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REVIEW: ‘Nope’ is a Yes! — Peele Delivers with Follow-Up

NNPA NEWSWIRE — Jordan Peele delivers with Nope, a film set on the margins of Hollywood, focusing on the family of the Black jockey captured in the early films of trailblazing photographer and filmmaker Eadweard Muybridge. By incorporating Muybridge’s short film, “The Horse in Motion,” Peele elevates the importance of Black jockeys in the many aspects of American culture and the significance of the Black presence and influence at the beginning of Hollywood.

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By Nsenga K. Burton, Ph.D., NNPA Newswire Culture and Entertainment Editor

Jordan Peele has been compared to horror and psychological thriller giant Alfred Hitchcock and science-fiction legend Steven Spielberg, but Peele is in a league of his own. Peele’s masterful ability to merge two beloved film genres, with social commentary on issues of race, gender, class, and sexuality is unparallel in the current filmic landscape. Initially celebrated for his comedic chops, Peele burst onto the horror scene with his cult-classic horror Get Out (2017) and followed-up with the scary and often meandering Us (2019). Both films used symbolism brilliantly and succeeded as horror films because the monsters were familiar characters, symbolic of society and played by characters who look and feel like us.

There is an otherworldliness about Peele’s films that traffic in the mundane, to highlight the complexity of the precariousness of a world driven by a perverse need for power, influence, and capital. Peele humanizes those who live on the margins or the underbelly of the society and brilliantly recasts their lives into the horror show that is often America and what it means to live on the margins of society while the tokenism and appropriation of your culture is center stage.

Peele delivers with Nope, a film set on the margins of Hollywood, focusing on the family of the Black jockey captured in the early films of trailblazing photographer and filmmaker Eadweard Muybridge. By incorporating Muybridge’s short film, “The Horse in Motion,” Peele elevates the importance of Black jockeys in the many aspects of American culture and the significance of the Black presence and influence at the beginning of Hollywood.

The Haywood family is a Black family that has worked as horse wranglers for Hollywood for over a century. They are the descendants of the Black jockey showcased in the Muybridge film and are still stuck in the same position as their ancestors despite the change in time and ostensibly space. Keith David plays Otis Haywood, Sr., the patriarch of the Haywood clan who is hell bent on maintaining his ancestor’s greatest dream. Daniel Kaluuya stars as Otis, Jr. (OJ), who works with his father and is unimpressed by the movie business or the jackasses who permeate filmmaking culture.

Although OJ, who is Black, is the expert on the movie set, he is belittled and demeaned by all of the White folks on set from the director to the production assistants. Keke Palmer stars as Emerald, the free-spirited daughter who plays to the hostile audience, literally listing all of her skills and abilities as she performs servitude.

The audience knows if Emerald was white, the offspring of Hollywood royalty, and working with all of those skills, Emerald would be the star or director of the film and calling the shots. Such is not the case with the Haywood clan, who is relegated and reminded of their position on the lower rungs of society and Hollywood throughout the film.

Desperate for money and fame after being kicked off set, the Haywood family decides to capture the greatest spectacle ever – unidentified flying objects (UFOs), now called unidentified aerial phenomena (UAPs). OJ and Emerald set out to photograph and record the alien life that is omnipresent yet largely ignored by those who live with them on the outskirts of Hollywood.

Instead of engaging scientists or the government, the Haywoods set out to do it themselves so they can reap the financial rewards and adoration of an industry and public that has little to no use for them otherwise.

The Haywoods embody the “find a way or make one,” spirit of Black independent cinema and literally create and capture the story that was always worth telling but undervalued by Hollywood and society. Along the way, they pick up Angel (Brandon Perea), a techie with an obsession with outer space and Antlers (Michael Wincott), a maverick cinematographer who is still chasing cinematic glory in spite of his elite status in the industry.

Antlers, who insists he captures images, but is not part of the story, disposes of his philosophy, deciding to be part of the spectacle and jeopardizes the entire shoot and lives in a harrowing scene.

One of the most interesting parts of the film is the number of Easter Eggs (intertextual references) strewn throughout the narrative. In fact, it is an intertextual reference to 1980s sitcoms that is most harrowing and provides the context and strongest symbolism of tokenism and what that means for people of color pursuing the Hollywood dream. Ricky “Jupe” Park (Steven Yeun) is a former child star who survived a merciless attack by a chimpanzee named Gordy during the taping of a hit 1980s sitcom.

