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‘Spider-Man: Across the Spider-Verse’ Review
by Dwight Brown film critic for DwightBrownInk.com and NNPA News Wire (***1/2) Buckle up, Spider-Man fans. What feels like a barrage of one billion cartoon images is coming your way. Digital effects so massive and rapid-fire, your eyeballs will scream for mercy. The Oscar®-winning 2018 Spider-Man Into the Spider-Verse is a distant 2018 memory. Back […]
The post ‘Spider-Man: Across the Spider-Verse’ Review first appeared on BlackPressUSA.


by Dwight Brown film critic for DwightBrownInk.com and NNPA News Wire
(***1/2)
Buckle up, Spider-Man fans. What feels like a barrage of one billion cartoon images is coming your way. Digital effects so massive and rapid-fire, your eyeballs will scream for mercy.
The Oscar®-winning 2018 Spider-Man Into the Spider-Verse is a distant 2018 memory. Back then bug-bit, highschooler Miles-Morales (Shameik Moore) lived with his Puerto Rican mom Rio (Luna Lauren Velez) and African American, police officer dad Jefferson Davis (Bryan Tyree Henry) in Brooklyn.
He’d been mentored by OG Spider-Man Peter J. Parker (Jake Johnson) and befriended and smitten by Gwen Stacey (Hailee Steinfeld)—aka Spider-Woman. Miles and other folks banded together to fight what was evil. It was a challenging feat made easy to discern by Phil Lord and Rodney Rothman’s screenplay and expertly directed by Bob Persichetti, Peter Ramsey and Rodney Rothman.
That filmmaking team has turned over the reins to directors Joaquim Dos Santos, Kemp Powers and Justin K. Thompson. Phil Lord’s co-writing team now includes Christopher Miller and Dave Callaham. The difference is night and day. The ultra-contemporary dialogue sounds like kids on the street expounding on life, parents who don’t understand them and the ambivalent feelings they have for others. Multiple extraneous characters are piled on to the point of oversaturation, but are easy to tell apart, nonetheless. The plotline splinters in a various directions. Some fascinating. Some not. Still, what’s on view is astounding to see 99% of the time.
The Spot (Jason Schwartzman) is a villain who blames Miles for his deformed existence. The white ghost of a figure, with black spots on his body, seethes: “I’m going to take everything from you like you took everything from me!” Spider-Man’s clear assignment is to stop him. The waters ahead are muddied by a band of Spider-People from the Spider-Society. They’re led by Miguel O’Hara (Oscar Isaac), who wants to implement a different approach to saving the Multiverse. They clash. They clash big time. And nothing will thwart a mission like a bunch of narcissistic super-heroes disagreeing. Miles: “Everyone keeps telling me how my story is supposed to go. Nah. Imma do my own thing!”
The visuals kick ass. Quick, kinetic illustrations thrown at the screen like a series of colorful, pop art paintings. Special attention to shapes, shades, textures, layers and angles. An uncanny mixture of old-school drawings and futuristic animation. The action sequences thrill, too. Folks dangling from webs, gliding through the air. Fist fights, annihilations. More people, more superheroes. Jumbo-size, comic book words plastered on the footage. It’s a lot to absorb. Stunning to look at in the most ingenious ways. An assault on the senses. A good one. Makes you want to ask the film’s creators how many psychedelics or magic mushrooms they took before they dreamed up this fable. And if drugs weren’t involved, they all need psychiatric help!
Minus a few expository moments, it’s like an eclectic, staccato MTV video is blasted at you for 2h 20m (editor Mike Andrews). Or, like you just took a punch and are still seeing stars. The colors (art directors Dean Gordon and Araiz Khalid), costumes (Brooklyn El-Omar) and sets (Patrick O’Keefe) are stunning. The non-stop visual, digital, audio and animated effects are completely arresting. When Daniel Pemberton’s blaring musical score (driving bass and soaring strings) isn’t revving up emotions and energy, the most upbeat, neo-soul, funk, rock playlist is streamed, like it was culled from Spotify’s top ten: “Sunflower,” by Post Malone; “This is My Time,” by Lecrae; Familia,” by Nicki Minaj.
