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Rising Hollywood Star Rayan Lawrence Reflects on Hit Cable Series and the Influence of 50 Cent

NNPA NEWSWIRE — Rayan Lawrence, plays K-9 in the hit Starz show BMF (Black Mafia Family). The series tells the true story of how the Flenory brothers (Demetrius “Big Meech” Flenory and Terry “Southwest Tee” Flenory) fought their way out of poverty and the war on drugs in Detroit to become cultural and hip-hop game changers.
The post Rising Hollywood Star Rayan Lawrence Reflects on Hit Cable Series and the Influence of 50 Cent first appeared on BlackPressUSA.

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Rayan Lawrence doesn’t let his success make him arrogant.

Lawrence, who plays K-9 in the hit Starz show BMF (Black Mafia Family), is just enjoying his newfound fame as the show’s new lead character.

Lawrence told the Washington Informer, “I love this, it’s so cool.”

“Back in New York, I went to a fashion show, and everyone there loves K-9. Because of what we’re doing with the character, everyone loves me.”

BMF tells the true story of how the Flenory brothers — Demetrius “Big Meech” Flenory and Terry “Southwest Tee” Flenory — fought their way out of poverty and the war on drugs in Detroit to become cultural and hip-hop game changers.

As the Flenory brothers build a national empire, their pursuit of the American Dream is tied in with themes of family, faith, and loyalty.

Curtis “50 Cent” Jackson, a business and hip-hop mogul, is the executive producer of the hit show. Starz just announced that it has signed on for a third season of BMF.

The aspect of family creates a great attraction for Lawrence, he asserted.

“I was raised to value family, so it’s been amazing to be a part of this,” Lawrence said. “And to work with 50 Cent again. I worked with him on ‘Power,’ and I’ve been so excited to meet him.

LaLa Anthony, Mo’Nique, Steve Harris, and others also appear on BMF.

But playing the role of K-9, a ruthless gang leader aligned with Big Meech, counts as Lawrence’s biggest role to date.

In the past, he has appeared as a guest on shows like Ironside, FBI, and Magnum P.I.

He said that when he was a guest on Blue Bloods, he learned a lot from the famous actor Tom Selleck.

But he also gives credit to actor and director Shiek Mahmud-Bey, who has made a name for himself onscreen and teaches actors like Lawrence through his “Char’Actors” company and “Shiek Studios.”

New York, Detroit, Arkansas, and Atlanta are all now home to Shiek Studios.

Later this year, Shiek Studios will add Shiek University, a school where people can learn how to be a director.

Lawrence said, “Shiek is my guy.”

“We’ve worked together for many years. When we worked on a movie together, I found him very interesting,” Lawrence said.

“A director told me about Shiek, so I looked him up and thought, ‘Oh, I get it.’ I wanted to be a part of what he was doing, and I love the way he does his job. He helped me with auditions and gave me advice on BMF.”

Lawrence said Mahmud-Bey taught him to be true to the characters he portrays.

“I learned a lot from what he taught me,” Lawrence added.

“Be honest and sure of yourself, and be present, ready to listen and answer. That’s what he said to me.”

That advice worked out well.

Lawrence said he was moved to learn more about the history of slavery while he was making the movie “Underground.”

Before the movie, Lawrence said he stayed away from those stories because they were traumatizing.

During the 2016 presidential election, Underground was being filmed.

Lawrence recalled that they filmed a pivotal scene on the day that Donald Trump was elected president.

“One of the most important scenes was shot on the day Donald Trump was elected,” Lawrence said. “We had a scene about the right to vote. It was very dramatic, and we were in Atlanta. I played an abolitionist, and I must tell you that in the scene we shot that day, I really did throw some punches. There was so much tension.”

Lawrence’s first job was as a model, but he said he was bored.

He said he enjoyed acting better than being a model because as a model, “all I did was take pictures all day.”

“I started looking into characters to figure out how they thought, and I love the process,” Lawrence asserted. “After all these years, I still love the process, including going to auditions.”

BMF is filmed in Detroit, but Lawrence said he hasn’t had a chance to see much of the Motor City yet.

He said, “We filmed here, and we stayed at the Motor City Casino Hotel.”

“It’s a great and unique experience, but I’ve seen run-down houses where you can buy a house for $900, but no one seems to take advantage of that,” Lawrence said.

“It’s sad because there are many things that could be done.”

The post Rising Hollywood Star Rayan Lawrence Reflects on Hit Cable Series and the Influence of 50 Cent first appeared on BlackPressUSA.

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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