Jupe now runs Jupiter’s Claim, a Western-themed amusement park, pulling in an audience that would probably be at Disneyland if they could afford it. Instead, Jupiter’s Claim fits the bill, and Jupe who survived the brutality of the attack and the tokenism of Hollywood, clings to his desire to be the star of the show.

While he appears to work with OJ in taking horses off of his hands to keep the horse farm going until OJ can afford to buy them back, Jupe actually works against his closest ally in order to create a spectacle for attendees at the expense of all involved.

Nope is a commentary on so many things – the environment, animal cruelty, racism, sexism, heterosexism, the entertainment industry – and shows how all of those things are interconnected in shaping who we are as a society. It’s the intersectionality for me.

With a storyline told through a historical lens that interrogates society and the people who make up this world and the next, strong performances and a brilliant use of camp and other comedic tools, Peele does it again, making a must-see film that will be talked about in film classes, the barbershop, dinner tables, Hollywood, and the like for many years to come.

Nsenga K. Burton Ph.D.

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#NNPA BlackPress

Chavis and Bryant Lead Charge as Target Boycott Grows

BLACKPRESSUSA NEWSWIRE — Surrounded by civil rights leaders, economists, educators, and activists, Bryant declared the Black community’s power to hold corporations accountable for broken promises.

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By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent

Calling for continued economic action and community solidarity, Dr. Jamal H. Bryant launched the second phase of the national boycott against retail giant Target this week at New Birth Missionary Baptist Church in Atlanta. Surrounded by civil rights leaders, economists, educators, and activists, Bryant declared the Black community’s power to hold corporations accountable for broken promises. “They said they were going to invest in Black communities. They said it — not us,” Bryant told the packed sanctuary. “Now they want to break those promises quietly. That ends tonight.” The town hall marked the conclusion of Bryant’s 40-day “Target fast,” initiated on March 3 after Target pulled back its Diversity, Equity, and Inclusion (DEI) commitments. Among those was a public pledge to spend $2 billion with Black-owned businesses by 2025—a pledge Bryant said was made voluntarily in the wake of George Floyd’s murder in 2020.“No company would dare do to the Jewish or Asian communities what they’ve done to us,” Bryant said. “They think they can get away with it. But not this time.”

The evening featured voices from national movements, including civil rights icon and National Newspaper Publishers Association (NNPA) President & CEO Dr. Benjamin F. Chavis Jr., who reinforced the need for sustained consciousness and collective media engagement. The NNPA is the trade association of the 250 African American newspapers and media companies known as The Black Press of America. “On the front page of all of our papers this week will be the announcement that the boycott continues all over the United States,” said Chavis. “I would hope that everyone would subscribe to a Black newspaper, a Black-owned newspaper, subscribe to an economic development program — because the consciousness that we need has to be constantly fed.” Chavis warned against the bombardment of negativity and urged the community to stay engaged beyond single events. “You can come to an event and get that consciousness and then lose it tomorrow,” he said. “We’re bombarded with all of the disgust and hopelessness. But I believe that starting tonight, going forward, we should be more conscious about how we help one another.”

He added, “We can attain and gain a lot more ground even during this period if we turn to each other rather than turning on each other.” Other speakers included Tamika Mallory, Dr. David Johns, Dr. Rashad Richey, educator Dr. Karri Bryant, and U.S. Black Chambers President Ron Busby. Each speaker echoed Bryant’s demand that economic protests be paired with reinvestment in Black businesses and communities. “We are the moral consciousness of this country,” Bryant said. “When we move, the whole nation moves.” Sixteen-year-old William Moore Jr., the youngest attendee, captured the crowd with a challenge to reach younger generations through social media and direct engagement. “If we want to grow this movement, we have to push this narrative in a way that connects,” he said.