When the script isn’t selling bombastic, self-indulgent, big-picture visuals, it finds time to explore deep-seeded feelings. Heartfelt emotions between a teen boy and his worried parents. Between an angst-riddled adolescent girl and her struggling-to-understand single father (Shea Whigham). These moments are precious. Calming oases amid a stormy onslaught that’s as invigorating as it is exhausting. For the first 40 minutes of setup, the hurricane of hallucinations and fantasies are entertaining. But as the film rattles on, the younger moviegoers may stay more attentive than adults, who may become weary.
The entire cast conveys more drama with voices, tones and inflection than in-the-flesh actors could ever do in a live-action treatment. The new additions of Issa Rae, Daniel Kaluuya, Karan Soni, Jorma Taccone and Amanda Stenberg bring more life to the party.
It might be hyperbole to say that this state-of-the art animation is about as genius as it gets for the genre. But for kids, teens and twentysomethings, raised on MTV, comic books and TikTok, that isn’t an overstatement. It’s their truth. This is their holy grail. Their generation’s take on what a superhero parable should be. Zillions of images hurled at their eyeballs until they’re dizzy and in ecstasy.
In theaters June 2nd.
Trailer: https://www.youtube.com/watch?v=shW9i6k8cB0
Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com.
The post ‘Spider-Man: Across the Spider-Verse’ Review appeared first on Chicago Defender.
The post ‘Spider-Man: Across the Spider-Verse’ Review first appeared on BlackPressUSA.
#NNPA BlackPress
Recently Approved Budget Plan Favors Wealthy, Slashes Aid to Low-Income Americans
BLACKPRESSUSA NEWSWIRE — The most significant benefits would flow to the highest earners while millions of low-income families face cuts

By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent
The new budget framework approved by Congress may result in sweeping changes to the federal safety net and tax code. The most significant benefits would flow to the highest earners while millions of low-income families face cuts. A new analysis from Yale University’s Budget Lab shows the proposals in the House’s Fiscal Year 2025 Budget Resolution would lead to a drop in after-tax-and-transfer income for the poorest households while significantly boosting revenue for the wealthiest Americans. Last month, Congress passed its Concurrent Budget Resolution for Fiscal Year 2025 (H. Con. Res. 14), setting revenue and spending targets for the next decade. The resolution outlines $1.5 trillion in gross spending cuts and $4.5 trillion in tax reductions between FY2025 and FY2034, along with $500 billion in unspecified deficit reduction.
Congressional Committees have now been instructed to identify policy changes that align with these goals. Three of the most impactful committees—Agriculture, Energy and Commerce, and Ways and Means—have been tasked with proposing major changes. The Agriculture Committee is charged with finding $230 billion in savings, likely through changes to the Supplemental Nutrition Assistance Program (SNAP), also known as food stamps. Energy and Commerce must deliver $880 billion in savings, likely through Medicaid reductions. Meanwhile, the Ways and Means Committee must craft tax changes totaling no more than $4.5 trillion in new deficits, most likely through extending provisions of the 2017 Tax Cuts and Jobs Act. Although the resolution does not specify precise changes, reports suggest lawmakers are eyeing steep cuts to SNAP and Medicaid benefits while seeking to make permanent tax provisions that primarily benefit high-income individuals and corporations.
To examine the potential real-world impact, Yale’s Budget Lab modeled four policy changes that align with the resolution’s goals:
- A 30 percent across-the-board cut in SNAP funding.
- A 15 percent cut in Medicaid funding.
- Permanent extension of the individual and estate tax cuts from the 2017 Tax Cuts and Jobs Act.
- Permanent extension of business tax provisions including 100% bonus depreciation, expense of R&D, and relaxed limits on interest deductions.
Yale researchers determined that the combined effect of these policies would reduce the after-tax-and-transfer income of the bottom 20 percent of earners by 5 percent in the calendar year 2026. Households in the middle would see a modest 0.6 percent gain. However, the top five percent of earners would experience a 3 percent increase in their after-tax-and-transfer income.
Moreover, the analysis concluded that more than 100 percent of the net fiscal benefit from these changes would go to households in the top 20 percent of the income distribution. This happens because lower-income groups would lose more in government benefits than they would gain from any tax cuts. At the same time, high-income households would enjoy significant tax reductions with little or no loss in benefits.
