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Taraji P. Henson as Cookie at Heart of TV’s ‘Empire’

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The cast of Fox's new show, 'Empire.' (Michael Lavine/FOX)

The cast of Fox’s new show, ‘Empire.’ (Michael Lavine/FOX)

Sandy Cohen, ASSOCIATED PRESS

 

LOS ANGELES (AP) — ‘Taraji P. Henson is driving down an LA street, chatting on her cellphone, when a billboard catches her eye.

“Hi, me! Hiiii!” she says, smiling at her latest on-screen incarnation: glamorous ex-con Cookie in “Empire,” which premieres on Fox at 9 p.m. EST Wednesday.

Draped in fabulous furs and drenched in attitude, Henson’s Cookie is the heart of the Fox drama, a fiercely devoted mother and astute businesswoman who’s fearless when it comes to getting what she wants. Her sometimes-reluctant partner is Lucious Lyon (Terrence Howard), a music mogul deciding which of their three sons should run the family’s entertainment empire.

Henson has seen her face on billboards before, with dozens of film credits (including 2008’s “The Curious Case of Benjamin Button,” for which she earned a supporting actress Oscar nod) and popular TV series such as “Person of Interest” to her name.

“Sometimes I forget, you know what I mean?” she says. “I just go on about my day, and look up and go, ‘That’s right, I do have a TV show coming out!”

The 44-year-old actress pulled over to talk with The Associated Press about the new show and the empire that is Taraji P. Henson.

___

AP: Who is Cookie?

Henson: She is a hero. I mean, she is the truth. She is strong. She’s family first. She’s a lot of things. She doesn’t compromise at all — never herself, and never her truth. That’s what I love about her… She says things that I might not have the guts to say. I love the way she dresses. I love how much she cares about her sons.

AP: How is it working with Terrence Howard again, your old pal from “Hustle & Flow”?

Henson: I just know that I really like working with Terrence. I trust him. And for me as an artist — acting, you really have to be uninhibited. You cannot have any hang-ups. Or if you do, they can’t breathe and live through these characters, because their hang-ups aren’t your hang-ups. So for me in order to fully explore characters without throwing Taraji in the mix, I have to feel safe… And with Terrence, I’m so safe with him, I can try anything… We’re friends. We’ve known each other, so it really works for Cookie and Lucious. When they came to me with the project, I said it has to be Terrence. When I cracked open the script, I saw no one but Terrence.

AP: What’s most challenging to you as an actress right now?

Henson: Challenging is getting what I think I deserve to be paid. (It’s) challenging to get the projects I want done or greenlit. I’m still having to prove I’m bankable. But I think it’s getting better! I’m not one to wallow in the muck and say how bad. I don’t harp on how bad things are… My thing is to prove each and every time I’m on the screen — whether it’s TV, whether it’s film, whether it’s the stage — Taraji is going to deliver. So when I do get that moment — ’cause it’s coming, I work too hard — when I do get that moment, that perfect movie comes along and some studio is going to say, ‘I believe in her.’ Not me and a man. Not me and another guy, no. Taraji P. Henson is going to open this film. Then I know that I’m doing my job.

___

Follow AP Entertainment Writer Sandy Cohen on Twitter: www.twitter.com/APSandy.

Online: http://www.fox.com/empire.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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