Dr. Johns stressed reclaiming cultural identity and resisting systems designed to keep communities uninformed and divided. “We don’t need validation from corporations. We need to teach our children who they are and support each other with love,” he said. Busby directed attendees to platforms like ByBlack.us, a digital directory of over 150,000 Black-owned businesses, encouraging them to shift their dollars from corporations like Target to Black enterprises. Bryant closed by urging the audience to register at targetfast.org, which will soon be renamed to reflect the expanding boycott movement. “They played on our sympathies in 2020. But now we know better,” Bryant said. “And now, we move.”

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The Department of Education is Collecting Delinquent Student Loan Debt

BLACKPRESSUSA NEWSWIRE — the Department of Education will withhold money from tax refunds and Social Security benefits, garnish federal employee wages, and withhold federal pensions from people who have defaulted on their student loan debt.

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By April Ryan

Trump Targets Wages for Forgiven Student Debt

The Department of Education, which the Trump administration is working to abolish, will now serve as the collection agency for delinquent student loan debt for 5.3 million people who the administration says are delinquent and owe at least a year’s worth of student loan payments. “It is a liability to taxpayers,” says White House Press Secretary Karoline Leavitt at Tuesday’s White House Press briefing. She also emphasized the student loan federal government portfolio is “worth nearly $1.6 trillion.” The Trump administration says borrowers must repay their loans, and those in “default will face involuntary collections.” Next month, the Department of Education will withhold money from tax refunds and Social Security benefits, garnish federal employee wages, and withhold federal pensions from people who have defaulted on their student loan debt. Leavitt says “we can not “kick the can down the road” any longer.”

Much of this delinquent debt is said to have resulted from the grace period the Biden administration gave for student loan repayment. The grace period initially was set for 12 months but extended into three years, ending September 30, 2024. The Trump administration will begin collecting the delinquent payments starting May 5. Dr. Walter M. Kimbrough, president of Talladega College, told Black Press USA, “We can have that conversation about people paying their loans as long as we talk about the broader income inequality. Put everything on the table, put it on the table, and we can have a conversation.” Kimbrough asserts, “The big picture is that Black people have a fraction of wealth of white so you’re… already starting with a gap and then when you look at higher education, for example, no one talks about Black G.I.’s that didn’t get the G.I. Bill. A lot of people go to school and build wealth for their family…Black people have a fraction of wealth, so you already start with a wide gap.”

According to the Education Data Initiative, https://educationdata.org/average-time-to-repay-student-loans It takes the average borrower 20 years to pay their student loan debt. It also highlights how some professional graduates take over 45 years to repay student loans. A high-profile example of the timeline of student loan repayment is the former president and former First Lady Barack and Michelle Obama, who paid off their student loans by 2005 while in their 40s. On a related note, then-president Joe Biden spent much time haggling with progressives and Democratic leaders like Senators Elizabeth Warren and Chuck Schumer on Capitol Hill about whether and how student loan forgiveness would even happen.

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VIDEO: The Rev. Dr. Benjamin F. Chavis, Jr. at United Nations Permanent Forum on People of African Descent

https://youtu.be/Uy_BMKVtRVQ Excellencies:       With all protocol noted and respected, I am speaking today on behalf of the Black Press of America and on behalf of the Press of People of African Descent throughout the world.  I thank the Proctor Conference that helped to ensure our presence here at the Fourth Session of the […]

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Excellencies:

      With all protocol noted and respected, I am speaking today on behalf of the Black Press of America and on behalf of the Press of People of African Descent throughout the world.  I thank the Proctor Conference that helped to ensure our presence here at the Fourth Session of the UN Permanent Forum on People of African Descent.
      The focus on AI and digital equity is urgent within the real time realities today where there continues to be what is referred to as the so called mainstream national and international media companies that systematically undergird racism and imperialism against the interests of People of African Descent.
         We therefore call on this distinguished gathering of leaders and experts to challenge member states to cite and to prevent the institutionalization of racism in all forms of media including social media, AI and any form of digital bias and algorithmic discrimination.
            We cannot trust nor entertains the notion that  former and contemporary enslavers will now use AI and digital transformation to respect our humanity and fundamental rights.
              Lastly we recommend that a priority should be given to the convening of an international collective of multimedia organizations  and digital associations that are owned and developed by Africans and People of African Descent.
Basta the crimes against our humanity!
Basta Racism!
Basta Imperialism!
A Luta Continua!
Victory is certain!
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