Arts and Culture
Review: Actor Cynthia Erivo Delivers in ‘Harriet,’ a Film That Provokes Controversy

A woman of controversy even now, freedom fighter and liberator Harriet Tubman-Davis, as portrayed in this current iteration is stirring things up again. If a viewer is looking to see a story where white people are not cast as saviors and Africans as beasts, then this is not the film for you.
Clearly, there have to be bad white characters — it is, after all, the Antebellum South and Africans did not enslave themselves. However, this story tempers white folks with sentimental embellishment. If one can bracket the “Hollywood-ness” of this perpetuation of whiteness, then “Harriet” (2019) is the compelling story of a determined woman who is divinely guided.
The term liberation theology is seldom applied to the African people who actually epitomize this kind of thinking. Liberation theology is undoubtedly philosophically centered aboard those slave ships with the Yoruba, Fanti, Akan, Christians and Muslims. What other people sustained such a vision cross time and landscape for 400 years? It was a strategy that worked. Harriet is a descendent of that tradition.
The film “Harriet,” directed by Kasi Lemmons, who wrote the screenplay with Vallejo native Gregory Allen Howard, stars Nigerian British actor Cynthia Erivo as Araminta “Minty” Ross / Harriet Tubman, with Leslie Odom Jr. as William Still, abolitionist, and Janelle Monae as entrepreneur and free woman, Marie Buchanon.
In Erivo’s very capable hands Harriet is not just actualized, but embodied.
Marie and Harriet have many lovely scenes as the freeborn businesswoman, who has no personal knowledge of slavery, comes to both respect, admire and love Harriet as the two become confidantes. Clarke Peters gives a wise and compassionate portrayal of Ben Ross, Harriet’s father and Rit’s husband, as does Vondie Curtis-Hall who portrays Rev. Samuel Green, a secretly-abolitionist freedman, who gives Harriet important advice. All of this drama is set against a backdrop of Terence Blanchard’s score and John Toll’s lovely cinematography.
“Harriet” is a story of faith and it is also the story of a young African woman who is determined to free as many of her people as humanly possible. Early on, she learns that fear is her only enemy and when she learns this, she has no other problems — not her fainting spells from a head injury or the occasional setbacks incurred when she is moving through enemy territory with other Africans who initially challenge her leadership or want to turn back. The abolitionist is flexible and able to think on her feet. In one scene while she is unconscious, someone moves to touch her and another African stops the person and says Harriet is talking to God.
Though filmed in Virginia, “Harriet” is a mixed bag made in the studio. There is a lot of tension, surprise, pursuit and close calls that Erivo’s Harriet handles with dignity and fortitude. The film is not hard to sit through despite these tense moments, which could have been a lot worse as the violence toward Harriet is shown in a flashback and other brutality is minimized except one brutal scene. There is even a suggested love story between Harriet and her master’s son Gideon Brodess (Joe Alwyn). It’s all in his mind. Harriet doesn’t even entertain these ideas, but the setup is there.
Now known as Moses, Harriet is too busy rescuing her people and fighting a war, yet more importantly never forgetting where she has been and what she left behind. She tells those assembled in the North at a meeting where Frederick Douglass and other well-known abolitionists have gathered, that the Africans who were born free do not know what it is like to be enslaved and if they did, they would understand the urgency with which she operates.
What I like about this film is the compassion Harriet has for her sister, Rachel Ross, portrayed by Deborah Ayorinde, an actress who was born in London, yet grew up in San Jose. Harriet loves her family, her sister, mother and father and puts her life at risk caring so much for them.
Activism
Golden State Warriors Program Is Inspiring Next Generation of Female Engineers
Breaking down barriers and biases that deter young girls from pursuing STEAM subjects is essential for creating a level playing field and ensuring equal opportunities for all. By challenging stereotypes and promoting a culture of inclusivity and diversity in STEAM fields, experts believe young girls can be empowered to pursue their interests and aspirations without limitations confidently. Encouraging mentorship, providing access to resources, and celebrating girls’ achievements in STEAM are all crucial steps in creating a supportive environment that fosters success.

By Y’Anad Burrell
The Golden State Warriors and e-commerce giant Rakuten are joining forces to inspire the next generation of female engineers through Building STEAM Futures, part of The City Calls campaign.
Organizers say the initiative is founded on the idea that science, technology, engineering, arts, and mathematics (STEAM) are crucial fields for innovation and progress, and empowering young girls to pursue careers in these areas is more important than ever. Studies consistently show that girls are underrepresented in STEAM fields, resulting in a gender disparity that limits potential and hinders diversity.
Breaking down barriers and biases that deter young girls from pursuing STEAM subjects is essential for creating a level playing field and ensuring equal opportunities for all. By challenging stereotypes and promoting a culture of inclusivity and diversity in STEAM fields, experts believe young girls can be empowered to pursue their interests and aspirations without limitations confidently. Encouraging mentorship, providing access to resources, and celebrating girls’ achievements in STEAM are all crucial steps in creating a supportive environment that fosters success.
On Saturday, March 8, International Women’s Day, the Warriors and Rakuten hosted 20 middle school girls from Girls Inc. of Alameda County at Chase Center’s Above the Rim for a hands-on bridge-building experience. The young girls from Girls, Inc. of Alameda County had an opportunity to design, build and test their own bridge prototypes and learn the fundamentals of bridge construction from the Engineering Alliance and the UC Berkeley Steel Bridge Team.
This STEAM experience for the girls followed the first session in January, where they took a behind-the-scenes tour of the Golden Gate Bridge, learning about its design and construction from industry experts. The City Calls campaign, tipped off with the unveiling the Warriors’ new bridge-themed City Edition jerseys and court design earlier this year.
Arts and Culture
Beverly Lorraine Greene: A Pioneering Architect and Symbol of Possibility and Progress
Greene graduated from the University of Illinois at Urbana-Champaign in 1936 with a degree in Architecture — a remarkable accomplishment for an African American woman at the time. She was never discouraged by the racial and gender discrimination that saturated her field.