“These results indicate a shift in resources away from low-income tax units toward those with higher incomes,” the Budget Lab report states. “In particular, making the TCJA provisions permanent for high earners while reducing spending on SNAP and Medicaid leads to a regressive overall effect.” The report notes that policymakers have floated a range of options to reduce SNAP and Medicaid outlays, such as lowering per-beneficiary benefits or tightening eligibility rules. While the Budget Lab did not assess each proposal individually, the modeling assumes legislation consistent with the resolution’s instructions. “The burden of deficit reduction would fall largely on those least able to bear it,” the report concluded.
#NNPA BlackPress
A Threat to Pre-emptive Pardons
BLACKPRESSUSA NEWSWIRE — it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process.

By April Ryan
President Trump is working to undo the traditional presidential pardon powers by questioning the Biden administration’s pre-emptive pardons issued just days before January 20, 2025. President Trump is seeking retribution against the January 6th House Select Committee. The Trump Justice Department has been tasked to find loopholes to overturn the pardons that could lead to legal battles for the Republican and Democratic nine-member committee. Legal scholars and those closely familiar with the pardon process worked with the Biden administration to ensure the preemptive pardons would stand against any retaliatory knocks from the incoming Trump administration. A source close to the Biden administration’s pardons said, in January 2025, “I think pardons are all valid. The power is unreviewable by the courts.”
However, today that same source had a different statement on the nuances of the new Trump pardon attack. That attack places questions about Biden’s use of an autopen for the pardons. The Trump argument is that Biden did not know who was pardoned as he did not sign the documents. Instead, the pardons were allegedly signed by an autopen. The same source close to the pardon issue said this week, “unless he [Trump] can prove Biden didn’t know what was being done in his name. All of this is in uncharted territory. “ Meanwhile, an autopen is used to make automatic or remote signatures. It has been used for decades by public figures and celebrities.
Months before the Biden pardon announcement, those in the Biden White House Counsel’s Office, staff, and the Justice Department were conferring tirelessly around the clock on who to pardon and how. The concern for the preemptive pardons was how to make them irrevocable in an unprecedented process. At one point in the lead-up to the preemptive pardon releases, it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process. President Trump began the threat of an investigation for the January 6th Select Committee during the Hill proceedings. Trump has threatened members with investigation or jail.
#NNPA BlackPress
Reaction to The Education EO
BLACKPRESSUSA NEWSWIRE — Meanwhile, the new Education EO jeopardizes funding for students seeking a higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college.

By April Ryan
There are plenty of negative reactions to President Donald Trump’s latest Executive Order abolishing the Department of Education. As Democrats call yesterday’s action performative, it would take an act of Congress for the Education Department to close permanently. “This blatantly unconstitutional executive order is just another piece of evidence that Trump has absolutely no respect for the Constitution,” said Rep. Maxine Waters (D-CA) who is the ranking member on the House Financial Services Committee. “By dismantling ED, President Trump is implementing his own philosophy on education, which can be summed up in his own words, ‘I love the poorly educated.’ I am adamantly opposed to this reckless action, said Rep. Bobby Scott who is the most senior Democrat on the House Education and Workforce Committee.
Morgan State University President Dr. David Wilson chimed in saying “I’m deeply concerned about efforts to shift federal oversight in education back to the states, particularly regarding equity, justice, and fairness. History has shown us what happens when states are left unchecked—Black and poor children are too often denied access to the high-quality education they deserve. In 1979 then President Jimmy Carter signed a law creating the Department of Education. Arne Duncan, former Obama Education Secretary, reminds us that both Democratic and Republican presidents have kept education a non-political issue until now. However, Duncan stressed Republican presidents have contributed greatly to moving education forward in this country.
During a CNN interview this week Duncan said during the Civil War President Abraham “Lincoln created the land grant system” for colleges like Tennessee State University. “President Ford brought in IDEA.” And “Nixon signed Pell Grants into law.” In 2001, the No Child Left Behind Act was signed into law by President George W. Bush which increased federal oversight of schools through standardized testing. Meanwhile, the new Education EO jeopardizes funding for students seeking higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college. Wilson details, “that 40 percent of all college students rely on Pell Grants and student loans.”
Rep. Alma Adams (D-NC) says this Trump action “impacts students pursuing higher education and threatens 26 million students across the country, taking billions away from their educational futures. Meanwhile, During the president’s speech in the East Room of the White House Thursday, Trump criticized Baltimore City, and its math test scores with critical words. Governor West Moore, who is opposed to the EO action, said about dismantling the Department of Education, “Leadership means lifting people up, not punching them down.”
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