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Soul and R&B Universe Mourns Loss of Roberta Flack, Gwen McCrae and Jerry Butler

By Stacy M. Brown NNPA Newswire Senior National Correspondent @StacyBrownMedia Roberta Flack, the Grammy-winning singer and pianist whose smooth vocals and intimate style made her a defining artist of the 1970s, died Monday at her home surrounded by family. She was 88. Her publicist, Elaine Schock, confirmed the news in a statement. Flack revealed in […]

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By Stacy M. Brown

NNPA Newswire Senior National Correspondent

@StacyBrownMedia

Roberta Flack, the Grammy-winning singer and pianist whose smooth vocals and intimate style made her a defining artist of the 1970s, died Monday at her home surrounded by family. She was 88. Her publicist, Elaine Schock, confirmed the news in a statement. Flack revealed in 2022 that she had been diagnosed with amyotrophic lateral sclerosis (ALS), also known as Lou Gehrig’s disease, which had taken away her ability to sing.

Her death came just one day after the passing of soul-funk singer Gwen McCrae, who died Sunday at 81. McCrae, best known for hits like “Rockin’ Chair” and “Funky Sensation,” was celebrated for her enduring influence on soul and disco music. It also came just days after three-time Grammy nominee and Rock and Roll Hall of Famer Jerry Butler, a premier soul singer of the 1960s, died at 85.

Butler, known as “Ice Man,” had numerous hits including “For Your Precious Love,” and “Make It Easy on Yourself.”

Butler’s niece, Yolanda Goff, told The Associated Press that Butler died of Parkinson’s disease at his home in Chicago.

Roberta Flack: A Life in Music

Born Roberta Cleopatra Flack on February 10, 1937, in Black Mountain, North Carolina, she was raised in Arlington, Virginia, where her musical roots were cultivated at the Lomax African Methodist Episcopal Zion Church. Flack began piano lessons at nine and earned a full scholarship to Howard University at 15. She initially studied piano before switching to voice. She graduated at 19 and later taught music and English in North Carolina after her father’s death.

In Washington, D.C., Flack balanced teaching with nightclub performances, captivating audiences at local venues like Mr. Henry’s on Capitol Hill. Her breakthrough came when jazz pianist Les McCann discovered her and arranged an audition with Atlantic Records. Her 1969 debut album First Take initially received little attention until Clint Eastwood featured her rendition of “The First Time Ever I Saw Your Face” in his 1971 film Play Misty for Me. Released as a single in 1972, the song topped the Billboard Hot 100 for six weeks and earned Flack her first Grammy Award for Record of the Year.

Flack’s success soared with her 1973 recording of “Killing Me Softly with His Song,” which became her signature hit. The song spent five weeks at No. 1 on the Billboard Hot 100 and earned her two Grammys: Record of the Year and Best Female Pop Vocal Performance. With the win, Flack became the first artist to earn consecutive Record of the Year awards.

Her partnership with Donny Hathaway produced hits like “Where Is the Love,” which won a Grammy for Best Pop Performance by a Duo or Group. She continued her chart success with “Feel Like Makin’ Love” in 1974, making her the first female vocalist to top the Hot 100 in three consecutive years. Flack’s later collaborations with Peabo Bryson and Maxi Priest yielded popular tracks like “Tonight I Celebrate My Love” and “Set the Night to Music.”

Throughout her career, Flack advocated for artist rights and founded the Roberta Flack School of Music, providing free music education to underprivileged youth. She received a star on the Hollywood Walk of Fame in 1999 and performed for Nelson Mandela that same year. Flack is survived by her son, musician Bernard Wright.

Gwen McCrae: Soul and Disco Legacy

Gwen McCrae, celebrated for her rich voice and lasting impact on the disco and soul music scenes, died Sunday at 81. A statement from her official brand account called her passing “more bad news” for the music world and acknowledged how fans “are still jamming to ‘Rockin’ Chair’ all these years later.”

Born Gwen Mosley in Pensacola, Florida, McCrae began singing in church choirs before meeting George McCrae, whom she married in 1963. The couple performed as a duo and signed with Henry Stone’s Alston label. By 1970, McCrae had achieved early success with “Lead Me On.” In 1972, she released “Always On My Mind,” a song later popularized by artists including Elvis Presley, Willie Nelson, and the Pet Shop Boys.

Her biggest commercial success came in 1975 with “Rockin’ Chair,” which topped the R&B chart and reached No. 9 on the Billboard Hot 100. While the single remains her most widely recognized hit, many fans and DJs remember her for the 1981 club favorite “Funky Sensation,” which has endured as a dancefloor staple.

McCrae’s career spanned decades, and her other notable songs included “Keep the Fire Burning.” Despite her accomplishments, she often spoke about the lack of recognition and fair compensation for Black artists of her era.

After suffering a stroke in 2012 that left her partially paralyzed, McCrae retired from performing. Her daughter, Leah McCrae, carries on the family’s musical legacy as a solo artist and member of the group Daughters of Soul.

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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