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Spoken word artists, other talent featured in South L.A.

WAVE NEWSPAPERS — The stage at the Proud Bird restaurant sparkled with talent March 16 when the National Association for Equal Justice in America (NAEJA) held its first talent show that showcased young spoken word artists, comedians and singers.

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By Shirley Hawkins

LOS ANGELES — The stage at the Proud Bird restaurant sparkled with talent March 16 when the National Association for Equal Justice in America (NAEJA) held its first talent show that showcased young spoken word artists, comedians and singers.

“We wanted to attract more youth between the ages of 18 to 29 to join the organization,” said NAEJA President Royce Esters, who had been thinking about staging the talent show for two years.

Esters said that he wanted to showcase the creativity of young people and to present them with more opportunities. “If the youth are not going to school or enlisting to go into the service or working, they will spend their idol time selling dope, joining a gang or robbing,” Esters said.

Soof the Radio Kid kicked off the show by strumming his guitar and delivering an impassioned version of Bruno Mars’ “Locked Out of Heaven” to the delight of the crowd.

He was followed by a dreadlocked Kyle Smith who had traveled from New Orleans to Los Angeles to break into the comedy field. Smith kept the crowd chuckling with a funny monologue titled “Eyebrows” about a girl’s whimsical eyebrows.

Smith was followed by Watts native Maceo Bradley, who was dressed in a gold bow tie and suspenders and recited a sobering poem titled “Drowning” about his former rap crew. He said that all three of his friends had met untimely deaths.

“I wrote this song yesterday,” said Bradley, who doubled as the evening’s master of ceremonies. “One of my rap friends drowned and the other two got shot,” he said.

He recited the lyrics.

“I been drinking water like I breathe it, I’ve been seeking peace because I need it, gunshots up the block, another body dropped, I’m surprised that I don’t have my wings yet.”

During a pause in the show, Soof the Radio Kid showed off his impressive dance moves by demonstrating how to do the Floss, a popular dance. Several audience members joined him on the dance floor as lively music filled the air.

Poet/rapper Taylor Made recited a poem called ‘King,’ about a young man trying to shrug off the turmoil of life so that he can thrive.

“It’s about the plight of the black male in American society and some of the issues that we go through as black males,” he said.

Anisa, a spoken word artist and fashion stylist who sported a bright yellow T-shirt, read a poem praising black women, followed by spoken word artist LaVeda, who read a poem about being in love with her friend’s boyfriend.

The Real Little Malcolm recited a poem about growing up in Compton and hearing the constant sound of gunshots.

Ketayama Stewart, a former school counselor and Brooklyn transplant, recited a poem titled “Ebony” about a young dark hued woman who struggled to accept her beauty.

“I wrote this song in 10 minutes about a former student,” Stewart said. “She was beautiful, but she was insecure. She wanted to straighten her hair and to lose weight. But the beauty she sas seeking was already inside her.”

Khzzari had the crowd groovin’ with a jazzy song called “Operation Smooth” about the beauty of love that was accompanied over a funky soundtrack.

Jessie Andrews, also known by his rap name Jay Plus, recited a poem called “The Black State of Mind.”

He said that he had driven to Los Angeles from Albany, New York to break into the music business and become a rapper.

“I’m living in my car right now,” said Andrews, who is hoping to break into the rap business soon.

Feragi, who wore waist long braids and a bright green dress, recited a touching poem about black womens’ beauty.

Nia Ling, a high school senior and artist who had traveled from Riverside, unveiled her painting titled “The Planet of Love” which she donated to the top winner.

Taking the stage next was Shani, who recited a poem about Kalief Browder, a young man from the Bronx who was incarcerated on Riker’s Island for allegedly stealing a backpack.

“He was facing 15 years, but he was sentenced to three years in prison,” Shani said, adding that Browder was innocent of the charges. “He spent two of those years in solitary confinement,” said Shani, who added that Browder eventually committed suicide.

“I wanted to touch the sky, but instead I’m touching walls. Kids waiting on college letters, but I’m waiting on trial. You have me educating myself on how to be successful suicidal,” she recited.

Browder hung himself on June 6, 2015.

“I wrote the poem because I believe that the criminal justice system needs a lot of change,” said Shani. “Every day we’re seeing black and brown individuals being incarcerated for crimes they didn’t commit and they are not seeing trial.”

The audience was entranced by the surprise addition of singer Maricio Donaldson, a Compton native and finalist on “American Idol” who sang a riveting rendition of “A Change is Gonna Come.”

After much deliberation, judges awarded the third place prize of $100 to Feragi, the $200 dollar prize to LaVeda, and the first place prize of $500 to Shani.

Pamela Richardson, chairperson of Labor and Industry for NAEJA, donated $500 to the first place winner. NAEJA supplied the rest of the prize money.

“I was very pleased with the talent show,” said Esters, who said he is already looking forward to the second annual event next year. “People from Rialto, San Bernardino and Riverside came. Everybody seemed to enjoy it.”

Royce Esters founded NAEJA in 1997, which is a nonprofit organization that works to eliminate discrimination, reform the justice and prison systems and award educational scholarships.

This article originally appeared in the Wave Newspapers

Shirley Hawkins Contributing Writer

Activism

Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

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Late playwright August Wilson. Wikipedia photo.
Late playwright August Wilson. Wikipedia photo.

By Godfrey Lee

Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.

The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.

For more information, go to griottheatercompany.squarespace.com/productions-v2

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Activism

MLK Day of Service Volunteers Make Blankets and Art for Locals in Need

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

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Photo courtesy of the nonprofit.
Photo courtesy of the nonprofit.

By Kathy Chouteau
The Richmond Standard

The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.

Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.

Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.

CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects.  The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.

BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.

Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.

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Art

Vandalism at Richmond Ferry Terminal Saddens Residents

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

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Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.
Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.

The Richmond Standard

“This is why we can’t have nice things,” stated the post on NextDoor.

The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.

On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.

Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.

A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.

A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”

“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.

It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk.

“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.

On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.

On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.

Kathy Chouteau contributed to this report.

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