By Tamara Shiloh
In the mid-20th century, Beverly Lorraine Greene was recognized as the first African American woman licensed to practice architecture in the United States.
Greene was born on Oct. 4, 1915, in Chicago during an era when opportunities for African Americans, particularly women, were severely limited.
Her parents, James and Vera Greene, were deeply invested in her education, instilling in her a belief in the power of intellect and perseverance. She grew up during the Great Migration that transformed Chicago starting in 1900.
Greene graduated from the University of Illinois at Urbana-Champaign in 1936 with a degree in Architecture — a remarkable accomplishment for an African American woman at the time. She was never discouraged by the racial and gender discrimination that saturated her field.
Greene continued her education, earning a master’s degree in City Planning and Housing in 1937, also from the University of Illinois. Her ambition was not merely to design structures but to shape spaces that fostered equity and community. In 1942, she became the first African American woman licensed as an architect in the United States, obtaining her credentials in Illinois. This groundbreaking achievement, however, did not translate immediately into job opportunities.
Early in her career, she faced significant discrimination from firms unwilling to hire a Black woman. However, her determination never wavered. In 1945, Beverly moved to New York City, a place she believed could offer broader professional opportunities.
She joined the architectural department of the New York City Housing Authority, focusing on affordable housing projects. Her work during this time reflected her commitment to using architecture as a tool for social justice, ensuring that marginalized communities had access to well-designed, dignified living spaces.
Greene’s talents soon drew the attention of prominent firms. She was hired by Isadore Rosenfield, a respected architect known for designing hospitals. She contributed to the design of healthcare facilities, including the modernization of Harlem Hospital. Her portfolio expanded in collaboration with architectural personalities such as Marcel Breuer and Edward Durell Stone.
Notably, she worked on the prestigious UNESCO headquarters in Paris — a landmark project that brought her skills to an international stage. Her involvement underscored her ability to navigate the intricacies of large-scale, global projects, proving that her talents transcended the limitations society sought to impose.
Greene’s career was tragically cut short when she passed away unexpectedly in 1957 at the age of 41. Though her life was brief, her impact was profound. She shattered entrenched barriers, paving the way for future generations of Black architects and women in the field.
Activism
U.S. House Minority Leader Hakeem Jeffries and Rep. Lateefah Simon to Speak at Elihu Harris Lecture Series
The popular lecture series is co-produced by the Oakland-based Martin Luther King Jr. Freedom Center and Peralta Community College District. Jeffries’ appearance marks the 32nd lecture of the Barbara Lee and Elihu Harris Lecture Series, which has provided thousands of individuals with accessible, free, high-quality information.

By Scott Horton
United States House of Representatives Minority Leader Hakeem Jeffries (D-NY-8) will be a speaker at the Barbara Lee and Elihu Harris Lecture Series on Friday, Feb. 21.
The event will be held at the Henry J. Kaiser Center for the Arts, 10 Tenth Street in Oakland, at 7 p.m.
The popular lecture series is co-produced by the Oakland-based Martin Luther King Jr. Freedom Center and Peralta Community College District. Jeffries’ appearance marks the 32nd lecture of the Barbara Lee and Elihu Harris Lecture Series, which has provided thousands of individuals with accessible, free, high-quality information.
The overarching goal of the lecture series is to provide speakers from diverse backgrounds a platform to offer their answers to Dr. King’s urgent question, which is also the title of Jeffries’ latest book: “Where do we go from here: Chaos or Community?”
In addition to Jeffries, Congresswoman Lateefah Simon (D-CA-12) will also speak.
“Certainly, now is a time for humanity, in general, and Americans in particular to honestly and genuinely answer Dr. King’s question,” said Dr. Roy D. Wilson, Executive Director of the Martin Luther King Jr. Freedom Center and Executive Producer of the lecture series.
“Dr. King teaches that time is neutral but not static. Like the water in a river, it arrives and then quickly moves on,” continued Wilson. “We must urgently create conditions for listening to many different answers to this vital question, and generate the development of unity of action among all those who struggle for a stronger democracy.”
In his book, Jeffries shares his experience of being unanimously elected by his colleagues as the first African American in history to ever hold the position of House Minority Leader.
In January 2023 in Washington, Jeffries made his first official speech as House Minority Leader. He affirmed Democratic values one letter of the alphabet at a time. His words and how he framed them as the alphabet caught the attention of Americans, and the speech was later turned into a book, The ABCs of Democracy, bringing Congressman Jeffries rousing speech to vivid, colorful life, including illustrations by Shaniya Carrington. The speech and book are inspiring and urgent as a timeless reminder of what it means to be a country with equal opportunities for all. Jeffries paints a road map for a brighter American future and warns of the perils of taking a different path.
Before his colleagues unanimously elected him Minority Leader in 2022, Jeffries previously served as Chair of the House Democratic Caucus and as an Impeachment Manager during the first Senate trial of the 45th President of the United States.
Jeffries was born in Brooklyn Hospital, raised in Crown Heights, grew up in the Cornerstone Baptist Church and he is a product of New York City’s public school system, graduating from Midwood High School. Jefferies went on to Binghamton University (BA), Georgetown University (master’s in public policy) and New York University (JD).
He served in the New York State Assembly from 2007 to 2012.
Admission is free for the Feb. 21 Barbara Lee and Elihu Harris Lecture Series featuring Congressman Jeffries. Please reserve seats by calling the Martin Luther King Jr. Freedom Center at (510) 434-3988.
Signed copies of his book will be available for purchase at the event.
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