it out of your mind.

Edited by Paul Gardullo, Johanna Obenda, and Anthony Bogues, Author: Various Contributors, c.2024, Smithsonian Books, $39.95